AVALIAÇÃO DA IMDb
3,6/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA werewolf virus is unleashed upon New York, and Major Hoffman looks for a cure while Lt. General Monning wants to establish a new canine army.A werewolf virus is unleashed upon New York, and Major Hoffman looks for a cure while Lt. General Monning wants to establish a new canine army.A werewolf virus is unleashed upon New York, and Major Hoffman looks for a cure while Lt. General Monning wants to establish a new canine army.
Kate Vernon
- Dr. Ellen Gordan
- (as Katherine Elizabeth Vernon)
Ben Anklam
- Corporal C.J. Parkins
- (as Benjamin James)
Richard Lounello
- Platoon Leader
- (as Rich Lounello)
Michael Cipiti
- Staff Official
- (as Michael Cipti)
Douglas Buczak
- USAMRIID Aide
- (as Doug Buczak)
Avaliações em destaque
Battledogs (2013)
** (out of 4)
The Asylum strikes back with this rather confusing mix of sci-fi and horror. An evil Lt. General (Dennis Haysbert) does battle against the good Major Hoffman (Craig Sheffer) over a woman (Ariana Richards) who was bitten by a wolf (or dog) and turns into a wolf (or dog) and goes on a rampage in NYC. With the virus spreading, Hoffman wants to try and save her for a cure but the General wants more wolves (or dogs) so that the Army can use them in wars. BATTLEDOGS is a pretty confusing picture on one major level and that's the fact that I'm really not sure what the monsters are. They act and sound like werewolves but the title refer to them as dogs. Even stranger is that throughout the film they are called wolves by some, canines by others and some call them dogs. I'm really not sure what they are but the CGI used for them makes them look decent but they're still clearly fake but this here is to be expected with such a small budget. The film on the whole doesn't work but I think it contains a few entertaining things for those who line up week after week to see what SyFy is giving us. The biggest attraction to the film is its cast members as many familiar faces from familiar films are on hand. Not only do we get Haysbert (MAJOR LEAGUE), Sheffer (A RIVER RUNS THROUGH IT) and Richards (JURASSIC PARK) but there's also Wes Studi (DANCES WITH WOLVES), Kate Vernon (PRETTY IN PINK) and Ernie Hudson (GHOSTBUSTERS). Obviously the screenplay doesn't give any of them a real chance to act but I thought all of them were fine in their roles and certainly raised the material. It was also fun seeing Richards back in a film after a six year break. The CGI effects are all pretty cheap and bad but The Asylum did give us some real, practical effects, which allowed for plenty of gore. I say this after everyone of these movies but if you're expecting quality then you're not going to find it here. If you looking for cheap entertainment then this here offers a little of it.
** (out of 4)
The Asylum strikes back with this rather confusing mix of sci-fi and horror. An evil Lt. General (Dennis Haysbert) does battle against the good Major Hoffman (Craig Sheffer) over a woman (Ariana Richards) who was bitten by a wolf (or dog) and turns into a wolf (or dog) and goes on a rampage in NYC. With the virus spreading, Hoffman wants to try and save her for a cure but the General wants more wolves (or dogs) so that the Army can use them in wars. BATTLEDOGS is a pretty confusing picture on one major level and that's the fact that I'm really not sure what the monsters are. They act and sound like werewolves but the title refer to them as dogs. Even stranger is that throughout the film they are called wolves by some, canines by others and some call them dogs. I'm really not sure what they are but the CGI used for them makes them look decent but they're still clearly fake but this here is to be expected with such a small budget. The film on the whole doesn't work but I think it contains a few entertaining things for those who line up week after week to see what SyFy is giving us. The biggest attraction to the film is its cast members as many familiar faces from familiar films are on hand. Not only do we get Haysbert (MAJOR LEAGUE), Sheffer (A RIVER RUNS THROUGH IT) and Richards (JURASSIC PARK) but there's also Wes Studi (DANCES WITH WOLVES), Kate Vernon (PRETTY IN PINK) and Ernie Hudson (GHOSTBUSTERS). Obviously the screenplay doesn't give any of them a real chance to act but I thought all of them were fine in their roles and certainly raised the material. It was also fun seeing Richards back in a film after a six year break. The CGI effects are all pretty cheap and bad but The Asylum did give us some real, practical effects, which allowed for plenty of gore. I say this after everyone of these movies but if you're expecting quality then you're not going to find it here. If you looking for cheap entertainment then this here offers a little of it.
I actually couldn't finish the movie because the CGI werewolves were way worse than the one from American Werewolf in Paris. It's bordering on cartoonish or a parody. Couldn't take the movie seriously. I'll never understand how people think they can have a werewolf movie with a horrible werewolf or in some cases no werewolf at all. I was surprised at how bad the quality was because the cast was impressive.
This somewhat original werewolf flick by The Asylum is more fun than it deserves to be, thanks to a its cool premise, some neato plot elements by scriptwriter Shane Van Dyke, some attractive location shooting, and the surprising and welcome presence of Ariana Richards, who's grown as hot as you might have expected since she uttered her infamous "It's a Unix system! I know this!" as a teen in "Jurassic Park."
It is, however, nearly undone by ridiculous-looking CGI werewolves, a script devoid of humor, and a couple of "Wait What?" turns that all remind you you're watching a film from The Asylum.
Richards plays a wildlife photographer bitten by a wolf in Canada who arrives in New York's JFK Airport, where she promptly turns into a werewolf and goes on a killing rampage, turning more people into werewolves.
Without explanation, we learn the government has immediately decided to train werewolves as soldiers. That revelation provides the film's only laugh-out-loud moment, albeit unintentional, when one character asks what any sane viewer would at that point: Wouldn't that just serve to turn the enemy soldiers into werewolves, too? And then, you know, the world?
Nice of the film to take its biggest gaping plot hole and just lay it bare for the viewer.
That said, direction by Alexander Yellen is surprisingly tight and solid for a first-timer; and the Buffalo, N.Y., backdrop is a suitable stand-in for New York City. I especially enjoyed the abandoned train station that resembled Grand Central Terminal, which served as an Ellis Island of sorts for recently bitten werewolves.
But when your werewolves look like 3D versions of various cartoon "Big Bad Wolf" characters, you have to admit your audience isn't going to take your movie seriously. Therefore, you as a filmmaker shouldn't either.
And that's the major flaw in almost every film by this company – they play it straight. A little self-referential humor (I would have LOVED to see Richards save the day with a Unix system again. Just sayin') would have made "Battle Dogs" a classic.
As it stands now, it's a decent rental at the Redbox, but worth little more than that.
It is, however, nearly undone by ridiculous-looking CGI werewolves, a script devoid of humor, and a couple of "Wait What?" turns that all remind you you're watching a film from The Asylum.
Richards plays a wildlife photographer bitten by a wolf in Canada who arrives in New York's JFK Airport, where she promptly turns into a werewolf and goes on a killing rampage, turning more people into werewolves.
Without explanation, we learn the government has immediately decided to train werewolves as soldiers. That revelation provides the film's only laugh-out-loud moment, albeit unintentional, when one character asks what any sane viewer would at that point: Wouldn't that just serve to turn the enemy soldiers into werewolves, too? And then, you know, the world?
Nice of the film to take its biggest gaping plot hole and just lay it bare for the viewer.
That said, direction by Alexander Yellen is surprisingly tight and solid for a first-timer; and the Buffalo, N.Y., backdrop is a suitable stand-in for New York City. I especially enjoyed the abandoned train station that resembled Grand Central Terminal, which served as an Ellis Island of sorts for recently bitten werewolves.
But when your werewolves look like 3D versions of various cartoon "Big Bad Wolf" characters, you have to admit your audience isn't going to take your movie seriously. Therefore, you as a filmmaker shouldn't either.
And that's the major flaw in almost every film by this company – they play it straight. A little self-referential humor (I would have LOVED to see Richards save the day with a Unix system again. Just sayin') would have made "Battle Dogs" a classic.
As it stands now, it's a decent rental at the Redbox, but worth little more than that.
An ill wildlife photographer enters an airport, unknowingly carrying a werewolf virus. After she transforms, dozens if not hundreds of people are left dead or infected. And then the military steps in.
We all know the Asylum makes films for little money and uses some pretty terrible computer animation for their monsters. This is no exception. The production value seemed okay, but the wolves are just as fake as anything else they have created. Let us just get that out of the way.
But really, this is better than their average story. Decent acting, a generally interesting plot -- even if it may not always make sense. And Ernie Hudson, who never disappoints. Not the best werewolf film out there, but probably also not the worst.
We all know the Asylum makes films for little money and uses some pretty terrible computer animation for their monsters. This is no exception. The production value seemed okay, but the wolves are just as fake as anything else they have created. Let us just get that out of the way.
But really, this is better than their average story. Decent acting, a generally interesting plot -- even if it may not always make sense. And Ernie Hudson, who never disappoints. Not the best werewolf film out there, but probably also not the worst.
It is always a nice treat to witness when The Asylum manages to spew out a movie that excels compared to the rest of their movies. Every now and then The Asylum manages to put out a movie that is actually above the usual cheesy and campy stuff they dabble in.
"Battledogs", aside from the horrible title, was actually a nice movie. It was a different take on the werewolf myth and genre, and a rather bold take. But it ultimately worked out well enough.
Mind you, I am not saying that "Battledogs" is ready to challenge the leading werewolf movies, but for a movie from The Asylum, then it is well worth checking out.
The story is about a mutated strain of lycanthropy running rampart in Manhattan. The military contains the outbreak, but want to utilize this newfound potential source of power and turn it into a weapon - of course. And they will stop at nothing in order to succeed. But when things get out of hand, the military are forced to take to drastic measures.
Storywise, then "Battledogs" was alright. It wasn't the best of stories, and it was predictable, yes, but still it was a step up compared to many other movies from The Asylum. The story is fast paced and full of action and even an occasional thrill here and there.
As for the acting, then they did have some good names on the cast list, and people did good with the characters and roles they were given. Sure, many of these characters were generic and stereotypical, but the actors and actresses still manage to get something watchable out of that.
Which leads me to the CGI. The werewolves did look good, although at times the CGI animation was wooden and stiff, but still, the effects worked to the extend that they were meant to. Just don't get your hopes up for being blown away by a multi-million dollar CGI extravaganza.
If you enjoy werewolf movies, and don't mind movies that range in the lower scale of the budget, then definitely check out "Battledogs" - don't mind the awful movie title.
"Battledogs", aside from the horrible title, was actually a nice movie. It was a different take on the werewolf myth and genre, and a rather bold take. But it ultimately worked out well enough.
Mind you, I am not saying that "Battledogs" is ready to challenge the leading werewolf movies, but for a movie from The Asylum, then it is well worth checking out.
The story is about a mutated strain of lycanthropy running rampart in Manhattan. The military contains the outbreak, but want to utilize this newfound potential source of power and turn it into a weapon - of course. And they will stop at nothing in order to succeed. But when things get out of hand, the military are forced to take to drastic measures.
Storywise, then "Battledogs" was alright. It wasn't the best of stories, and it was predictable, yes, but still it was a step up compared to many other movies from The Asylum. The story is fast paced and full of action and even an occasional thrill here and there.
As for the acting, then they did have some good names on the cast list, and people did good with the characters and roles they were given. Sure, many of these characters were generic and stereotypical, but the actors and actresses still manage to get something watchable out of that.
Which leads me to the CGI. The werewolves did look good, although at times the CGI animation was wooden and stiff, but still, the effects worked to the extend that they were meant to. Just don't get your hopes up for being blown away by a multi-million dollar CGI extravaganza.
If you enjoy werewolf movies, and don't mind movies that range in the lower scale of the budget, then definitely check out "Battledogs" - don't mind the awful movie title.
Você sabia?
- CuriosidadesThe tranquilizer gun that is used on the lone werewolf that escapes from the line at about 10:55 is actually a Nerf Maverick toy dart 6 barrel revolver blaster. The top rear of the blaster has black tape over where the Nerf logo is. The type of darts that this blaster fires are foam with a soft rubber tip, not a sharp tipped tranquilizer dart.
- Erros de gravaçãoDespite the opening scene being set in JFK Airport in New York City, all of the police cars say NFTA (Niagara Frontier Transportation Authority) on them; NFTA is based in Buffalo, NY. The response time would've been about seven hours for police cars to arrive.
- ConexõesReferenced in The Asylum: case studies (2021)
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Detalhes
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
- Proporção
- 16:9
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