Desesperados por pagar as contas, três planejam uma vingança ao banco que roubou todo seu dinheiro.Desesperados por pagar as contas, três planejam uma vingança ao banco que roubou todo seu dinheiro.Desesperados por pagar as contas, três planejam uma vingança ao banco que roubou todo seu dinheiro.
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is another one of those films that I've been meaning to watch and I've only just got round to it and I have to say, I wish I had watched it sooner.
It's a lovely little film with some good laughs and great characters played by some acting greats.
While this film will never go down as one of the greats of Hollywood, it is none the less a good old fashioned comedy with a good story line.
Some of the critics are trying to poke holes in it, and to be fair there are a few little hiccups and goofs, but it's a comedy, it's not supposed to be that accurate.
Watch it for what it is, A good old school comedy, and you will enjoy it as much as I did.
Personally, I really like the works of Zach Braff, I fell in love with him in the series "Scrubs", which, thanks to the actor's play of Braff, delighted the fans for many years. Later I became interested in his first feature film "Garden State", which showed an unusual director's style of Braff. Then, after many years, the second film "Wish i Was Here" appeared, in which the matured director shared with the audience his experiences about the upbringing of children and death. Before watching "Going in Style" i found out that the film is a remake of the same picture released in 1979, this prompted me first to see it. Let's move on to the film itself.
Actors Actors on the main roles, Braff took the first magnitude: Morgan Freeman, Michael Kane, Alan Arkin. Each of the actors is already a professional in their field, so they played at their good level: convincingly and vigorously. This film is the sixth joint work of Morgan Freeman and Michael Kane after the trilogy of Christopher Nolan about Batman and the "Now You See Me" dialog. Not a bad role was the young actress Joey King, who played the granddaughter of the character Michael Caine. I think that the actress will have many good and interesting roles in the future. Also pleased with the appearance of Christopher Lloyd, who was remembered by the majority for the role of Dr. Emmett Brown in the trilogy "Back to the Future".
Story As I wrote earlier, before watching this film, I already looked at the version of 1979. When I went to the film, I assumed that I would see the story one by one, only with the eyes of another director. But, as it turned out, the film's writers foresaw this and pleasantly surprised me by changing the plot in key places. Both films, the 1979 film and the Braff movie are based on the work of Edward Cannon.
Cinematography Separately, I would like to note the excellent and beautiful camera-work of Rodney Charters, which positively influenced the film and created for him a memorable style.
The Result Although the film is not based on the original script of Zach Braff, his style is still very clearly traced in the picture. I believe that under the leadership of Braff, the film turned out to be much more energetic and cheerful compared to the previous interpretation of the work of Edward Cannon. Remained pleasantly surprised and pleased of film. I look forward to the next product of Braff.
9 out of 10
Actors Actors on the main roles, Braff took the first magnitude: Morgan Freeman, Michael Kane, Alan Arkin. Each of the actors is already a professional in their field, so they played at their good level: convincingly and vigorously. This film is the sixth joint work of Morgan Freeman and Michael Kane after the trilogy of Christopher Nolan about Batman and the "Now You See Me" dialog. Not a bad role was the young actress Joey King, who played the granddaughter of the character Michael Caine. I think that the actress will have many good and interesting roles in the future. Also pleased with the appearance of Christopher Lloyd, who was remembered by the majority for the role of Dr. Emmett Brown in the trilogy "Back to the Future".
Story As I wrote earlier, before watching this film, I already looked at the version of 1979. When I went to the film, I assumed that I would see the story one by one, only with the eyes of another director. But, as it turned out, the film's writers foresaw this and pleasantly surprised me by changing the plot in key places. Both films, the 1979 film and the Braff movie are based on the work of Edward Cannon.
Cinematography Separately, I would like to note the excellent and beautiful camera-work of Rodney Charters, which positively influenced the film and created for him a memorable style.
The Result Although the film is not based on the original script of Zach Braff, his style is still very clearly traced in the picture. I believe that under the leadership of Braff, the film turned out to be much more energetic and cheerful compared to the previous interpretation of the work of Edward Cannon. Remained pleasantly surprised and pleased of film. I look forward to the next product of Braff.
9 out of 10
The age of comedy has certainly changed over the years, transitioning from the classic slapstick to a simpler, straightforward approach that today's youth loves. Yet, every once in a while, the legends from the past return in an attempt to bring some whit back to the silver screen. Tonight, my friend and I head back into the trenches of the local theater to give some insight into Going in Style starring the legendary trio of Morgan Freeman, Alan Arkin, and Michael Caine. Let's get started!
LIKES: Classic comedy Good chemistry between actors Cute Nicely tied together story
Summary: If the intro didn't spoil it for you, Going in Style is true to its name, as the trio brings the classic comedy back into style. Fans of the slapstick of yore are going to bust a gut at this film as the timeless styles of the leads continue to shine bright. Caine and Freeman have comedic timing and delivery down, with clever lines craftily intertwined in the serious dialogue that put today's writing to shame. Arkin on the other hand is all about the banter and complaining, which for the most part is balanced and well-placed. The trio have great chemistry together, and sell that they are best friends who have faced the challenge called life. They sell the struggles and praise the joys, and do it with such class and minimizing the stupid, mindless banter famous today. And in addition to being funny, the lack of crude comedy also makes this movie cute. Watching older men trying to rob a bank, while also getting their lives in order makes for an adorable adventure as my friend commented. Of course, this reviewer likes a story to his comedy, and Going in Style gets this right too. It's a hardy story for most ages, and one that won't have the older audience members shaking their heads in shame. This may also surprise you, but there were a couple of twists that fooled me, which isn't easy in the comedy genre.
DISLIKES: Predictable Depressing at times Old jokes get a bit stale
Summary: With a simple story as this, it's not surprising that much of the story is predictable. Given the theme of the movie, you should be able to predict most of the ending, and certainly can guess where things are going to go wrong. Therefore, the uniqueness of this movie takes a hit in the story department. And no surprise, the comedy is also predictable and therefore loses the comedy edge they wanted to deliver at least to me. While the trailers do promote the more fun atmosphere of the movie, don't let it fool you that it is all happiness and rainbows (that's the Smurfs!). Going in style emphasizes the end of life generation, highlighting the less than glorious problems of getting older. There are parts that brought me down as they emphasized the sadder qualities of life. Thank goodness for the consistent comedy, because otherwise this could have been a much harder movie to watch. Of all the comedy this movie has in its folds, they certainly stuck with the old theme of this movie. Positives, there are plenty of quips and class to the punches they throw. Bad news, the quips get older than the actors delivering them. How many insults about difficulties getting up can you make, or metaphors for being poor and not having a check. It's good political awareness (nice work there writers), but it would have been nice for a little more variety to work its way into the vaudeville.
The VERDICT:
Going in Style is one of the classier, wittier comedies to end up in the theater this year. Both this reviewer and his friend, enjoyed the trade of simplistic one-liners and innuendos for a less aggressive comedy style that shows the traditional style has not been lost quite yet. Despite the trade up though, the movie is still very predictable and simplistic enough to still be stuck in the mediocre territory. As much fun as I had in the movie, there isn't much to warrant it for a movie theater visit, unless you are a fan of the traditional comedy and looking for a fun group/date movie.
My scores are:
Comedy/Crime: 7.5 Movie Overall: 6.0
LIKES: Classic comedy Good chemistry between actors Cute Nicely tied together story
Summary: If the intro didn't spoil it for you, Going in Style is true to its name, as the trio brings the classic comedy back into style. Fans of the slapstick of yore are going to bust a gut at this film as the timeless styles of the leads continue to shine bright. Caine and Freeman have comedic timing and delivery down, with clever lines craftily intertwined in the serious dialogue that put today's writing to shame. Arkin on the other hand is all about the banter and complaining, which for the most part is balanced and well-placed. The trio have great chemistry together, and sell that they are best friends who have faced the challenge called life. They sell the struggles and praise the joys, and do it with such class and minimizing the stupid, mindless banter famous today. And in addition to being funny, the lack of crude comedy also makes this movie cute. Watching older men trying to rob a bank, while also getting their lives in order makes for an adorable adventure as my friend commented. Of course, this reviewer likes a story to his comedy, and Going in Style gets this right too. It's a hardy story for most ages, and one that won't have the older audience members shaking their heads in shame. This may also surprise you, but there were a couple of twists that fooled me, which isn't easy in the comedy genre.
DISLIKES: Predictable Depressing at times Old jokes get a bit stale
Summary: With a simple story as this, it's not surprising that much of the story is predictable. Given the theme of the movie, you should be able to predict most of the ending, and certainly can guess where things are going to go wrong. Therefore, the uniqueness of this movie takes a hit in the story department. And no surprise, the comedy is also predictable and therefore loses the comedy edge they wanted to deliver at least to me. While the trailers do promote the more fun atmosphere of the movie, don't let it fool you that it is all happiness and rainbows (that's the Smurfs!). Going in style emphasizes the end of life generation, highlighting the less than glorious problems of getting older. There are parts that brought me down as they emphasized the sadder qualities of life. Thank goodness for the consistent comedy, because otherwise this could have been a much harder movie to watch. Of all the comedy this movie has in its folds, they certainly stuck with the old theme of this movie. Positives, there are plenty of quips and class to the punches they throw. Bad news, the quips get older than the actors delivering them. How many insults about difficulties getting up can you make, or metaphors for being poor and not having a check. It's good political awareness (nice work there writers), but it would have been nice for a little more variety to work its way into the vaudeville.
The VERDICT:
Going in Style is one of the classier, wittier comedies to end up in the theater this year. Both this reviewer and his friend, enjoyed the trade of simplistic one-liners and innuendos for a less aggressive comedy style that shows the traditional style has not been lost quite yet. Despite the trade up though, the movie is still very predictable and simplistic enough to still be stuck in the mediocre territory. As much fun as I had in the movie, there isn't much to warrant it for a movie theater visit, unless you are a fan of the traditional comedy and looking for a fun group/date movie.
My scores are:
Comedy/Crime: 7.5 Movie Overall: 6.0
So here's the thing: if you told me, out of the blue, with no context whatsoever, that there was a heist flick with Michael Caine, Morgan Freeman, Alan Arkin and Ann-Margaret (or you could have me at just Caine) where they plot to rob the Brooklyn bank that's screwed them over after a royal f***-over from their blue collar job, I'd say 'sign me up!' That it would also be a comedy wouldn't be so bad an enticement either; one might be reminded of something that could've starred these same actors from the 70's (ever seen The Hot Rock?) and spiked with some relevant social issues. Matter of fact, as I only recently learned, this is a *remake* of a movie from the 70's (whether it had the same horrible-bank horrible-company thing I'm sure I don't know).
The problem is it's now 2017 and their age can't be taken out of the text of the film - this is the Grumpy Old Men or even The Bucket List of NYC heist movies - and the director Zach Braff is a hack. Sorry, but... no, I'm not sorry to type that. While I haven't Wish I Was Here, Garden State is not simply in retrospect but what I knew at the time to be an unconvincing and cloying indie that had some decent acting and (not mutually exclusive) some highly self-conscious directorial moves and writing that... well, it didn't date well then much less now.
I don't mean to beat up on Braff's film - good for him for making a movie, it wasn't a crime or anything - except to point to how in his third film out he has moved up to now making an unconvincing and typical and safe middle-brow comedy. It's not that the trailer even showed anything like an edge, but... damn, he could've tried, not to mention some twists and reveals near the end that made me groan so loud I got looks from some of the AARP folks in the theater. Oh, and the social issues are dealt kind of up front and we only sort of see the consequences/ramifications of what this does to people (it's closer to the depth of something like Tower Heist in that way).
And yet I have an admiration for this movie getting to see these faces and, at the least, Braff doesn't get too much in the way of Caine and Freeman and Arkin to do what they can with Melfi's also safe script. They work well together and I found myself laughing more than I expected from if not all of the dialog (though there's one or two clever moments from Melfi) then from how they deliver it. There's lifetimes of experience and knowledge and depths of pathos from these actors, even with Arkin who always seems to be Cranky-Ass Arkin (but this is likely an act, so to simply be this personality so convincingly is impressive), and they play off with as much comedy as they can get from the supporting cast like Christopher Lloyd as a dementia-ish Knights of Columbus fellow and Ann Margaret as Arkin's would-be love interest.
The heist itself is shown in broad strokes and we can buy it because, um, movie. I was fine with most of it, up until it strains credulity though this is largely when the alibis have to come out and all of the loose ends come together (and even here I could believe it, at least in the predictable-safe world its set in). Maybe my critical standards are getting rusty and I should harsher on this, not the least because it features a set-up involving a botched preparatory theft of... ingredients for Chicken Cordon-Bleu from a small super-market that is paid off in a way that makes less sense than it should. I wanted it to do a little more, but what it gave me was fine - I may just be a sucker for this cast and that, for what morsels they're given, they do as much and then some with it. It's an excellent Laundromat Movie: if it came on while I was doing/waiting for my laundry, I'd be highly satisfied.
In a theater.... ehhh... Extra points too for Matt Dillon as a non-plussed cop and a humorous Keenan Thompson as the security hack at the super-market.
The problem is it's now 2017 and their age can't be taken out of the text of the film - this is the Grumpy Old Men or even The Bucket List of NYC heist movies - and the director Zach Braff is a hack. Sorry, but... no, I'm not sorry to type that. While I haven't Wish I Was Here, Garden State is not simply in retrospect but what I knew at the time to be an unconvincing and cloying indie that had some decent acting and (not mutually exclusive) some highly self-conscious directorial moves and writing that... well, it didn't date well then much less now.
I don't mean to beat up on Braff's film - good for him for making a movie, it wasn't a crime or anything - except to point to how in his third film out he has moved up to now making an unconvincing and typical and safe middle-brow comedy. It's not that the trailer even showed anything like an edge, but... damn, he could've tried, not to mention some twists and reveals near the end that made me groan so loud I got looks from some of the AARP folks in the theater. Oh, and the social issues are dealt kind of up front and we only sort of see the consequences/ramifications of what this does to people (it's closer to the depth of something like Tower Heist in that way).
And yet I have an admiration for this movie getting to see these faces and, at the least, Braff doesn't get too much in the way of Caine and Freeman and Arkin to do what they can with Melfi's also safe script. They work well together and I found myself laughing more than I expected from if not all of the dialog (though there's one or two clever moments from Melfi) then from how they deliver it. There's lifetimes of experience and knowledge and depths of pathos from these actors, even with Arkin who always seems to be Cranky-Ass Arkin (but this is likely an act, so to simply be this personality so convincingly is impressive), and they play off with as much comedy as they can get from the supporting cast like Christopher Lloyd as a dementia-ish Knights of Columbus fellow and Ann Margaret as Arkin's would-be love interest.
The heist itself is shown in broad strokes and we can buy it because, um, movie. I was fine with most of it, up until it strains credulity though this is largely when the alibis have to come out and all of the loose ends come together (and even here I could believe it, at least in the predictable-safe world its set in). Maybe my critical standards are getting rusty and I should harsher on this, not the least because it features a set-up involving a botched preparatory theft of... ingredients for Chicken Cordon-Bleu from a small super-market that is paid off in a way that makes less sense than it should. I wanted it to do a little more, but what it gave me was fine - I may just be a sucker for this cast and that, for what morsels they're given, they do as much and then some with it. It's an excellent Laundromat Movie: if it came on while I was doing/waiting for my laundry, I'd be highly satisfied.
In a theater.... ehhh... Extra points too for Matt Dillon as a non-plussed cop and a humorous Keenan Thompson as the security hack at the super-market.
The new film, GOING IN STYLE, is the equivalent of eating a Grilled Cheese Sandwich with Tomato Soup on a cold, rainy Sunday afternoon - very familiar, very welcome and very comforting. It's not going to win any Academy Awards or change the course of movie history, but this film delivers - competently and professionally - what it promises to deliver with no fuss and no muss.
Starring film veterans Michael Caine, Morgan Freeman and Alan Arkin, GOING IN STYLE tells the story of how these three are pressed against the wall, financially, and their last resort is to rob a bank to get the money they need.
And...it's fun...not hilarious...not groundbreaking, but fun. Caine, Freeman and Arkin believably play 3 long time friends who are nearing the end. There is a comfort there with each other and it was pleasant to spend time with them. Joining them was the one and only Ann- Margret and the always fun Christopher Lloyd (in, hands down, the best performance and most interesting character in the film).
Notice, I've used the words comforting, pleasant and pleasing. I did NOT use the words groundbreaking, hilarious or epic. I certainly enjoyed myself and am glad I saw it.
And you will too, whether you see this film in the movie theater or run across it as you are lying on the couch some rainy Sunday afternoon.
Letter Grade: a solid "B"
7 (out of 10) stars and you can take that to the Bank (of Marquis)
Starring film veterans Michael Caine, Morgan Freeman and Alan Arkin, GOING IN STYLE tells the story of how these three are pressed against the wall, financially, and their last resort is to rob a bank to get the money they need.
And...it's fun...not hilarious...not groundbreaking, but fun. Caine, Freeman and Arkin believably play 3 long time friends who are nearing the end. There is a comfort there with each other and it was pleasant to spend time with them. Joining them was the one and only Ann- Margret and the always fun Christopher Lloyd (in, hands down, the best performance and most interesting character in the film).
Notice, I've used the words comforting, pleasant and pleasing. I did NOT use the words groundbreaking, hilarious or epic. I certainly enjoyed myself and am glad I saw it.
And you will too, whether you see this film in the movie theater or run across it as you are lying on the couch some rainy Sunday afternoon.
Letter Grade: a solid "B"
7 (out of 10) stars and you can take that to the Bank (of Marquis)
Você sabia?
- CuriosidadesAccording to his autobiography, Sir Michael Caine said this movie was the happiest he ever made. This was because filming took place during the school holidays and Caine was able to bring his family along to New York City, including his grandchildren and in-laws, for filming. He found a house close to the set that they all stayed at and were able to enjoy the holidays together.
- Erros de gravaçãoJoe and his crew supposedly steal more than $2 million dollars without going into the bank vault. A bank does not keep that kind of money in the tellers' cash drawers at one time.
- Citações
Joe: These banks practically destroyed this country. They crushed a lot of people's dreams, and nothing ever happened to them. We three old guys, we hit a bank. We get away with it, we retire in dignity. Worse comes to worst, we get caught, we get a bed, three meals a day, and better health care than we got now.
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- How long is Going in Style?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Un golpe con estilo
- Locações de filme
- 90 Kent Ave, Brooklyn, Nova Iorque, EUA(Carnival)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.018.541
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.932.330
- 9 de abr. de 2017
- Faturamento bruto mundial
- US$ 85.218.541
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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