A Partida

Sure, elements of this are maybe reminiscent of other gay titles, but these themes are based on real trends of the gay experience, so it's important to be patient with similarities across films from different cultures, each of which deserve their own nuanced stories told. Reiner and Yosvani's love story is memorable in their acting, the circumstances, and their decisions. Homosexuality is portrayed here not as fully forbidden but in a state of simultaneous acceptance and denial, which makes the story so unique. Both character's female partners and some family members are aware of their male lovers. I think the sad ending falls just short of being necessary based on the plot that leads up to it, but when I went back and rewatched it I felt like it did make sense the way it all played out.

"The Last Match," directed by Antonio Hems, delicately navigates the complexities of love, identity, and societal expectations in contemporary Cuba. The film chronicles the clandestine romance between Reinier and Yosvani, capturing the tender intimacy and passionate trysts amidst a backdrop of economic hardship and cultural norms.

Hems artfully portrays the evolving relationship between Reinier and Yosvani, highlighting their differing attitudes towards love and commitment. While Yosvani falls deeply in love, Reinier appears more reserved, perhaps influenced by societal pressures and his own uncertainties.

The film skillfully weaves in details about the characters' lives, such as Reinier's mother's approval of his relationship with Juan, adding depth to the narrative. Additionally, Hems explores themes of masculinity and sexuality, shedding light on the complexities of Cuban machismo culture and the challenges faced by individuals navigating their sexual identities.

The performances by the central male actors, García and Díaz, are captivating, conveying the emotional turmoil and vulnerability of their characters. Hems' casual portrayal of nudity underscores the raw emotions at play, adding authenticity to the film's portrayal of intimacy.

However, "The Last Match" falters in its melodramatic climax, which feels forced and detracts from the otherwise compelling narrative. Despite this misstep, the film remains a poignant exploration of love, desire, and the human experience in a challenging social context.

Overall, "The Last Match" is a thought-provoking and visually arresting drama that resonates long after the credits roll, offering a glimpse into the complexities of life and love in contemporary Cuba.

#TheLastMatchFilm #miltongarcia #reinierdiaz.

Being a teenager or young is difficult in all modern societies. And being gay adds some extra speculations and fears. I am gay and I am from Argentina, and in the mid nineties (when I was 25) I was fortunate to travel alone to Cuba on vacations. There, I met a Cuban young man of the same age as me, "by chance" in the streets of La Havana, and I had a little romance with him during my staying in this beautiful and romantic country. Due to this, I could live some of the situations portrayed in the film and I can say in that sense it is rather accurate. In Cuba there is not classical "poverty". They lack of desirable capitalist goods (like electronics or branded shoes, etc) but they are not hungry or without health care, education, etc. And the means to obtain these goods is through the tourists from Europe and Latin America. Well, the weather is hot all the year long, the same as the people doing things outside their houses until very late in the night. And Cubans are very romantic people in general. Well, my "Cuban boyfriend" lived with his family there. And he was openly gay. He (as the one in the film) presented me to his parents and brothers, the second day after we met. Well, the economic situation of the country (little communist island commercially blocked by its neighbor the superpower with the supportive superpower recently disappeared) took us to an uneven relationship (I had the dollars to spend), though not so much because my origin, age, job, etc.. But thanks to him, many things we did were done using "services and fares for Cubans" (not the ones for tourists). My country and specially my city is rather open to gay people, since those years. and I perceived a similar "air" in La Havanna. OK, There was not "gay dance clubs", but we went to dance to ordinary places and we danced together only taking care of not to kiss each other in public but we did it in familiar places. Well, this is my context to evaluate the film from there I feel it was well exposed by the script and director. In this case, both characters are young men, supposedly heterosexual, living and being maintained by their respective girlfriends' family, who fell in love of each other. The end of the film could be in the way it is or being more or less tragic. For me, the value of this movie is to have transporting me back to the Cuba I have known.

I've seen so few good 'gay-themed' films. "La partida" aka "The Last Match" is one of the great ones. From the director of another excellent film, "Clandestinos," we have a rare instance where gay characters aren't portrayed as ridiculous, clown-like stereotypes. The leads don't wear eyeliner, and they aren't go-go boys who hang out in bars, and they don't have drug problems. Instead we have two leads who are just regular people, who discover that they have a mutual attraction for each other. Living in Cuba, with a wife that supports him financially, Reinier is an avid futbol player, who is hoping to go pro, as a way of escaping a country where freedom does not exist. He also wants to escape the poverty that envelops him and his family and mates. So desperate for a way out, his own mother pushes him towards male prostitution, hoping that her young son will marry a foreigner, and thus give them all a way out of Cuba. Likewise Yosvani is in an unhappy relationship with a female, also supporting him. The two guys figure out that they like each other more than they should, and soon it turns into love. From that point everything and everyone seems set on destroying what the two have found with each other.

This is a sad story. It is romantic in a way that so few movies of this genre are. The two lead actors are great, especially Milton Garcia as Yosvani. He loves his friend in this intense way that we all wish we could be loved. His eyes are so sad, as though he knows from the start, that the love story will never have a happy ending. But he doesn't give up. This guy was brilliant.

Director Antonio Hens has a way of showing his audience a different kind of gay world, one that is free of dumb stereotypes. In "Clandestinos" we have a gay terrorist. And here we have a guy who plays football, and a street thug, who just happen to be attracted to the same sex. Films like this are so important, in that they teach the uninformed that gays are not "freaks," but in many cases completely typical men and women that just happen to be drawn to the same sex. As long as they are portrayed as silly stereotypes, the hatred and prejudice will be perpetuated. We need more cinema like this. It's a great love story, well-made and beautifully written. I recommend this movie as well as "Clandestinos," for people looking for something different.

I am sure life was not easy in Cuba before the Castros, but in spite of their nice slogans and levelling activities (often compelling), living conditions have worsened, particularly after the collapse of the socialist camp since 1990ies. So many continue or have been forced to live in poverty, and those wealthier are often engaged in dubious trades.

All this we can see in Spanish-Cuban La Partida, where daily life is ruled by earning and adoring money, and even sexuality is subject to this, no matter what God or nature has determined. And deviations from this, including feelings and caring, do not end / work out as in fairy-tales... Performances are brave and distinct, at least 1 point from me for that, plus the viewers obtain images how living and infrastructure in present Havana look like, and probably would feel pity and sad.

In XXI century, Cuban people deserve much more than doddering revolutionaries are willing and able to offer.