AVALIAÇÃO DA IMDb
5,8/10
5,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSarah and Josh are married suburbanites. After a car accident, Sarah suffers blackouts. As her life spirals she hides a camera in her home and unlocks a horrific secret with far-reaching con... Ler tudoSarah and Josh are married suburbanites. After a car accident, Sarah suffers blackouts. As her life spirals she hides a camera in her home and unlocks a horrific secret with far-reaching consequences.Sarah and Josh are married suburbanites. After a car accident, Sarah suffers blackouts. As her life spirals she hides a camera in her home and unlocks a horrific secret with far-reaching consequences.
- Direção
- Roteiristas
- Artistas
Pete Williams
- Officer Williams
- (as Peter S. Williams)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film was a pleasant surprise! It keeps you wondering throughout the initial half, and delivers deftly conceived twists as the story progresses. Of course, like any film that deals with extraordinary phenomena, you have to be willing to suspend your incredulity for the sake of entertainment. The acting is good, and the production value is decent for a DtDVD film. I won't do any spoilers, since most of the entertainment value is derived from keeping the audience guessing about what's going on.
Just don't give up on this one early on when things don't seem to make sense.
Enjoy!
Just don't give up on this one early on when things don't seem to make sense.
Enjoy!
This no-name cast, low budget film pleasantly surprised me. The weird and unique premise plays out as a good mix of psychological thriller/supernatural horror. Yes, there are some eye-roll-inducing moments and general cheesiness in parts, but overall it's well done with a satisfying ending. (Random side note: the lead actress looks just like Kellie Pickler.)
'Come Back to Me' is a reasonably good horror movie I'd have to say. It starts off with a scene involving a violent, bloody murder and I thought "here we go again" into the "seen it all before" category, but I was wrong. The movie gets better and better as it goes on, until the conclusion which is very well executed and clever.
It's based on the novel 'The Resurrectionist'. I don't imagine many horror movies are based on books but ones that are often seem to have an extra layer of quality to them. The frights are OK without being ever being brilliantly executed. There is an overall chill to the atmosphere though, which keeps the viewer on the edge of their seat. There are of course the usual instances of characters doing completely unrealistic and unreasonable things, but if you can find me a horror movie without an example of that I'd like to see it. Altogether a good effort.
It's based on the novel 'The Resurrectionist'. I don't imagine many horror movies are based on books but ones that are often seem to have an extra layer of quality to them. The frights are OK without being ever being brilliantly executed. There is an overall chill to the atmosphere though, which keeps the viewer on the edge of their seat. There are of course the usual instances of characters doing completely unrealistic and unreasonable things, but if you can find me a horror movie without an example of that I'd like to see it. Altogether a good effort.
First let me note that I've been a horror movie fan since age 5, and I've seen thousands of films in the genre. I would stack this one up against almost any I've seen, including such classics as "the Texas Chainsaw Massacre" by Toby Hooper and David Cronenberg's "Videodrome"; it's truly a unique, thoughtful, and disturbing film.
The film effortlessly weaves the ordinary horror of a stalker movie with the extraordinary horror of the supernatural. The director knows when to pile on the gore and when to hold discreetly back; the big fright scenes hit me with a physical impact that I haven't experienced in any film in a long time. The actors were completely unfamiliar to me--which made it easier to see and accept them as the characters, as opposed to their real selves, of course--and thoroughly convincing in their roles. Most horror movies rely on bad decisions by the characters--often inexplicably bad decisions--to drive the plot; not this one. The characters behave logically given their beliefs, and the plot is driven by their increasingly acute understanding of their situation, not by the kind of artificial idiocy that screenwriters turn to when they can't figure out a good reason why any sane person would open the door to the monster's lair.
Finally, the film is constructed so as to keep the audience guessing about what's real and what's not for almost its entire length. It's rare that a director can pull the audience's strings so effectively, over and over, without giving anything away. The logic of the film is satisfying, and it builds to a remarkably powerful conclusion that is both surprising and entirely earned.
I repeat that this overlooked movie is one of the best I've seen in the genre. If your taste in horror movies runs to none, or to the excuses for nonstop on screen dismemberment that many modern horror films embody, you may find it not to your liking. If you want a film that combines visceral horror with mystery and a highly original concept, this is for you.
The film effortlessly weaves the ordinary horror of a stalker movie with the extraordinary horror of the supernatural. The director knows when to pile on the gore and when to hold discreetly back; the big fright scenes hit me with a physical impact that I haven't experienced in any film in a long time. The actors were completely unfamiliar to me--which made it easier to see and accept them as the characters, as opposed to their real selves, of course--and thoroughly convincing in their roles. Most horror movies rely on bad decisions by the characters--often inexplicably bad decisions--to drive the plot; not this one. The characters behave logically given their beliefs, and the plot is driven by their increasingly acute understanding of their situation, not by the kind of artificial idiocy that screenwriters turn to when they can't figure out a good reason why any sane person would open the door to the monster's lair.
Finally, the film is constructed so as to keep the audience guessing about what's real and what's not for almost its entire length. It's rare that a director can pull the audience's strings so effectively, over and over, without giving anything away. The logic of the film is satisfying, and it builds to a remarkably powerful conclusion that is both surprising and entirely earned.
I repeat that this overlooked movie is one of the best I've seen in the genre. If your taste in horror movies runs to none, or to the excuses for nonstop on screen dismemberment that many modern horror films embody, you may find it not to your liking. If you want a film that combines visceral horror with mystery and a highly original concept, this is for you.
That was a weird movie and I must say, I've never seen that before. I did not expect it. Its not a masterpiece by any means but it sure gets points for originality. Not all of the character's choices of actions made complete sense but its more than forgivable all things considered. I liked it and do recommend.
Você sabia?
- CuriosidadesFilm debut of Maura West.
- Erros de gravação(at around 51 mins) When Leslie walks Sarah into the bedroom and to the bed, through the bedroom doorway you can see a person's arm holding Buster(the dog)until his cue to enter the room behind the two women.
- Cenas durante ou pós-créditosA baby coos during the final seconds of the credits.
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- How long is Come Back to Me?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.744
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.156
- 27 de jul. de 2014
- Faturamento bruto mundial
- US$ 7.744
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Proporção
- 2.35 : 1
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