Guruvayoor Ambalanadayil
- 2024
- 2 h 12 min
AVALIAÇÃO DA IMDb
6,6/10
5,4 mil
SUA AVALIAÇÃO
Um jovem que está prestes a se casar, mas devido a uma maré de azar e circunstâncias inesperadas, ele acaba se casando com uma mulher que o odeia.Um jovem que está prestes a se casar, mas devido a uma maré de azar e circunstâncias inesperadas, ele acaba se casando com uma mulher que o odeia.Um jovem que está prestes a se casar, mas devido a uma maré de azar e circunstâncias inesperadas, ele acaba se casando com uma mulher que o odeia.
- Prêmios
- 1 indicação no total
Nivin Mirror
- Vinus cousin
- (as Nivin Nair)
Avaliações em destaque
"Guruvayoor Ambalanadayil," and I must say, it was a delightful surprise! I initially went in with some reservations, fearing it might be a flop, but the movie turned out to be an absolute entertainer that surpassed all my expectations.
From start to finish, "Guruvayoor Ambalanadayil" keeps the audience engaged with its perfect blend of humor and heartwarming moments. The film's comedic elements are well-crafted, ensuring laughter for people of all ages. The script is peppered with witty dialogues and hilarious situations that had the entire theater roaring with laughter.
The performances are top-notch, with each actor bringing their unique charm to the screen. The characters are relatable and endearing, making it easy for the audience to connect with their journeys. The chemistry between the cast members adds an extra layer of enjoyment to the film.
The direction is commendable, as it maintains a steady pace and ensures that the humor never feels forced or over-the-top. Overall, "Guruvayoor Ambalanadayil" is a must-watch for anyone looking for a good laugh and a wholesome movie experience. It's a feel-good entertainer that guarantees a fun time for audiences of all ages. Don't miss out on this gem - it's a guaranteed mood-lifter!
From start to finish, "Guruvayoor Ambalanadayil" keeps the audience engaged with its perfect blend of humor and heartwarming moments. The film's comedic elements are well-crafted, ensuring laughter for people of all ages. The script is peppered with witty dialogues and hilarious situations that had the entire theater roaring with laughter.
The performances are top-notch, with each actor bringing their unique charm to the screen. The characters are relatable and endearing, making it easy for the audience to connect with their journeys. The chemistry between the cast members adds an extra layer of enjoyment to the film.
The direction is commendable, as it maintains a steady pace and ensures that the humor never feels forced or over-the-top. Overall, "Guruvayoor Ambalanadayil" is a must-watch for anyone looking for a good laugh and a wholesome movie experience. It's a feel-good entertainer that guarantees a fun time for audiences of all ages. Don't miss out on this gem - it's a guaranteed mood-lifter!
The film starts off with an incredible bang, delivering a first half that is nothing short of a laugh riot. The initial setup is expertly crafted, replete with sharp writing, well-timed humor, and engaging character dynamics that keep you thoroughly entertained. The direction in this segment is tight, the pacing brisk, and the comedy hits the mark with consistent precision. This is the part of the film that I'd eagerly recommend to anyone looking for a good time at the movies. However, a word of caution is necessary: brace yourself for a noticeable dip in quality as the film progresses into its second half.
After intermission, the movie unfortunately takes a nosedive. The writing loses its earlier sharpness, giving way to a series of poorly constructed scenes that left me cringing in my seat. The once bright and engaging storyline becomes muddled and directionless. It seems as though the writers ran out of steam, resulting in a narrative that drags and feels aimless. The climax, in particular, is disappointingly stretched out, leading to an unsatisfying and gloomy conclusion. What started as a promising journey ends on a sour note, leaving the audience with a sense of unfulfilled potential.
One of the most glaring issues in the second half is the underutilization of Yogi Babu. Known for his impeccable comedic timing and distinctive screen presence, Yogi Babu could have significantly elevated the film had his talents been properly harnessed.
Additionally, the introduction of too many characters mid-way through the film further complicates the narrative. Rather than enriching the story, these characters clutter the plot and detract from the central storyline. The focus shifts erratically, and the film struggles to maintain the coherence and charm that characterized its beginning. This overcrowding dilutes the impact of the main characters, making it hard for the audience to stay invested in their arcs.
In summary, this movie is a textbook example of a tale of two halves. The first half promises a delightful cinematic experience filled with humor and wit, making it a must-watch. However, the second half's weak writing, poor utilization of key talent, and an overabundance of characters derail the film, resulting in a frustrating and lackluster conclusion. If you do decide to watch this film, you might find yourself contemplating leaving at intermission to preserve.
After intermission, the movie unfortunately takes a nosedive. The writing loses its earlier sharpness, giving way to a series of poorly constructed scenes that left me cringing in my seat. The once bright and engaging storyline becomes muddled and directionless. It seems as though the writers ran out of steam, resulting in a narrative that drags and feels aimless. The climax, in particular, is disappointingly stretched out, leading to an unsatisfying and gloomy conclusion. What started as a promising journey ends on a sour note, leaving the audience with a sense of unfulfilled potential.
One of the most glaring issues in the second half is the underutilization of Yogi Babu. Known for his impeccable comedic timing and distinctive screen presence, Yogi Babu could have significantly elevated the film had his talents been properly harnessed.
Additionally, the introduction of too many characters mid-way through the film further complicates the narrative. Rather than enriching the story, these characters clutter the plot and detract from the central storyline. The focus shifts erratically, and the film struggles to maintain the coherence and charm that characterized its beginning. This overcrowding dilutes the impact of the main characters, making it hard for the audience to stay invested in their arcs.
In summary, this movie is a textbook example of a tale of two halves. The first half promises a delightful cinematic experience filled with humor and wit, making it a must-watch. However, the second half's weak writing, poor utilization of key talent, and an overabundance of characters derail the film, resulting in a frustrating and lackluster conclusion. If you do decide to watch this film, you might find yourself contemplating leaving at intermission to preserve.
Guruvayoorambala Nadayil follows the path of so many great 90s family comedy movies of Malayalam and updated it for the new generation. The bRomance between Basil's and Prithviraj's characters is truly the highlight of the movie. When Basil says "Ente Aanandhettan" that's better than all the romantic movies I've seen recently. The comedy of errors in the last act wasn't perfect but it had enough things going on well, that it worked really great. Guruvayoor in Malayalam cinema couldn't be mentioned without Nandhanam and that part was really nicely executed. Non-Malayalis who started watching Malayalam films recently would totally get confused by some of the things at the end.
The Guruvayoor sets were incredible. If I didn't know it was a set, I would've believed it was the real temple where I've visited so many times. Seeing places near Guruvayoor that I know very well was nice too.
I wasn't really impressed with the songs but the way they were visualized was nice. The really sad thing is how underutilized the female characters are when there is space for them to do things. Both Anaswara and Nikhila could have done way more in so many scenes that felt unfinished. Especially Nikhila Vimal is wasted with showing such potential for the character with that intro and plot points. That intro she got was really awesome and a fan inside me was ready to watch her do something but alas, she got to do nothing. It felt like there might have been more that was shot but they couldn't really coherently put it together, so opted to sideline them instead.
But despite all the flaws it had, it was an entertainer from start to finish in a purely Malayali way. Having a houseful responsive audience really do help with these types of films.
The Guruvayoor sets were incredible. If I didn't know it was a set, I would've believed it was the real temple where I've visited so many times. Seeing places near Guruvayoor that I know very well was nice too.
I wasn't really impressed with the songs but the way they were visualized was nice. The really sad thing is how underutilized the female characters are when there is space for them to do things. Both Anaswara and Nikhila could have done way more in so many scenes that felt unfinished. Especially Nikhila Vimal is wasted with showing such potential for the character with that intro and plot points. That intro she got was really awesome and a fan inside me was ready to watch her do something but alas, she got to do nothing. It felt like there might have been more that was shot but they couldn't really coherently put it together, so opted to sideline them instead.
But despite all the flaws it had, it was an entertainer from start to finish in a purely Malayali way. Having a houseful responsive audience really do help with these types of films.
Movie focused on entertainment and comedy - but is not perfect or even close to perfect interms of logical consistency, profound story. Message or even screenplay - but was enjoyable nonetheless!
The movie is focused pretty much on the hot and cold bromance and relationship between Prithviraj and Basil - at the cost of the side characters. In a comedy, this could be forgiven - though felt many stellar actors are wasted due to this - mainly Nikila (who apart for a brief window towards to end) was a mute spectator, similarly Jagadeesh, Baiju etc.
The cameo by Yogibabu though was funny - but for those familiar with his Tamil movies would find it pretty flat and un-original - there are 10s if not 100s of films were he has done the same (expression, dialogues, actions all pretty much the same)
The main problem I had was the below average music - none of the songs made any lasting impressions. After watching movie I could not even recollect a single song from the movie !
The movie is focused pretty much on the hot and cold bromance and relationship between Prithviraj and Basil - at the cost of the side characters. In a comedy, this could be forgiven - though felt many stellar actors are wasted due to this - mainly Nikila (who apart for a brief window towards to end) was a mute spectator, similarly Jagadeesh, Baiju etc.
The cameo by Yogibabu though was funny - but for those familiar with his Tamil movies would find it pretty flat and un-original - there are 10s if not 100s of films were he has done the same (expression, dialogues, actions all pretty much the same)
The main problem I had was the below average music - none of the songs made any lasting impressions. After watching movie I could not even recollect a single song from the movie !
Guruvayoor Ambalanadayil" is a well-blended comedy-drama that delivers a hearty mix of situational humor, family sentiments, and unexpected twists, wrapped in a marriage-themed narrative rooted in Kerala's culture.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 2.128.793
- Tempo de duração2 horas 12 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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