Depois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu... Ler tudoDepois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu passado, ela é arrastada para uma casa que respira, sangra e lembra.Depois de uma tragédia familiar, uma aspirante a escritora se vê dividida entre o amor por seu amigo de infância e a tentação de um estranho misterioso. Tentando escapar dos fantasmas de seu passado, ela é arrastada para uma casa que respira, sangra e lembra.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 45 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Crimson Peak is a spooky movie about a woman (Edith) who falls in love with a mysterious man (Thomas) who is trying to restore his mining business. Thomas has a dilapidated family home which is sinking into his clay mine.
Plot- The start of the movie was its weakest point in my opinion. Thomas' appearance felt forced to begin with but in retrospect fitted with the story. I'm not a fan of lengthy time skips (few days or maybe a month) and the start of this movie had a few. This led to the romance between Thomas and Edith mostly happening offscreen and felt rushed. Once the characters arrived at Thomas' house (crimson peak) my enjoyment of the movie skyrocketed.
I personally thought that the plot was quite simple, which isn't necessarily a problem but I was left wanting to see more of the house and the characters could've been explored further, especially Thomas. There was a good explanation for the ghosts but it was done at the wrong time and this is my least favourite part of the movie and what I think is the weakest scene.
Cinematography- The way this movie looks is excellent. It's gorgeous. The only criticism I have is the weak CGI. It's not terrible, but I could tell it was CGI.
Length- I thought that it was an enjoyable length for me and it didn't outstay its welcome, just a shame it left me wanting more.
Immersion- For me, what went on was believable in the context of the movie (or depending on your beliefs regarding ghosts.) The time skips at the start hurt my ability to get really immersed, but I never looked at my watch.
Soundtrack- The music was fine and wasn't distracting. None of the tracks apart from the main theme really stood out to me.
Would I watch it again- Yes, I plan on watching it again.
Sadly, there are some noticeable downsides. The most obvious one is how slowly this film starts, with seemingly very little happening for the first twenty or so minutes. The focus is very heavily on the plot, and while some characters are developed more slowly because it ties in with the plot, others can feel underdeveloped. When this is combined with the slow start, it makes the first part of this film fairly boring. Some of the chronology of this film can seem slightly strange as well, when scrutinised.
However, despite its faults, this is still a good film and worth watching. 7/10
"Crimson Peak" is set in the late 19th century, first in New York, then in rural England. Edith Cushing (Mia Wasikowska) is a young budding writer who is intelligent, beautiful, and strong willed, refusing to allow Victorian sensibilities dictate what she can and cannot do, and as a result butts heads with those around her. Thomas Sharpe (Tom Hiddleston) is an English aristocrat and inventor who is in New York seeking financial backing for his mechanized clay mining business back home. When tragedy strikes, Thomas marries Edith and brings her to his home, Allerdale Hall in Cumberland, where his sister Lucille Sharpe (Jessica Chastain) is waiting. As Edith tries to fit into her new surroundings, she discovers that secrets abound and nothing is as it seems.
The visuals in "Crimson Peak" are so glorious, they are almost overwhelming. The sets are spectacular visions of beauty and decadence in decay; costumes are intricately detailed and gorgeous; the lighting and over saturated color bring depth and meaning; the ghosts are grotesquely beautiful; and, of course, the del Toro trademarks of insects and clockwork gracefully found their way into the story as well.
Because "Crimson Peak" is a rather large studio production, it is being marketed to a large audience. I believe this accounts for some of the lackluster reviews I have been reading. If one is not familiar with del Toro's prior Spanish language films, they may not understand his unique cinematic perspective. For some, this will mark the beginning of a journey into del Toro's fantasy world, for others it will be a disappointment. For me, it was almost everything I wanted it to be.
But it might get a second life in the video circuit as people might still discover this very enjoyable movie. Big thumbs up for me!
The art design including costumes, scenery, stylization, camera operating and everything made to satisfy the eye is perfectly done with detail. The topic for it's self must be the house of the Sharp family. The building has its own spirit, which the characters itself unfortunately lack.
And characters is the next important thing to talk about. There is quite a top actors basis. Mia Wasikowska representing a young Victorian woman absolutely fits. Tom Hiddleston as the wanted perfect man with dark secrets is a natural choice. And finally the amazing Jessica Chastain showed a perfect performance as the evil sister. She nearly stole the whole spectacle for herself. But still it does not work very well. The main problem is that the relationship between Edith and Thomas is not believable. They lack ''chemistry''. Some converging and strongly intimate scenes are missing. The other problem is Edith Cushing herself. When arriving at the house, she suddenly changes from an intelligent emancipated woman to classic scared horror virgin type who needs a protection and loses a good deal of sympathy.
The story itself is predictable, and so does not need to be focused on. Maybe the reason is that Guillermo del Torro planned to shoot this picture a long time ago and he simply lost the connection with the topic and focused on technical stuff. On the other hand, this is an opportunity to see a pure cliché, not meant in a bad way, horror- drama movie with all its attributes and great visual quality. The treatment with sounds for increasing the tension is comparable to The Woman in Black (2012).
It does not deserve to be strongly criticized nor praised, but since I'm fan of all three actors and Guillermo del Toro, I must say I enjoyed it quite a lot.
Você sabia?
- CuriosidadesThough the house was built in its entirety, it had to be torn down at the end of the shoot in order to make space in the studio.
- Erros de gravaçãoDr. Alan claims that it would be impossible to fake a ghost photograph with glass plates. In fact at the time a lot of 'ghost photos' were made with glass plates, because the expensive plates were re-used, and if not cleaned properly, a 'ghost' image would remain.
- Citações
Lucille Sharpe: But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.
- Cenas durante ou pós-créditosThe first half of the end credits reveals that Edith adapted her experience in the film into a book titled "Crimson Peak".
- Trilhas sonorasIn the Sails of Your Dreams
Written by Guillermo del Toro and Fernando Velázquez (as Fernando Velásquez)
Principais escolhas
- How long is Crimson Peak?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La cumbre escarlata
- Locações de filme
- Kingston, Ontário, Canadá(Market Square Downtown outside city hall)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.090.320
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.143.310
- 18 de out. de 2015
- Faturamento bruto mundial
- US$ 74.679.822
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1