Metro... In Dino

Watched it in a theatre somedays ago knowing the fact it's not gonna be close to the previous part but still storyline could be much better dialogues could be effective and if they cut the Pritam papon and others singing at every single moment of the movie it could be nice the concert they were holding every single second of the movie was cringe.

The songs are beautiful. Anupam Kher's arc has the most tragic outcome and he, like Shiney Ahuja in the first part, remains all by himself. Ali Fazal and Fatima's story has a lot of soul too. Basu could have snapped short on Konkona and Pankaj Tripathi's story because it drags after a point, drags to irritation. Sara and Aditya's story had a lot of wit and charm, but lacked soul. And there was ABSOLUTELY no need for horse-shoeing the Rainbow prpaganda. It murdered an otherwise fascinating film.

"Zamana lage" and "Aankh mudi, khwab aya" are the best picks among Pritam's melodies.

The cinematography, as always, is delicious.

I just wish Basu goes back to making little gems like Barfi and Jagga Jasoos.

His Gangster and Metro days are best left behind.

A modern take that tries to recapture the charm of Life in a... Metro, but falls just short.

Anurag Basu, known for his heartfelt, layered storytelling in films like Life in a... Metro, Gangster, Barfi!, and Ludo, returns with Metro... In Dino - a film that attempts to revisit the emotional and interconnected lives of people in a bustling city like Mumbai. While it brings some strong moments and thoughtful themes, it doesn't quite achieve the narrative tightness or emotional resonance of its 2007 predecessor.

Plot Summary (No Major Spoilers): The film follows four parallel stories, each centered around love, loss, and rediscovery:

Akash & Shruti - A married couple on the brink of parenthood, struggling with financial issues and career setbacks. The stress convinces them to consider abortion, raising deep moral and emotional questions.

Parth & Chumki - Chumki, a corporate employee engaged to someone she's unsure about, meets Parth. Their relationship blooms amidst complications, offering a glimpse into modern love and hesitation.

Kajol & Monty - A married couple with a teenage daughter, facing emotional decay as Monty turns to dating apps in search of excitement. Kajol's quiet hurt is among the more affecting aspects of the film.

Shibani & Parimal - Shibani, the mother of Chumki and Kajol, is an older woman who finds companionship in Parimal after years of dealing with her husband's betrayal. Their story offers the most gentle and emotionally honest moments in the film.

Each story unfolds in its own arc but eventually intersects, mirroring the structure of Life in a... Metro, though without the same emotional impact.

What Works: Performances: The cast delivers solid, believable performances, especially the more experienced actors like Neena Gupta (as Shibani) and Anupam Kher (as Parimal). Sara Ali Khan somehow made a very decent comeback as Chumki, and Ali Fazal & Fatima Sana deliver a very nuanced performance.

Pankaj Tripathi performs immaculately, but Konkona & Aditya were very flat in their performance and didn't create much impact in the story.

Music: Pritam manages to maintain the live band sequence this time with Papon & Raghav Chaitanya, similar to Life in a Metro, and delivers a few emotionally resonant tracks that complement the tone. Zamaana Lage and Dil Ka Kya were the main highlights. But too many songs and the balance between scenes & music ratio was off compared to Life in a Metro.

Themes: The film captures relevant emotional and relational issues - urban isolation, generational gaps, infidelity, and the search for meaningful connection, but the 2nd half becomes extremely far-fetched and loses momentum later on, making the end very less tight and out of context.

Overall, this is a one-time watch. While it starts off with a good narrative, the second half becomes too stretched with too many songs, and the editing is less crisp. Maybe a tighter ending, this would've been my two cents of advice to Anurag Basu.

Metro... In Dino isn't just a film-it's an emotion for anyone trying to keep up with this fast-paced, ever-changing modern life. Set in the heart of today's buzzing cities, the movie beautifully captures the hustle, the heartbreaks, and the human connections that somehow manage to survive it all.

It dives into the lives of different couples-young love, old love, lost love, and love that's still figuring itself out. And through each story, you're gently reminded of how life teaches us, molds us, and sometimes... surprises us.

From breakups that sting to moments that make your heart flutter again, this film makes you pause and reflect. You'll find bits of yourself in these characters-the confusion, the longing, the hope. And just like Life in a... Metro (2007), this one hits home in a nostalgic way.

And then there's Anurag Basu's magic. His storytelling is honest, raw, and full of warmth. Every frame feels like a slice of real life. And let's not forget Pritam's soulful music-it flows through the film like a gentle breeze, lifting every emotion higher.

This isn't just a film you watch-it's a film you feel.

If you're someone who's ever loved, lost, or lived in the chaos of a metro city... Metro... In Dino is your story.

Did not expect to be hit in the feels like this. Metro... In Dino is that rare film that looks chill on the outside but lowkey punches you in the gut when you're least ready. A mature, layered, emotionally chaotic ride through what love, regret, and timing really mean in today's world.

Anurag Basu is in full control here. The way he juggles multiple stories, characters, moods-it's effortless. The man just gets human complexity. No melodrama, no preachy nonsense-just real people, real pain, and beautifully messy connections.

Konkona Sen Sharma & Pankaj Tripathi are just masterclasses on screen. Quiet brilliance. The rest of the cast also do a brilliant job except for Sara. She for the life of her just cannot act.

Pritam's music is soul touching, haunting, and so well placed that it hurts. It might be one of his most important works. Every note blends effortlessly with the screenplay.

This film isn't trying to impress. It's just honest-and that's what makes it hit. Relationships are messy, people are flawed, and life doesn't always come with closure.