Os Últimos Cavaleiros

It's odd that a medieval fantasy movie with respectable cast nearly flies off radar. Last Knights is not an epic tale, in fact the plot heavily resembles that of 47 Ronin and considering even Keanu Reeves' journey is inspired by multitude of per-existing works, this plot is unoriginal at best. The pacing is slow, creating a rather bloated runtime. Still, the cast as well as cinematography produce nice atmosphere, especially in latter half, just making Last Knights a moderately enjoyable popcorn flick.

Raiden (Clive Owen) is a commander with a dark past, he was taken by his lord Bartok (Morgan Freeman) and granted opportunity to lead the knights. As a man of integrity Bartok openly opposes Minister Gezza Mott (Aksel Hennie), this doesn't end up well for him as he loses his land and riches, amongst other things. Thus the tale of coping and possible vengeance begins. The premise is far too predictable, more so if you have watched 47 Ronin, the screenplay almost mirrors one another.

Clive Owen has the rugged commander look, but he doesn't seem engaging. I can't help but seeing the solemn Keanu Reeves' persona as neither of them barely exhibits any meaningful expression. Morgan Freeman is as dependable as ever, he's charismatic and does pretty much what one expected. As for the villain, Aksel Hennie performs admirably. He does seem corrupt, conniving and slightly paranoid. The script gives him ominous vibe that audience would love to hate.

Supporting cast is oriented towards the mix of European and Asian, props for the casting department to pull off the eclectic assemble. They also have some experience in action movies and TV shows overall, so it's not all obscure faces. The setting puts emphasis on hybrid culture, architectures and costumes appear to be from ancient Persia with an oriental touch. It's a quaint atmosphere and presents a few lavish set pieces. Cinematography uses grayish filter for most of these areas and outfits, in exception of certain characters or definitive environment which are more vibrant.

While it looks presentable, the plot may deter some audiences. Its script tries to engage with intriguing lines, and it's mildly successful. Unfortunately, the film spends more than half of its runtime stuttering to find its rhythm. This is made worse by the outdated screenplay, the plot devices are not only foreseeable, they are also heavy-handed in execution.

The last act fares better as it offers more polished action sequences, although there is no surprise twist to be had here. Last Knights is made from tired elements of the genres, it doesn't do enough for a fascinating spectacle. However, with a presentable graphic and production design, it's barely sufficient for a light watch.

In an unnamed empire, a lord is being killed for political reasons and the greed of a competitor, his private army disbanded, his lands divided among the other nobles. A year later, his retainers, all loyal followers of the code of the warrior, take revenge.

This is actually a real and very famous and influential event that happened in Japan in the 18th century, also known as the Ako incident. I found it funny that the ending of the movie was changed to suit Western sensibilities, but the gist of the film is the same nonetheless.

The acting was good, with a real nice cast, the directing was good and the entire feel of the movie, from cinematography to costumes, helped get me in the atmosphere of the story. I felt the music was a bit too bombastic for the scenes, but it was also nice.

Bottom line: a UK and South Korea coproduction, it feels different than an American movie, and in a very good way, but it is not an exceptional film. Perhaps its greatest merit is the acting and the rather faithful depiction of the incident. The ending ruins that a bit, but not by much.

The first thing you look at when you consider to watch a movie are usually the actors.

Clive Owen, Morgan Freeman and upcoming Norwegian actor Aksel Hennie(Known from 'The Martian', 'Hercules' and 'Headhunters') are some of the actors this movie can offer.

As for the story. It's not the deepest story, but in this movie I feel that it's not rally necessary. The movie is a typical knight movie with some factors of the Asian samurai (But it works) and is ended with an epic battle no man can dare say is boring not original.

I really liked it. 8/10

Although not mentioned , the story results to be a remake of the the 47 Ronin and and it boasts a splendid cast . it is based on the Japanese folk legend . Middle Age , an Europen country , this is an epic chronicling an ancient legend .As a group of military led by Clive Owen set out to avenge the dishonor and death of their master at the hands of a ruthless , corrupt Prime Minister, Aksel Hennie . Commanded by a fallen knight who was tricked into commiting an ominous execution , he is called Raiden ,and along with their knights rise against a nasty , sadistic ruler to avenge their Master , as every battle needs a hero . They are banished and isolated but Raiden rallies again his bunch and reforces the team . As their entire destiny lies in the hands of one knight .His threatened people made him a leader , the empire made him a renegade , history made him a hero .

Features noisy action , strong rivalry , thrills , emotion , intense drama and a lot of sword-play . It is made big scale with some breathtaking and spectacular battles such as the final assault on the impregnable fortress . The plot is ordinary and simple , as a rough emperor : Payman Maadi sentences a powerful feudal lord who is condemned to death and then his soldiers become Ronin : warriors with no master , and planning a scheme to revenge their dishonored Master , subsequently seeking vengeance , justice and honor. The appropriate photography is generously laden with views of of palaces and castles as well as paronamic vistas .The action is well paced with adequate interpretation, though the story occassionaly drags for an uneven script by Dove Sussman . It is full of good values as bravery, knighthood, honour , comradeship , sacrifice and redemption . Cast and support cast is frankly fine , such as Owen , Freeman , Aksel Hennie , Ayelet Zurer as faithfull wife , Ihara as an upright knight and Cliff Curtis as btave lieutenant .



Ii contains a colorful and evocative photography shot in Czech Republic , though sometimes dark cinematography by the great Spanish cameraman Antonio Riestra who has photographed nice films as Mama , The bachelors , Katmandu , Lidice , Black bread, Stephanie , Eloise ,and The face of love . Rousing and thrilling musical score accompanying perfectly to action from Ramgotra and Martin Tillman.The motion picture turns out to be a British/South Korea coproduction well directed by Kazuaki Kiriya who has made a few movies as Goeman and Cassehern

This is the seventh cinematic adaptation of the 47 Ronin incident after 47 Ronin 1942by Kengi Migozuchi this is the largest version of the kabuki rendition of the story by Seika Mayama ; The loyal 47 Ronin 58 , Chushingura 62 , Ako jo danzetsu , 47 Ronin 84 , Saigo no Chushingira 2010 and the most popular retelling is 47 Ronin 2013 by Carl Rinsch with Keanu Reeves , Hiroyuki Sanada , Tanaka , Rinko Kikuchi , Cary Tagawa.And is really influenced in the Film " Ronin" 1998 by John Frankenheimer with Robert DeNiro , Sean Bean, Stellan Skarsgard , Jonathan Pryce .

I just watched this film and, honestly, I find the single review posted here to be wholly ludicrous - one star indeed.

There's a sizable group of talented actors and actresses in this film that give some very respectable performances. If fighting scenes are all you look for in a film like this then yes, it might feel boring to you. But for most others you'll find a well executed story that portrays honor in a time when honor was everything.

Production was accurate, continuity is good, and the story keeps you interested. It's not, by any means, a fresh story line - but there's a reason it's an old standard. Casting was well done, and Clive Owen, as always, does not disappoint. In fact, the entire cast did a commendable job and that can not be said for the majority of contemporary films.

So, to wrap up; if you're strictly an "action" viewer, you may not enjoy this movie. But if you enjoy a good story that isn't entirely predictable, you might just enjoy this film.