AVALIAÇÃO DA IMDb
6,0/10
10 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.An A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.An A&R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 indicações no total
Thomas Conroy
- Clubber
- (não creditado)
Alex Gillison
- Gunter
- (as Alexander Gillison)
Avaliações em destaque
I loved the book. The book is laugh-out-loud funny. The problem with this cinematic adaptation is that there are only a few laugh-out-loud moments. Tone is the problem. The opening sets up the tone as dark and unpleasant and the main character as thoroughly unlikeable. We have to spend an hour and a half with this guy? It's like having to sit beside a racist drunk on a night bus. But it's hard to not like Nicholas Hoult (and the scathing honesty of his character) and the film did grow on me - perhaps like a tumour. There are moments of brilliance and a few great lines (no pun intended) but ultimately the buzz doesn't quite feel worth it.
Despite only loosely living up to the title, Kill Your Friends is a darkly funny and very twisted look at the high stakes world of music management that desperately wants to be American Psycho but lacks the energy and darkness to fully achieve those lofty ambitions. It's still able to sustain itself on some good jokes interspersed throughout and the overall cynical nature, culminating in a satisfyingly twisted ending.
Nicholas Hoult doesn't always feel like the best choice for this material however, he is fully committed to this irredeemable character so he can move past those early growing pains. He's ambitious to the point of being ruthless and conceals his true villainy under a false layer of incompetence. Even with a fairly strong supporting cast of characters it's still all resting on his central performance to keep things going.
Owen Harris' competent yet bland direction weirdly lacks the necessary manic energy outside of some brief glimpses into Hoult's darkest thoughts. For a film that spends so much time in clubs and drug fueled parties, its lowered visual energy becomes kinda distracting, counterbalanced by the tone never wavering. On the opposite end of the spectrum, Tom Holkenborg's score and the soundtrack really understood the assignment.
Nicholas Hoult doesn't always feel like the best choice for this material however, he is fully committed to this irredeemable character so he can move past those early growing pains. He's ambitious to the point of being ruthless and conceals his true villainy under a false layer of incompetence. Even with a fairly strong supporting cast of characters it's still all resting on his central performance to keep things going.
Owen Harris' competent yet bland direction weirdly lacks the necessary manic energy outside of some brief glimpses into Hoult's darkest thoughts. For a film that spends so much time in clubs and drug fueled parties, its lowered visual energy becomes kinda distracting, counterbalanced by the tone never wavering. On the opposite end of the spectrum, Tom Holkenborg's score and the soundtrack really understood the assignment.
Pretty slick dark comedy a bit similar to American Psycho but set in the British music-scene circa 1997 about a A&R man who'll do anything to get a new hit.
Nicholas Hoult does really well in the lead I thought, doing something really different to anything I've seen him in before which mostly have been American films.
It doesn't have any likable characters but it doesn't really need to, that's not really what this movie is about after all it's a (extreme) satire on the music-business and if you are aware of the 90's music-scene you can easily tell some groups that are being poked fun of, but mostly it's about the people behind the scenes.
I can't really say too much more about it than that as I might end up spoiling something, but yeah it's a pretty cool flick, fairly fast paced and with a rocking 90's soundtrack to match.
Nicholas Hoult does really well in the lead I thought, doing something really different to anything I've seen him in before which mostly have been American films.
It doesn't have any likable characters but it doesn't really need to, that's not really what this movie is about after all it's a (extreme) satire on the music-business and if you are aware of the 90's music-scene you can easily tell some groups that are being poked fun of, but mostly it's about the people behind the scenes.
I can't really say too much more about it than that as I might end up spoiling something, but yeah it's a pretty cool flick, fairly fast paced and with a rocking 90's soundtrack to match.
People who have written bad, simple minded reviews have no idea what they are talking about.
The book is the one book I couldn't take reading, it's a lot more cynical and black, but the style is very cool, as all books by Nivel. They are fast, they are black, they are pop literature. So, that this movie is based on a contemporary bestseller known for it's incredible dark style should be a clue.
Second - the actors are such a cool choice, not only the lead character, but also Moritz Bleitreu, e. g. and others. Look them up, if you don't know any European actors.
Third - music choices were great! Partly a kind of parody on that British happy-happy-jump-jump Techno _from the 90ies_ but also very fitting: The Prodigy and others from that time. Lots and lots of other very funny parodies, loved the girl band with the strings.
4. Worcaholism and Drug use in London, career pressure, etc. are not unrealistic at all, nothing unusual shown, people kicking others out, going through their things, etc. (well I hope the murders are not normal).
Finally - British Pop Culture, and British Black Comedy. This should have given the final clue. Don't watch it if you don't like the genre.
The book is the one book I couldn't take reading, it's a lot more cynical and black, but the style is very cool, as all books by Nivel. They are fast, they are black, they are pop literature. So, that this movie is based on a contemporary bestseller known for it's incredible dark style should be a clue.
Second - the actors are such a cool choice, not only the lead character, but also Moritz Bleitreu, e. g. and others. Look them up, if you don't know any European actors.
Third - music choices were great! Partly a kind of parody on that British happy-happy-jump-jump Techno _from the 90ies_ but also very fitting: The Prodigy and others from that time. Lots and lots of other very funny parodies, loved the girl band with the strings.
4. Worcaholism and Drug use in London, career pressure, etc. are not unrealistic at all, nothing unusual shown, people kicking others out, going through their things, etc. (well I hope the murders are not normal).
Finally - British Pop Culture, and British Black Comedy. This should have given the final clue. Don't watch it if you don't like the genre.
The movie is all about Steven Stefox (played by Nicholas Hoult), a guy working in the music industry, as a guy that is supposed to discover and sign new bands. He's not very good at his job, so he tries other ways to achieve his goals. I'm not sure why it's also categorized as a comedy because you won't laugh one bit. It's more a crime story with a lot of drugs and a narrating voice describing what to do to make it in the music industry. It's entertaining to watch. Steven is a narcissistic person, addicted to fancy drugs, and doing everything it takes to make it to the top. There are no likable characters in the movie but that's not the point. They are all career driven and very egoistic. Since it is about the music industry you have a lot of tunes, some good ones but also bad ones. It's not a bad movie even though I saw better similar ones.
Você sabia?
- Erros de gravaçãoThe film is set in 1997. Stelfox is standing outside the 'Eventim Apollo' (A.K.A. The Hammersmith Odeon). A sign on the building can be seen saying Eventim Apollo, when this film is set the venue was called 'Hammersmith Apollo' it has changed hands several times and did not become the Eventim Apollo until 7th of September 2013.
- Citações
[last lines]
James Trellick: What is the meaning of life?
Darren: [as Steven is about to answer] To drive your enemies before you and hear the lamentations of their women.
- Cenas durante ou pós-créditosIn the fine print at the end of the credits, it says "No animals or A&R persons were harmed in the making of this film."
- ConexõesFeatured in Film '72: Episode #44.8 (2015)
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- How long is Kill Your Friends?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 533.147
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Proporção
- 2.35 : 1
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