O Esgrimista

a true story. this is , in too many cases, the most attractive detail. in the case of "The Fencer", the things are little more complicated. because it is, like many Estonian films, first a testimony. about politic pressure, about refuge, about passion and fundamental change. it is not easy to define it only as impressive/motivational/lovely film. because, using a well known recipes, it is a film about conscience. about self definition, honesty and duty. and, maybe, this is the great virtue of the director. to say what must be said. the story of Endel is the story of many "sinners" against Soviet rules. and this fact did it a beautiful eulogy of freedom. for me, this detail did it an admirable work.

Last year, we could all witness the fame of Estonian-Georgian film Tangerines which got both Golden Globe and Academy Award nomination, and lots of fame and praise among exacting audience. And another surprise already this year - the film in question, a Finnish/German/Estonian co-production which was nominated for Golden Globe "only"...

As I kept track of the origin and development of this film, I did not even think of it as a kind of sports film, although fencing plays here a significant role, both directly and in the background. Later I have read that several foreign viewers had previously perceived it as a sports film but were pleasantly surprised afterwards that it was no Rocky within the different kind of sports but a realistic picture of a Stalin-era town in a Soviet Estonia. The atmosphere and environment are depicted in a realistic manner, enhanced by post-WWII poverty and gray weather scenes, but there is enough space for human dimension and even some romance.

Althouh the plot is not totally smooth, the great performances and taut moments provide additional value to the film. Actors like Märt Avandi or Hendrik Toompere could be easily used abroad as well, and all children did their best (in many films, children lines seem mugged up, but not here).

All in all, a good film about surviving and making choices under tough and unpredictable circumstances, when every "hobby" or non-ideological endeavour helped to move beyond the misery around - at least temporarily.

Based on a true story, this Estonian film (directed by a Finn) the film is set on 1952, when that country was under Soviet occupation. A man named Endel (Mart Avandi) arrives to a small Estonian town from Leningrad. He is obviously on the run from Soviet authorities, though we never get to know much of the back story. He presents himself to a school asking for a teaching job. He is given the physical education class, only problem is the school has no sporting equipment for the children. One day he finds in a drawer at the school a fencing sword and he starts playing with it. A girl sees him and asks him to train her in fencing. At first he refuses, but eventually announces in the school board there will be a fencing class on Saturday. To his surprise, a lot of students appear on Saturday, wanting to learn fencing. Despite his lack of charisma, the fencing classes are successful, even though they are disliked by the school director who see the sport as a remnant of a feudal past, but is outvoted by the school's parents. Eventually, Endel is so successful in training the children that he is invited to a tournament in Leningrad. The problem is that going there could blow his cover.

This is not a perfect film, it starts well, but it loses momentum in the second part. The Russians and their collaborators in Estonia (like the school director) are caricatures. And in parts of the movie, the story seems undeveloped, as when Endel starts a relationship with a woman teacher in the school.

There is a cameo as a politically persecuted grandfather of one of the boys in the school of Lembit Ufsak, who starred in the more interesting Oscar nominated Estonian film Tangerines.

"The Fencer" is a typical sports and underdog film: which make you root for the underdog. It's slightly different from many others in that there is some history for solid context: however, that also has been done so far, and the director does not experiment much with the pace of the film. Some of the landscapes are beautiful, and in my opinion they afforded the director to be much slower and absorbed in the atmosphere, like the German film "Barbara" did, but that does not happen. However, the film is a lovely watch and touches your heart because of the fine cast: a special mention should be made here for the boy (Joonas Koff) playing Jaan, who has given the most impressive performance of the film.

A good film about seldom-seen topic. Living was difficult and sometimes dangerous under the Soviet rule in Estonia straight after WW II and Klaus Härö's film tells story about that. It has been built around true story about a teacher which teaches his pupils to fence.

Problem on this film was that I knew too much about the story before seeing it. So it didn't give many surprises.

Not much to complain about directing, acting or anything else. Maybe the story needed something more to be more interesting but the film depends on true story so it could have been wrong to make up something.

Best thing about this film is that there is used both languages Estonian and Russian. So the characters use the right languages. It is of course subtitled.