O Último Fim de Semana

Celia Green (Patricia Clarkson) gathers her family for labor day weekend at the Lake Tahoe family lakehouse. Her son Theo Green brings his friends Luke, Nora and Sean Oakes. Her other son Roger Green and Vanessa arrive with some troubles and a case of water. Celia tells her friends Vivian and Jeannie that she and Malcolm are considering selling the house. Theo is a writer on Blake Curtis' TV show and he has invited her to the house. Hector and Maria Castillo are the help around the house.

It's yet another dysfunctional family. They're not funny or terribly dramatic. They are simply a bunch of people each with their idiotic quirks. Celia with her money obsession seems set up for a reveal of family financial problems. Then it turns out that it is simply another silly personal quirk. It's rich people with rich people problem. Every once in awhile, they get to a real problem and it feels refreshing like minty water. However most of the movie feels empty and without calories. Maybe there's a real reason why she wants to sell the house. In which case, that should be the central reveal which could lead to family discourse and reconciliation.

Drab, boring, pointless, and ever so long (and it's only 93 minutes). Did they not give Patricia Richardson a script before the shoot? This is a movie about a family and some friends gathering together over a holiday weekend at the family "cabin" in Lake Tahoe. There seems, however, to be no plot--or if there is one, it is disjointed, lumbering, and completely inane. Dialogue doesn't appear to be prepared in advance and is s...l...o...w. Character interactions have no focus. There are no cohesive conversations -- every word begets conflict. If they are trying to irritate us into oblivion, then this movie is a success. Otherwise, it is anything but.

A wealthy family gathers for a final summer weekend at their beautiful stone home on Lake Tahoe. Mom (played with her patented elegant glow by Patricia Clarkson) and Dad have decided to sell. Things are not boding well for this family gathering. One son has been fired from his job with a financial firm over an expensive clerical error. He arrives in a bad mood and everyone puts up with his insufferable, whiny behavior. The other son, who is gay and works in the film industry, has brought a friend with whom he is forming an attachment that doesn't quite feel like a relationship, and invited a female movie star friend. He is simply embarrassed by his mother's shallow, acquisitive behavior (at one point, Mama plunks down a considerable amount of money on artsy farmer's market things). Nobody is connecting in this family. Mom is a snob. Dad is remote. The kids bicker and look awkward. Throughout the first two-thirds of the film, I wanted to strangle Mom and the kids. But the skill of the actors are what keeps you watching. When there is some sort of sea change in the family, they become a little more likable. But I'm never quite sure why. At the end of the weekend, the son doesn't tell his mother about his work woes, and she doesn't tell either son that she's planning to sell their beloved summer home (though there is some doubt that this will actually happen). I suppose the family games will continue. This is a very well-made film with a strong cast, goo direction, excellent sets, good camera work. Did we need to have the trio from Mozart's COSI FAN TUTTE yet again (this has to be the fourth time I've heard it used on a soundtrack). The film's faults can be directed at a very weak screenplay. I'm not looking for a tidy denouement, but I do rather insist that things make at least a little sense.

A piercing snapshot of a family weekend at Lake Tahoe that reveals the ennui, self-infatuation and arrogance of an affluent family. In this setting we meet the matriarch, Celia Green, who's beauty and spirit has imploded in a self-created maze of material objects and unreleased creativity. She undergoes a subtle yet powerful transformation that affects her family and future. Viewers who want fast action won't find release in this film. However, those sensitive souls who never tire of studying human behavior and don't mind facing the starkest challenge of parenthood, to those rare viewers I highly recommend this little pearl. You will surely find something to think about.

The people in this movie are clueless narcissists, very well portrayed. I know people like this, limousine liberals, and this is perfectly spot on. And then the portrayal of their humanity gradually shining through the fog of pretension infects every character and makes for a great movie experience. Patricia Clarkson is once again fabulous in a lead role, and the others play off of her nicely. The pretty scenery doesn't hurt, and the director makes full use of the stunning light show that the California/Nevada mountains provides. I question some of the devices that went nowhere, like the screenplay and the Indian museum. They are not used as devices so much as character filler, most of which is not necessary for our understanding of the characters, but which also doesn't get too much in the way.

I have liked Mays in other things she's done, but I thought she was a bit miscast for the role she was asked to play. I thought the story could have done more with the Nora-Sean couple other than just fill up the house and provide background. Overall though, I really liked the way this movie was put together. It does a very good job of showing how insular this world can be and how people who want for nothing will manufacture their own problems just by calling them problems. Misery rises to the level of comfort. All this without veering off into melodrama. Highly recommended.