Todas as Cheerleaders Devem Morrer

Now i watched the original film and i liked it,but it was a low budget film..and i love low budget films.This was a great bigger film of a small film,now i read how someone didn't like the CGI blood and didn't care about the characters..are FFFFFnnn kidding me!Why cant people enjoy films anymore?Because they all think their critics.Well i loved this one made my night.If you like horror comedy this one the one to watch.Just the opening sequence got me into it now there is all the clichés of high school and jocks and cheerleaders but thats what we know,am i right.Good vs evil teenage style.In closing i put this up as at least a seven,hell crack a beer and have some fun.

I still don't know what to make of writer/director Lucky McKee. It started strong with May (2002) which I thought was a wonderfully crafted drama/thriller that put McKee on my radar. His venture into television as director of the Masters of Horror episode titled 'Sick Girl' was OK, but didn't capture my attention as much as May. Then came The Woods (2006) and Red (2008) which were both relatively competent, but hardly memorable. The Woman (2011) was definitely memorable and made headlines for its festival showing and a paying attendee that was less than thrilled with what he saw on the big screen (YouTube it, you'll thank me).

McKee's newest project, All Cheerleaders Die, got a coveted spot amongst the 10 films picked as part of the Midnight Madness series at this year's Toronto International Film Festival (TIFF) where it will be making its World Premiere.

The title sounds rudimentary, but the film is anything but. Maddy (Caitlin Stasey) is an outcast amongst her High School peers and she has a particular hatred for the cheerleading squad. That leads Maddy to try out for the team in an attempt to infiltrate and ultimately bring down the all too popular clique of good looking teens with great looking adult breasts. The opening scenes before the title card set up a plot device that really comes full circle by the film's final shot and the audience at the packed Bloor Cinema collectively gasped and clapped with the first fatality.

Fans of horrors films would likely yawn at such an introductory synopsis. But the movie hardly heads in directions one can foresee and before long, Maddy, school friend Leena (Sianoa Smit-McPhee) and the whole squad of short skirt/white sneaker females are battling the opposite sex with a supernatural element under toning the struggles.

McKee and fellow director Chris Sivertson throw the proverbial kitchen sink at the audience and I can best describe All Cheerleaders Die as a movie which if the creative makers behind Heathers, Carrie, the television Charmed and Jennifer's Body all took a big dump in a blender and the resulting mixture was then baked into a soufflé would be the result.

Most of what is being cooked works. The comedy surely does with High School verbal jibes thrown at a Mean Girls pace. And the acting is definitely there to back up the promise of the script ideas. Unfortunately, the film ultimately just falls short of hitting a triple. Man, there is a lot to ingest. Witches, evil quarterbacks, zombies, walking dead, supernatural, conjuring…like we said, "the kitchen sink" I liken All Cheerleaders Die therefore to last year's Monster's Brawl. It's a lot of fun with an audience and there are some elements of originality, but if sitting in a darkened basement screening the film by one's lonesome, you might not enjoy the audience effect fun-factor that can sometimes elevate a reviewer's response.

McKee is definitely out of his downer-phase. Most of the director's earlier work was depressing and dry. But with All Cheerleaders Die, he dug deep into his inner cheerleader to bring a labor of love to the big screen (McKee and Siverston made a video All Cheerleaders Die in 2001 to launch their careers).

The ending to the film more than hints that this is just the first installment of what may be many more Cheerleaders Die films if this entry hits the market running. We are hopeful, yet skeptical. It would have been a great AMC movie, but as a theatrical release, we are not sure this effort is worth the hard earned dollars wearing away in our wallets.

www.killerreviews.com

I'm shocked by how harsh the reviews are for this film. No, this is not Gone with the Wind or Citizen Kane, but for what it is, the movie is pretty great. I caught this film after it came out on Netflix and was pleasantly surprised by how good it was. Compared to 90% of horror films being made today, this one is infinitely more engaging and clever. At the same time, it has all the classic elements of a teen scream that one would look for if you were in the mood for that type of film. Honestly, it's an inventive take on a classic move genre and well worth your time if you are in the mood for some silly, gory fun. Highly recommend you ignore all the people who trashed this movie and see it for yourself. You'll be glad you did.

There's dead cheerleaders out for revenge, witchcraft and body switching, yet this never amounts to anything fun. Most of the first act has very little happening and is an endurance test waiting for the plot to begin. Boring murderous jocks kill some cheerleaders who get resurrected by a young witch in love with one of the cheerleaders and the tone sits uncomfortably between campy self aware cheese and flat, unfunny B material. The characters are barely distinguishable from one another and there isn't a single memorable on screen death. Yet another step in the wrong direction for the once promising Lucky McKee and a major step up from Chris Sivertson's I Know Who Killed Me. TV production values don't help here either.

www.moviehemorrhage.com

After her childhood friend Alexis (Felisha Cooper) dies while performing a cheerleading move, the rebellious Maddy (Caitlin Stasey) is horrified when Alexis's football-playing boyfriend Terry (Tom Williamson) begins immediately dating cheerleader Tracy (Brooke Butler). As a result Maddy decides that she will join the cheerleading team, as they must now find a replacement for Alexis, with the intent to seek revenge against Terry and Tracy.

This is a remake of a 2001 film of the same name that was also written and directed by McKee and Sivertson. To say it is an improvement would be obvious, but also true (there is now no reason to seek out the earlier one unless you are a die-hard fan).

Sadly, though, despite some clever moments and an interesting premise, this never reaches the level of "The Woods" or "May", and despite Lucky's quick rise to horror master, he is not flawless (but who is?). Sivertson is still waiting for the right film... "I Know Who Killed Me" has its fans, but is not by any means a well respected movie.