O Canal

A pretty effective thriller even if the script uses the usual old clichés of ghost movies. I had a good time watching it and wasn't disappointed. However, I deplore the use (around 43 or 44 minutes of film) of the real photographs of Sharon Tate's crime scene after she was brutally murdered by Manson's followers. I think that is not respectful. The director could have avoided that.

But as others have noted rushes towards the finish line (which is a good thing). But there are a few hurdles the movie has to overcome to win over the viewer. And it might not even achieve this. Not everyone has the patience to wait for a movie to pick up. Especially after not only a slow start, but a character that seems to be doing as many wrong things he can do wrong.

But if you overlook that typical horror movie cliché and can wait for the movie to really pick up, you will like where it goes eventually. The direction is decent and the acting is good too. The story is not really inventive, but moves the film along nicely. There are few good scares along the way and the mentioned ending is really good

The Canal is basically a ghost story mixed with a whodunit. David's wife is missing and, when he sees a mysterious man on the same night as her disappearance, he begins to suspect the man is responsible. However, his suspicions lead him to believe the man is actually the ghost of a former murderer who once lived in his house.

It's not the most original idea for a film, but it unfolds in such a way as to feel quite different. The visual aspects of this movie are very memorable, as is the performance from its lead, Rupert Evans and, combined with a simple but compelling story, the film as a whole is very effective.

For those of you tired of the dreaded jump-scare-wins plague that infests this genre at the moment (Haunting in Connecticut 2 being a prime example), The Canal is the cream that floats to the surface, as per The Woman In Black or (the good parts of) Sinister. It concentrates on David's deteriorating state of mind and the effect this has on those around him, to drag the viewer into his crumbling world, thus making his visions of the supernatural more believable. Supporting actress Kelly Byrne is also very good, bringing an unusual amount of realism into her role as the babysitter and, more importantly, the relationship she has with David.

Stealing at times from classic scenes in The Ring and The Grudge leaves it open to some likely accusations of it ripping off the Japanese classics but I think that would be a narrow-minded criticism. For the most part, The Canal has a refreshingly quirky feel to it, but in a Kubricky rather than Lynchy style and that is arguably its greatest strength because it's a shiny finish on an already polished script and screenplay.

To say that The Canal is this years "The Conjuring" is true - if you found the Conjuring scary. But The Canal feels wholly different; it sits firmly in the independent camp yet has the potential to be a runaway mainstream hit, due to its efficient use of effects and, quite frankly, ability to instill dread in the viewer.

I tweeted this as being a horror masterpiece after I walked out of the cinema. I don't think I was being too unrealistic.

I don't know why the IMDb score and Metacritic score are so low on this one. That's one of the reasons I put off watching it for a while but I'm so glad I finally got around to seeing it; it's one of the better horror films of recent years, and I'm a huge horror junkie. If you like disturbing horror that gets under your skin and doesn't rely on jump scares or constant gore then this is for you. The film is beautifully shot and has some exceptionally creepy visuals. It's sporadically violent and cruel but every moment of blood letting or grotesquerie is expertly handled and actually frightening rather than pure gross-out. I urge you not to watch the trailer as it contains spoilers I wish I hadn't known before going into it. If you want to know what to expect, I'd say it's got elements of films such as The Shining and The Ring, but it has a very unique feel. There's a nice dose of drama along with the horror and Rupert Evans is thoroughly believable and engaging in the lead role, much more so than your average modern horror protagonist. Highly recommended!

Independent film The Canal smartly produces a slow-paced psychological horror that interesting imagines a new take on the haunting genre.

Ivan Kavanagh is the brainchild behind this original and brilliantly conceived film. The Canal is more atmospheric than most horror films currently being produced and very psychological with a horrific twist. The slow paced groundwork is eerie and unsettling but expertly done. The characters and smart and savvy in trying discern reality from imagination, or worse, supernatural occurrences.

The beginning scenes of The Canal are deliberately jumpy, adding to the confusion and anxiety the main character David experiences. A bit more clarity would have helped the film viewers experience the intended disorientation while avoiding pure confusion. I personally think the film was just a tad too slow in the beginning and Kavanagh will lose impatient movie watchers unsure of whether the investment will be worth it.

Without spoiling the ending, I thoroughly enjoyed it and it had me squirming and gasping. The Canal is a slow burn, with Kavanagh pacing the film so audience members are psychologically bewildered to savor the conclusive reveal.

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