The Beatles: Eight Days a Week - The Touring Years

9/17/17. This documentary is a good reminder of just how crazy teenagers were in the '60s. What struck me about the Beatles now was just how good their sound was and how talented they really were. They deserved all the success they got, but as humans they just couldn't maintain their professional ties, to the detriment of pop music. They were a cultural phenomenon and true rock icons who had it all but couldn't keep it going. Perhaps, that is the saddest part of watching this - they made wonderful music, but only for a short time, in retrospect. Together, Lennon and McCartney were the best music writing team ever. Separately they were hardly half of what they were together. They balanced each other out. While McCartney continued to be successful, none of his own works ever surpassed the work he did with Lennon. (Although I did like Ram) And, Lennon turned into an embittered, cynical angry man who just couldn't get over the slights he tried to overcome. And, when he finally got close to getting his act together we all know what happened that one December day.

"Eight Days A Week - The Touring Years" (2016 release; 137 min. including bonus feature) is a documentary about the Beatles' touring days from late 1963 to August 1966. As the movie opens, we find the boys singing "She Loves You" in Manchester, November, 1963, and in glorious full color mode, no less. A bit later we get "Twist & Shout" from that same evening. To see it on the big screen is utter and pure delight. Along the way, we hear the Fab Four add their personal perspective on these times. "We were not an overnight sensation", reminds Paul, and we then get a very brief glimpse of their touring days in Liverpool and Hamburg. The movie spends, rightfully, more on 1964 than all the rest combined and it is a true treasure trove of rare and unseen footage, alongside the more familiar footage. Sigourney Weaver tells about attending the first Hollywood Bowl show, and later Whoopi Goldberg talks about being at the Shea Stadium show.

Couple of comments: this documentary is directed by none other than Ron Howard, with the full cooperation of Paul, Ringo and the Lennon and Harrison estates. Howard and his team must have roamed the earth to come up with all of the fantastic footage, and make some pointed comments along the way (the Beatles had a contractual provision prohibiting segregated shows in the South, a remarkable stand considering the circumstances). The sound quality has been painstakingly remastered as best as possible. As a lifelong Beatles fan who was too young to have seen them in person or fully appreciate what all took place half a century ago, this movie is sheer delight from start to finish. The theater version came with a 30 min. bonus feature immediately after the end titles, namely "The Beatles At Shea Stadium", their entire set from August 15, 1965. It absolutely blows the mind what happened there. And to think that as the headliner, the Beatles played for all of 25 minutes! Watching the crowd is as much fun as it is watching the guys. Here again, the old footage has been restored and remastered.

"Eight Days a Week - The Touring Years" opened this weekend on a single screen for all of Greater Cincinnati, at my local art-house theater. I couldn't wait to see it. The Saturday matinée screening where I saw this at was PACKED to the rafters, to my surprise and delight. On my way out of the theater, there was already a long line waiting for the next screening. It seems this movie is hitting a nerve, and this has the looks to be a solid success on the art-house theater circuit. If you love the Beatles, you do not want to miss this. "Eight Days a Week - The Touring Years" is HIGHLY RECOMMENDED!

Reviewing documentaries is always a bit tricky, since it is often difficult to separate the quality of the film making from your emotional attachment to the subject material. In my case, my early life was saturated with Beatlemania. Although I was only 2 year's old in 1963 at the start of it all, I had three older siblings who ramped up the excitement so much that it permeated my young mind. I still remember being vehemently "Sssshhed" since I was making too much noise during the live and ground-breaking "All you need is Love" telecast!

Ron Howard's film focuses on "the touring years" which as depicted were truly manic, spanning from 1963 to 1966 before then skipping forward to 1969 for their final rooftop concert. This was in a time when airline travel was not the more comfortable and smoke-free environment it is today, so these worldwide trips much have been seriously gruelling, even without the adoration that reached dangerous proportions when they reached their destinations.

Howard has clearly had his research team scour the world for archive clips since – whilst sensitively skipping some of the more 'commonly seen' materials, like the "jewelry shaking" clip – the film shows concert action I certainly had never seen before.

The film is also nicely interlaced with celebrity cameos recalling their linkage to the Fab Four's performances (often moving, like Whoopi Goldberg's) and the group's "legacy" effect on modern-day art (in Richard Curtis's case rather less convincing). One of the most striking of these is that of Sigourney Weaver recounting her attendance as a pre-teen at the Beatle's Rose Bowl performance in LA. There, in the newsreel footage of adoring fans, is the unmistakable face of the 'before she was famous' actress: at least I hope it really was her (as the clip's timing implied) and not a lookalike, since that would be really disappointing!

Also featuring – although not enough for my liking – are Paul McCartney and Ringo Starr, recounting their feelings about the events and what happened behind the closed doors of hotel rooms or – most notably – a meat truck.

What shines through is the honesty and intelligence of Lennon and McCartney, typified by the idiotic questioning of journalists, some of who had done so little homework they didn't even know there wasn't a Beatle called Eric! Some of the group's off the cuff responses were priceless: "What is the secret of your success?" asks one journo. "We don't know" quips John. "If we knew we'd form another group and be managers."

While the film has enormous energy in its first two thirds, it rather runs out of momentum in its final reel…. a bit like the Beatles did in fact. It also has elements of gimmickry like the smoke rising from photo cigarettes which gets a tad tiresome after the tenth occurrence.

But this is a very watchable and enjoyable rock down memory lane for 50-somethings and for any fans old and young of the Fab Four's music. Highly Recommended. Note that the documentary itself is about 90 minutes in length, with another 30 minutes of live concert music tagged onto the end post-titles (which for travel reasons I was unfortunately unable to stay for so can't comment on).

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When I was a kid, i spent more time listening to my parents Led Zeppelin, Rolling Stones and Jimi Hendrix LP's than I did their Beatles ones.

I have to admit I always thought the Beatles were a bit too poppy and overrated, how wrong I was!!

Until watching this, I totally under appreciated the cultural impact The Beatles had around the world, and sheer volume of quality work they put out, of varying styles and influence...especially when they experimented more later in their career.

They did all this whilst facing a lot of pressure while under the media spotlight, and we're able to remain honest, fun, and true to themselves without selling out.

I would have liked to see a little more on the bands history once they had stopped touring in 1966, but nevertheless the focus on the Beatlemania period is really well done, and worth a watch for any music fan, regardless of genre!

If like me, you were (or are) a fan of the Beatles, this film should be an inspiration. I was growing up at the time of their touring days, yet I was too young to have attended any of those shows. But, by the time the White album came out, I was hooked, and their music was quite iformative, inspiring, and powerful to me at the time. Watching this movie brought back some of that power and charm, and the sense of what an amazing point in history the 1960's were.

The film was a bit sketchy in that it did not reveal much about the men. Could have delved into the characters and craziness of the touring a bit more. But, I sense that Howard was bringing a sense of reverence to the project, and did not feel the need for the sordid details. He have certainly seen enough of that in various other documentaries about rock stars over the years.

I have to say, I found this film uplifting, and very, very enjoyable to watch. Witnessing the evolution of their music (I never really payed much attention to them until Rubber Soul) was great. What a band. What a bunch of great guys. Gentlemen, spokesmen, sincere, brilliant, and creative as they come. Wow.