Kaliyugam 2064

Just watched *Kaliyugam*, and honestly, I'm a bit torn. The film does a great job building a dark, believable dystopian world, and visually, it's really impressive. Some of the frames looked straight out of a graphic novel, and the atmosphere throughout was haunting. Shraddha Srinath completely nailed her role-quiet, powerful, and totally convincing. She carries the emotional weight of the film effortlessly.

But at the same time, the pacing felt off in places. The first half takes its time setting things up, which is fine, but at points, it felt like it was dragging without really moving the story forward. The second half definitely picks up and delivers some tense moments, but I couldn't shake off the feeling that something was missing. The emotional connection didn't land as hard as it could have.

Also, while the world-building was fantastic, some of the supporting characters felt underdeveloped. You don't really get to know or care about them, which makes the stakes feel lower than they should.

Overall, *Kaliyugam* is definitely worth watching for its fresh take and brilliant visuals, but I wish the storytelling had a bit more punch. If you're okay with a slow burn and love atmospheric films, you'll probably enjoy it. Just don't go in expecting a fast-paced thriller.

' Kaliyugam' As the name is perfect for this movie. It gives us our future, how will 2064 be, how to survive in a world full of strife, greed and darkness. Increase in sin and chaos has been excellently depicted by the art director.

Good attempt as a debut director. Kishore, iniyan and shraddha have acted very well and stayed in their character throughout the film. As the first half gets us into the story, the second half is interesting and thrilling. Art direction and director's touch in certain scenes are extemely good. Felt like seeing a English Hollywood movie in tamil . Kudos to Pramod Sundar and the entire team.

About halfway through Kaliyugam 2064, I caught myself holding my breath. Not because of a jump scare or a loud moment-but because of silence. That tense, eerie silence where a character is just trying to survive, and you're right there with them. That's what this film does so well. It doesn't just show you a dystopian future-it traps you in it.

What struck me most wasn't just the scarcity of resources, but the scarcity of trust, hope, and humanity. You could feel the weight of every choice the characters had to make. The film doesn't scream its message-it lets the atmosphere, the eyes of its characters, and the emptiness of its world speak for it.

Visually, it's haunting. The color palette, the barren landscapes, the abandoned spaces-they all tell their own stories. And the music? It doesn't overpower. It lingers. Just like the film.

Kaliyugam 2064 isn't a film you just watch. It's a film you survive alongside the characters. It's raw, bold, and incredibly timely. This is the kind of cinema we need more of.

Kaliyugam takes the us, the audience to the possible future around 2060s, where surviving each day is a challenge. With today's global issues and increasing worries about limited resources, the film feels like more as a warning than just a story. The visuals stand out, capturing the dark and intense atmosphere of a world falling apart. Every scene delivers the emotions, struggles and resilience of the characters perfectly, allowing us to connect with their fears, exhaustion, and faint traces of hope. Each and every actor in the film delivered strong and realistic performances that added more depth to the film.

Just watched Kaliyugam, and honestly, it was a letdown. The concept had potential, but the execution just didn't work for me. The pacing was painfully slow, and by the time something interesting happened, I had already lost interest.

The movie tries really hard to feel deep and meaningful, but it ends up being mostly style over substance. The world-building looks nice, sure, but there's barely any emotional connection with the characters. Even Shraddha Srinath, as good as she usually is, felt wasted in a script that didn't give her much to work with.

It's one of those films that wants to say something important but never really gets there. You walk out feeling like you waited two hours for a point that never came. If you're looking for something engaging or impactful, this isn't it.