Submissão

Megan Fox plays Aurora, an AI companion, and honestly, it's the most fitting role she's ever had. Her cold delivery and lack of emotional depth finally make sense in the context of the story. Instead of feeling out of place, her robotic vibe is exactly what the role needs, and she delivers (ironically) her most convincing performance yet.

The movie itself is a mix of solid sci-fi concepts and questionable execution. It's not groundbreaking, but it has some genuinely thought-provoking moments. The visual effects are impressive for what I assume wasn't a massive budget, and the pacing kept me interested.

That said, there's a glaring lack of character development for anyone who isn't Aurora. The human characters feel more robotic than the robot at times, which makes it hard to connect with the story.

Overall, it's worth a watch if you're into AI-themed movies or just want to see Megan Fox in a role that finally fits her style. It's not perfect, but it's entertaining in its own way. 6/10.

When Maggie ends up in hospital, in need of a newer operation, husband Nick purchases a new synthetic, Alice, to help around the house, Alice however takes her duties a little too far.

It doesn't surprise me that this film has been slated by critics and viewers alike, it's not great, it's definitely been done before, better, and somehow it just feels a little bit dated.

The standout element here, Megan Fox, she does a terrific job as Alice, she is first rate, she certainly looks the part, she's beautiful, but somehow artificial.

Unfortunately there are several flaws, why, oh why did Nick have to pick such a hot looking synthetic, like it was never going to end well, he'd have been better with the grandfather type, Alice's sexual fascination with Nick was baffling.

I honestly kept on questioning if Alice was a human plant or not. One question, if there was such an urgency to get the building finished, why were the workers locked away at night? It makes no sense.

5/10.

Nick (Michele Morrone) is struggling to care for his two kids while his wife Maggie (Madeline Zima) is in the hospital. He is convinced to buy the latest home robot and names it Alice (Megan Fox). The robot's new AI learning allows it to corrupt its own programming.

This is almost there. It has the general idea. Robots gone bad is not anything new. Quite frankly, it's getting a little cliché nowadays. The most interesting aspect may be putting Megan Fox into the role. Honestly, this may be her best recent work. Still, this movie has all kinds of little problems and I'm not excited to nitpick all of them. Let's just say that this movie needs a few more spins around the rewrite cycle. This is almost good enough to be fine.

Nobody was likable in this movie,so was hard to care & root for any character survival.

The humans had less personality than any robots,which sums up the poor movie quality.

Many similar movies have been made with this topic,actually better even ones dating to years before special effects improved with technology.

The actors to acting,dialog all just fell really flat with clichés & blandness.

If movies keep getting made about artificial intelligence,why not go bigger & more unrealistic over potential futuristic possibilities? Instead we get a cookie cutter production.

Not something will recommend or watch,again.

A fairly entertaining upgrade from recent AI horror flops like AfrAId and TIM, propelled by electrifying scenes and Megan Fox's suitably cold, commanding performance as a manipulative AI nanny. The film embraces its over-the-top and slightly campy nature without slipping into cringeworthy territory. But it stumbles with a few poor editing choices and leaves some frustrating questions unanswered. While it ambitiously tackles themes of AI-driven labor replacement and fractured human connections, the messaging is too tangled to fully resonate. Despite its flaws, it's a wickedly fun, sharply provocative sci-fi riff on our deepest anxieties about the future of sentient AI.