Depois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu... Ler tudoDepois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu passado, ela é arrastada para uma casa que respira, sangra e lembra.Depois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu passado, ela é arrastada para uma casa que respira, sangra e lembra.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 45 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Crimson Peak is a spooky movie about a woman (Edith) who falls in love with a mysterious man (Thomas) who is trying to restore his mining business. Thomas has a dilapidated family home which is sinking into his clay mine.
Plot- The start of the movie was its weakest point in my opinion. Thomas' appearance felt forced to begin with but in retrospect fitted with the story. I'm not a fan of lengthy time skips (few days or maybe a month) and the start of this movie had a few. This led to the romance between Thomas and Edith mostly happening offscreen and felt rushed. Once the characters arrived at Thomas' house (crimson peak) my enjoyment of the movie skyrocketed.
I personally thought that the plot was quite simple, which isn't necessarily a problem but I was left wanting to see more of the house and the characters could've been explored further, especially Thomas. There was a good explanation for the ghosts but it was done at the wrong time and this is my least favourite part of the movie and what I think is the weakest scene.
Cinematography- The way this movie looks is excellent. It's gorgeous. The only criticism I have is the weak CGI. It's not terrible, but I could tell it was CGI.
Length- I thought that it was an enjoyable length for me and it didn't outstay its welcome, just a shame it left me wanting more.
Immersion- For me, what went on was believable in the context of the movie (or depending on your beliefs regarding ghosts.) The time skips at the start hurt my ability to get really immersed, but I never looked at my watch.
Soundtrack- The music was fine and wasn't distracting. None of the tracks apart from the main theme really stood out to me.
Would I watch it again- Yes, I plan on watching it again.
The sets, costumes and general atmosphere are sumptuous in that signature del Toro way. The luxurious train on the heroine's robe that audibly thumps behind her as she sweeps down the staircase? Yes, please. There is a nod to all the images our minds ever conjured while reading fairy tales. The rich colors, the music, the textures all help draw us in to this world and settle us in for the story.
The film is not without its flaws. There are a few glaring plot contrivances that had me groaning. There is a superficial quality to the scenes involving Thomas Sharpe's clay mining business.
I was impressed with Jessica Chastain's talent for conveying two conflicting emotions at once, all playing out on her face, reminiscent of Gillian Anderson in Bleak House.
Near the end of the 18th century, aspiring author Edith Cushing (Wasikowska) meets a struggling inventor by the name of Thomas Sharpe (Hiddleston). The two quickly fall in love and move into Sharpe's dilapidating mansion - which is also inhabited by Thomas' sister, Lucille (Chastain). Once there, Edith slowly realizes that not everything is what it seems and decides to dig deeper, in spite of the growing dangers.
First, 'Crimson Peak' is not a horror film; it is a 'gothic romance' (with some horror elements thrown into the mix). The genre hasn't been visited upon for decades, yet Del Toro does a fine job of offering his own take on it. The film also contains plenty of blood and gore - so if you don't have a stomach for that kind of stuff, your chances of finishing this film are nil (for there are far more disturbing aspects).
The story constantly switches in tone. I get that its a 'gothic romance' (two genres that can't be any further apart from each other), but it can get confusing for some people very quickly. One scene might seem like it was from a romantic period film while the next might seem like something out of a thriller! I think Del Toro and Robbins did a fine job of balancing the pacing, but they could have certainly tweaked a few things and cut the runtime down by an extra ten or fifteen minutes.
That being said, the plot is pretty straightforward - up until the last third of the film. Again, there are some disturbing details that both Edith and the audience discover. It took me some time to connect certain things, but I eventually figured out the bigger picture. Nevertheless, the very nature of this film will undoubtedly shock you - and will do it in a way that no other film released this year has.
Both Wasikowska and Hiddleston give good performances, but Chastain is the standout. Her role as a cold-hearted, manipulative aristocrat is done with sheer excellence; you can't help but suspect of her something. She allures your attention with her mysterious persona, yet you can't help but hate her for who she truly is.
Just like in any other Del Toro film, the visuals in this film are amazing. This time, instead of the visual effects (like in 'Pacific Rim'), the main focus is on the production design and costume design. Every set, prop, and article of clothing not only have their own unique design but are also very telling of a scene's or character's given mood (now that's some good attention to detail). I would honestly be shocked if this film wasn't nominated for Best Prod. Design nor Best Costume (although I also wouldn't be surprised as the Academy usually forgets about films like these).
Despite its narrative problems, 'Crimson Peak' is a grand visual experience that needs to be seen on the big screen (notwithstanding the blood and gore). Del Toro's directing has not faltered one bit, and he truly has come up with an original concept that we haven't seen in a very long time. And although I didn't completely fall in love with this film, I will say I'm glad I watched it in theatres.
My actual rating for this film is 7.5/10
But it might get a second life in the video circuit as people might still discover this very enjoyable movie. Big thumbs up for me!
6/10.
Você sabia?
- CuriosidadesThough the house was built in its entirety, it had to be torn down at the end of the shoot in order to make space in the studio.
- Erros de gravaçãoDr. Alan claims that it would be impossible to fake a ghost photograph with glass plates. In fact at the time a lot of 'ghost photos' were made with glass plates, because the expensive plates were re-used, and if not cleaned properly, a 'ghost' image would remain.
- Citações
Lucille Sharpe: But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.
- Cenas durante ou pós-créditosThe first half of the end credits reveals that Edith adapted her experience in the film into a book titled "Crimson Peak".
- Trilhas sonorasIn the Sails of Your Dreams
Written by Guillermo del Toro and Fernando Velázquez (as Fernando Velásquez)
Principais escolhas
- How long is Crimson Peak?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La cumbre escarlata
- Locações de filme
- Kingston, Ontário, Canadá(Market Square Downtown outside city hall)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.090.320
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.143.310
- 18 de out. de 2015
- Faturamento bruto mundial
- US$ 74.679.822
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1