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IMDbPro

Je verrai toujours vos visages

  • 2023
  • 1 h 58 min
AVALIAÇÃO DA IMDb
7,5/10
4,5 mil
SUA AVALIAÇÃO
Je verrai toujours vos visages (2023)
Assistir a Bande-annonce [OV]
Reproduzir trailer1:48
1 vídeo
38 fotos
Drama

Na França, a Justiça Restaurativa ofereceu às vítimas e aos perpetradores a oportunidade de dialogar por meio de sistemas seguros, supervisionados por profissionais e voluntários.Na França, a Justiça Restaurativa ofereceu às vítimas e aos perpetradores a oportunidade de dialogar por meio de sistemas seguros, supervisionados por profissionais e voluntários.Na França, a Justiça Restaurativa ofereceu às vítimas e aos perpetradores a oportunidade de dialogar por meio de sistemas seguros, supervisionados por profissionais e voluntários.

  • Direção
    • Jeanne Herry
  • Roteirista
    • Jeanne Herry
  • Artistas
    • Birane Ba
    • Leïla Bekhti
    • Anne Benoît
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    4,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Jeanne Herry
    • Roteirista
      • Jeanne Herry
    • Artistas
      • Birane Ba
      • Leïla Bekhti
      • Anne Benoît
    • 11Avaliações de usuários
    • 19Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 9 indicações no total

    Fotos38

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    + 33
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    Elenco principal45

    Editar
    Birane Ba
    • Issa
    • (as Birane Ba de la Comédie Française)
    Leïla Bekhti
    Leïla Bekhti
    • Nawelle
    Anne Benoît
    Anne Benoît
    • Yvette
    Dali Benssalah
    Dali Benssalah
    • Nassim
    Élodie Bouchez
    Élodie Bouchez
    • Judith
    Suliane Brahim
    Suliane Brahim
    • Fanny
    • (as Suliane Brahim de la Comédie Française)
    Jean-Pierre Darroussin
    Jean-Pierre Darroussin
    • Michel
    Adèle Exarchopoulos
    Adèle Exarchopoulos
    • Chloé Delarme
    Gilles Lellouche
    Gilles Lellouche
    • Grégoire
    Miou-Miou
    Miou-Miou
    • Sabine
    Pascal Sangla
    • Cyril
    Fred Testot
    Fred Testot
    • Thomas
    Denis Podalydès
    Denis Podalydès
    • Paul
    • (as Denis Podalydès de la Comédie Française)
    Raphaël Quenard
    Raphaël Quenard
    • Benjamin Delarme
    Sébastien Houbani
    • Mehdi
    Roxane Barazzuol
    • Chloé Delarme enfant
    Max Libert
    • Benjamin Delarme adolescent
    Néma Mercier
    • Gabrielle
    • Direção
      • Jeanne Herry
    • Roteirista
      • Jeanne Herry
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários11

    7,54.4K
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    Avaliações em destaque

    9ASuiGeneris

    Petition For This To Be A Documentary Next Time!

    I have a Bachelors in Arts in Criminology. And a double in Psychology. Not many people know this about me, because, frankly, I am embarrassed because I do not use it at all in my life. I feel like I wasted my 4 years in college and have basically no career; doing basically nothing; what could have been done with a high school diploma.

    But I digress.

    I only confessed it now to give some validity to my next statement, which is that this restorative program between offenders and victims needs to be a real thing. And not only in France. World wide. My studies and own personal research tells me that this is real. It works more often than it does not- maybe not in the ways people want it to, but it is real progress. Kudos to the filmmakers for such an insightful premise, and to the actors and actresses for some damn fine performances all around. Bravo!
    8BoBo_Goal32

    Mesmerizing and riveting. You will not able to sit comfortably

    It seems exactly like the type of films that I cannot remain indifferent to. So realistic and such a compelling story. It is exactly what I have expected from this movie to be. An internal and uncontrolled storm that doesn't let its viewers to stay calm.

    The thoughts are running to so many directions and the work of the director: Jeanne Herry, which has made the great "Pupille" is just so accurate, that you sometimes feel that you are in the same room with the same people that are opening themselves to strangers, that are at a different spot.

    The film is talking about a special program that is bringing crime victims and criminals that made the same crime (or even the crime itself) together. It is a healing process that requires both sides to be open minded and try to tolerant to towards the other side.

    The movie is talking about traumas that not sure anyone, that hasn't suffered those types of "Minor" traumatizing experiences will understand. It is taking people from a wide range and dives into each one of them and into its traumatic experience and lesson learning, that takes place while they speak.

    It is an experience like no other, for the movie industry and a great achievement in directing and acting. Takes each and every one of the viewers from his safe spot and confronts with reality and still has a lot of hope and redemption in it. Very special film and experience that not every viewer can withstand, but for movies lovers, it is a must.
    6xnicofingerx

    A well-intentioned wishful thinking with a bit of reality

    One film, one theme, two storylines. A confrontation between victims and perpetrators, which should have added value for each side. The one in which people with no direct connection meet seems to bring the desired insights and peace. Naive, but perhaps. Aversion, getting to know each other, understanding. Just a film, idealistic. But at least one that literally shows its colours regarding the perpetrators of the current crime terror over Europe. Of course, the usual explanations and excuses for the escalation of character are used: poverty, education, opportunities. Yawn. Everyone chooses their own exits at the crossroads of morality. But yes, otherwise this film would certainly not have ended up on the big screen, or would have been crucified by the media instead of being showered with awards. In my opinion, the softening of concepts such as perpetrator, victim and guilt are questionable approaches and primarily benefit injustice.

    The other side works less well in its catharsis. Understandably, the resurgence of all pain through direct contact with the perpetrator is an emotional one-way street.

    I went to see the film because it featured some of the cinematic greats of French cinema, but I can only recommend it to a limited extent. No resonance, no added value. Nevertheless, it is a high-quality production, well acted and at least endeavours to keep its feet on the ground. If I imagine this as a German production, ouch.
    10fik-40812

    hey, what about EMPATHY?

    I believe in Empathy. And compassion. And forgiveness.

    Hence the first scene was strong, astounding to me.

    I heard something like: "No empathy here". Well, quite intriguing moto, I thought.

    I was led through the parallel processes in the movie delighted by the sheer cleanness of accuracy of its point of view as well as THE LACK OF manipulating me to drown in bitter-sweet-cheap-drama.

    Nearly all scenes exhibits a great opportunity to fall deep down sentimentalism - but Jeanne Herry keeps on being focused, consistent, on course.

    With great appreciation as well as thanks I got a peek to a totally new way of approach to life's bumps, obstacles, pains.

    I never heard about Restorative Justice before.

    It's kind of wonder for me to see a way that generates Empathy, Compassion and Forgiveness - especially inwards, toward oneself maybe even before practicing it to others.
    8dakjets

    Grow through what you go through

    Authentic. It is the first word that comes to my mind after watching this French film. Victims and criminals meet in mediation with the aim of somehow coming to terms with painful experiences and moving on. So simple, but obviously very difficult.

    The film is very good at conveying all the layers that exist in both the victims and the aggressors. It feels like a mixture of documentary and drama, but above all this film is insightful and strong in its narrative. In any case, what is striking is how important communication is. To meet, to tell, to look each other in the eye. Bearing in mind that 80 percent of offenders in prison commit new crimes (a fact in my home country), the film shows another and important angle of focus on changing behaviour. For the victims, this form of mediation means a high price, re-traumatisation and an experience of losing the little control they at least feel they have. But the way also gives them hope for change.

    The film does not give any conclusion as to whether this is the right way to focus on crime, but it at least tells us that there are opportunities to move forward.

    Very good character actors provide an intensity and nerve that is often missing in films today. Without them, this film's message would not have been as powerful as it is here.

    The film has many strong moments, and you will certainly not sit back unmoved after watching it.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      To research the subject, writer/director Jeanne Herry couldn't take part in actual meetings of restorative justice, given that they are supposed to be a safe place, and nothing that is said there is meant to be told elsewhere. So instead, she went through three formations, which she felt were very insightful: the one which Fanny and Michel go through in the movie, the one to be a mediator, like Judith in the movie, and one in Québec via Zoom.
    • Citações

      Grégoire: J'ai très bien compris. C'est pas ta faute, c'est Pôli emploi, c'est les surveillants, c'est pas toi. Toi t'as jamais rien fait, toi. Toi tu fais des trucs, et il n'y a pas de conséquences derrière.

    • Conexões
      References 12 Homens e uma Sentença (1957)

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    Perguntas frequentes17

    • How long is All Your Faces?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de março de 2023 (França)
    • País de origem
      • França
    • Central de atendimento oficial
      • Reputable French Film Review Site
    • Idioma
      • Francês
    • Também conhecido como
      • Las dos caras de la justicia
    • Locações de filme
      • Place des Prêcheurs, Aix-en-Provence, Bouches-du-Rhône, França(Chloé's apartment)
    • Empresas de produção
      • Chi-Fou-Mi Productions
      • Trésor Films
      • France 3 Cinéma
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 9.065.011
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 58 min(118 min)
    • Cor
      • Color
    • Proporção
      • 2.39 : 1

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