Seduced and Abandoned

The good: this reportage is (only) kinda interesting when famous directors like Bertolucci, Scorsese and Coppola are being interviewed.

The bad: unfortunately the famous folks only get very short screentime and this reportage unfortunately is mostly about Alec Baldwin quacking about how to get money for a new film he wants to make. THAT was NOT interesting any more after having watched it over 15 minutes.

This reportage (not a documentary) should have (at least) been cut in half and it should have deleted many (MANY) scenes with Alec Baldwin in it talking about getting money for his new movie, because it is quite tedious to watch.

The fact that I liked "Seduced and Abandoned" should be no surprise. After all, I write about films and love films, so of course I'll like a documentary that talks about films and how they are financed. Additionally, it's a great movie for film students and young actors, writers and directors to see. However, I really am not sure if it has an audience beyond that. Are more of the regular folks out there ready to watch a film like this? I assume the answer is no, but the film is informative and entertaining and probably won't bore you.

This documentary from HBO Films stars Alec Baldwin and his partner in this venture, James Tobak (a writer and director who directed and wrote this film). Most won't know who Tobak is, though he's respected in the film industry and was quite enjoyable to watch in action at Cannes. As for Baldwin, I loved him in this film as he and Tobak interviewed so many interesting people. But, I am also afraid that while his presence in the film provides a 'big name', recently this unpredictable actor has alienated just about everyone (especially gays, flight attendants and the folks at MSNBC)! Still, he does know films and he is very personable in the documentary.

This film is about this team trying to convince a lot of rich financiers to invest in an upcoming project—one Baldwin jokingly refers to as "Last Tango in Tikrit" (Iraq)'! Much of the time, as they talk to the rich money-men, I felt surprised that these behind the scenes folks would allow themselves to be on camera. Less surprising were the interviews with filmmakers (such as Martin Scorsese and Bernardo Bertolucci) and actors (such as Ryan Gosling and Jessica Chastain). After all, exposure for these filmmakers and actors is usually a very good thing.

The setting for all this is the Cannes film festival. While it used to be all about the movies, this festival has come to mean FINANCING—and over the last few decades the financiers are the important folks here. So what does it take to get financing? Well, according to this film, the script is apparently NOT important! What is important are the marketable stars associated with the project. This, to me might explain the bizarre casting of such films as "The Butler" (where John Cusack played, of all people, Nixon and Robin Williams played Eisenhower!). An interesting observation is how today films are really financed by committees—and committees tend to make timid films because it's practically impossible to reach consensus with risky ventures or strange ideas. It was also fascinating seeing the many, many countries that sent representatives to the festival to sell their country as a setting for the productions. All in all, this is a wonderful little film. It's also one that might best be enjoyed by total film snobs and folks in the know. So, if you don't know what "Cahiers du Cinema" is, who Henri Langois was or what the French New Wave was, then try to watch this movie with a complete film snob like myself! Interesting viewing and a totally unique little film.

By the way, some folks might blanch at a couple of the film clips (particularly the one from "Last Tango in Paris"). It IS very adult on a few occasions. Plus, I felt uncomfortable when Roman Polanski was being interviewed—as will many others due to his very famous conviction for raping a 13 year-old (and the victim's testimony of what occurred was brutal). Because he was in the film, I scored it an 9 instead of a 10. Call me narrow-minded if you'd like.

Review: As a fan of movies, I was expecting quite a lot from this documentary because I thought that I was going to get a deep insight into getting a budget for a movie, but I found it quite boring and uninteresting after a while. Watching people with big egos, talking about the value of people in the movie business, really did make me come to terms with how cut throat the business is. Alec Baldwin made the movie for me and I enjoyed the interviews with Ryan Gosling, who has a unique personality, and Martin Scorsese who can talk forever about his personal experiences. In all, the documentary was just based at the Cannes Film Festival so I shouldn't make a judgement on all movie tycoons, but it was interesting to watch a big star like Alec Baldwin, struggling to get a big budget just because he isn't as big as Ryan Gosling. Watchable!

Round-Up: I don't really watch movies from other countries so I didn't know quite a few of the directors in this film, but it was still interesting to hear another point of view about the world of making movies. Your name really needs to carry some weight for the producers to take you seriously, which is a shame for the people who want to make it in the business. I enjoyed watching Alec Baldwin work his charms with the various producers and movie moguls but after watching it for an hour and a half, it just seems like one big conversation without seeing any outcome. I think the film would have been much better if it was about a film that had already hit the cinemas.

I recommend this film to people who are into there documentaries about 2 people trying to get a budget for a movie. 4/10

The Cannes Film Festival is a yearly celebration of films, from the blockbusters to the lesser known. However in the back drop of this glamour is the back room deals that make movies come to life. Alec Baldwin and director James Toback take you behind the scenes of this circus as they discuss the process and seek funding for their own project. Along the way they cross paths with players of the industry and get the nuts and bolts of what makes the movie business tick. Cannes is a glamorous film festival but it also is a hot bed of action and the nitty gritty of the unglamorous side of movie making. Movie making business is a challenge, as repeated in the film Orsen Welles shared that "I look back on my life and it's 95% running around trying to raise money to make movies and 5% actually making them. It's no way to live".

Everything was painfully familiar to me but I managed to laugh nonetheless. The meeting with Avi Lerner should be obligatory viewing for beginners. And Mark Damon? He was an actor in Italian films of the 60's, not Fellini mind you but the others who made low budget epics. The landscape of "how to get financing for movies" has changed radically in the last few years but this is a residue of something that is still very much alive. Alec Baldwin pitching the idea to tired foreign sales agents is a delight and the comments from Martin Scorsese and other giants, are priceless. If you're in the business you'll laugh in recognition, if you're a civilian with ideas to join the film world of independent movies, this may give you pause.