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Além das Palavras

Título original: A Quiet Passion
  • 2016
  • 12
  • 2 h 5 min
AVALIAÇÃO DA IMDb
6,4/10
6,6 mil
SUA AVALIAÇÃO
Cynthia Nixon in Além das Palavras (2016)
The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.
Reproduzir trailer1:52
2 vídeos
67 fotos
BiografiaDramaTragédia

Emily Dickinson é uma mulher tímida que sempre manteve uma forte ligação com sua família enquanto se tornava uma extraordinária poetisa, mas que teve o trabalho reconhecido somente após sua ... Ler tudoEmily Dickinson é uma mulher tímida que sempre manteve uma forte ligação com sua família enquanto se tornava uma extraordinária poetisa, mas que teve o trabalho reconhecido somente após sua morte.Emily Dickinson é uma mulher tímida que sempre manteve uma forte ligação com sua família enquanto se tornava uma extraordinária poetisa, mas que teve o trabalho reconhecido somente após sua morte.

  • Direção
    • Terence Davies
  • Roteirista
    • Terence Davies
  • Artistas
    • Emma Bell
    • Sara Vertongen
    • Rose Williams
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    6,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Terence Davies
    • Roteirista
      • Terence Davies
    • Artistas
      • Emma Bell
      • Sara Vertongen
      • Rose Williams
    • 84Avaliações de usuários
    • 139Avaliações da crítica
    • 78Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 25 indicações no total

    Vídeos2

    International Trailer
    Trailer 1:52
    International Trailer
    A Quiet Passion -- Official U.S. Trailer
    Trailer 2:00
    A Quiet Passion -- Official U.S. Trailer
    A Quiet Passion -- Official U.S. Trailer
    Trailer 2:00
    A Quiet Passion -- Official U.S. Trailer

    Fotos66

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    Elenco principal41

    Editar
    Emma Bell
    Emma Bell
    • Young Emily
    Sara Vertongen
    • Miss Lyon
    • (as Sara Louise Vertongen)
    Rose Williams
    Rose Williams
    • Young Vinnie
    Benjamin Wainwright
    Benjamin Wainwright
    • Young Austin
    Keith Carradine
    Keith Carradine
    • Father
    Marieke Bresseleers
    • Jenny Lind
    David Van Bouwel
    • Concert Hall Pianist
    Annette Badland
    Annette Badland
    • Aunt Elizabeth
    Steve Dan Mills
    • Dr. Holland
    Joanna Bacon
    Joanna Bacon
    • Mother
    Daniel Vereenooghe
    • Carriage Driver
    Michel Delanghe
    • Carriage Driver Assistant
    Maurice Cassiers
    • Photographer
    Duncan Duff
    Duncan Duff
    • Austin Dickinson
    Jennifer Ehle
    Jennifer Ehle
    • Vinnie Dickinson
    Cynthia Nixon
    Cynthia Nixon
    • Emily Dickinson
    Catherine Bailey
    Catherine Bailey
    • Vryling Buffam
    Miles Richardson
    Miles Richardson
    • Pastor
    • Direção
      • Terence Davies
    • Roteirista
      • Terence Davies
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários84

    6,46.5K
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    Avaliações em destaque

    6blanche-2

    a quiet bore

    "A Quiet Passion" from 2016 is a beautifully photographed and produced film about Emily Dickinson, here played by Cynthia Nixon. Some may be more familiar with the old Julie Harris vehicle about Dickenson, The Belle of Amherst, which she performed on stage.

    As a young woman, Dickinson attended a female seminary but ultimately returned home to her family. She was very opinionated and rigid in her beliefs and considered eccentric. She became more and more reclusive and later on refused to leave her bedroom.

    She wrote beautiful poetry, much of which was discovered after her death.

    Dickinson was a troubled woman, preoccupied with death and no doubt suffered from depression which worsened over the years. She may have also been agoraphobic.

    The film, written and directed by Terence Davies was overly long, slow, and boring, done in a pretentious manner. Someone who saw it the same time as I did described it as "starched." It did not draw in this viewer.

    The acting was good, with Nixon doing a fine job as Emily and Jennifer Ehle, whom many remember from the wonderful Pride & Prejudice some years ago, gave a lovely performance as her sister Lavinia. Keith Carradine played their father; he was excellent and inspired casting.

    "A Quiet Passion" was obviously a labor of love for Davies and for Nixon, and much care was taken with it. For me, it wasn't energized or accessible enough to truly enjoy, which is a shame, as it was treated too preciously.
    5ferdinand1932

    Dour

    The intention here is to create a novel in form and movement. It is like most Davies's films, styled in the same characteristic manner. The form means scenes progress in a way that is reminiscent of Bergman's Cries and Whispers' that is, complete in themselves and not always related to the previous action.

    Within this template the film is quite successful: the design and the actors, all contribute to something that strives to make a film about an artist. That may not be very interesting and its presentation is quite static, but then, so were the lives of the people depicted.

    Where it is flawed is the script, which, no doubt was crafted with some attention, yet, with a limited set of rhetorical devices: paradox, homily, hyperbole, irony, for instance; it soon becomes quite irritating. So many scenes run through a few set pieces with these rhetorical plays which are intended to amuse but repeat themselves and without any forward motion. There it resembles Bergman too: the self chastising, the self examination, accusation and reproach; the moral duty to become better, and while this may recreate the anxieties of the people involved, it is not accomplished writing.

    Unfortunately this film has the moral worthiness of chapel instruction without a better insight into its subject.
    6jimcheva

    As theatrical and literary as you would expect.

    I love Dickinson's work, but had my doubts about watching her life unfold. I'm afraid this film confirmed them. This movie feels like a play, not least in the acting which is often stilted - or declarative? - in a stagy way. The dialogue comes with quotes around it; very clever sometimes, but hardly natural. Some of the scenes are drawn out for no apparent reason. And it is way too long. There is some good use of her poetry, especially after one of the best, most nuanced sequences in which one feels the tenderness between her and her bigoted aunt in a beautifully understated way. Would that the whole film had walked such lines as well.
    8proud_luddite

    A Perfect Title

    The life and poetry of Emily Dickinson (1830 - 1886) is the subject of this biopic, portraying an early feminist who lived life on her own terms within limited situations while facing sadness and despair in her later years. Dickinson was from a prominent family (her father was a lawyer) and lived in Amherst, Massachusetts.

    Writer/director Terence Davies deserves so much credit for this fine film. The first half is blessed with sharp and witty dialogue using language and repartee in a style that is rarely used in today's America. Similarly, Davies' directing style is as poetic as Dickinson's writings which are frequently recited in the background. Even when poetry is not recited, there is a poetic mood that stays throughout the film especially in the second half when the lightness of the early years have passed.

    For the most part, the acting is good especially Cynthia Nixon as the adult version of Dickinson. Nixon is especially strong in the later years of despair and illness. But there are moments the actors seem ill at ease with a language that no longer exists in contemporary America. Catherine Bailey portrays a very sharp-witted, independent-minded friend of Emily and her sister. While Bailey is good in the role, some extra pizzazz could have made her a scene-stealer.

    The second half is quite serious at it deals with illness, dying, and the despair of living a life that is perceived as only partly lived. One particularly moving scene involved Emily brushing off the kind attention of a sincere, handsome suitor. By the end of this scene, it was easy to feel empathy and sadness for everyone involved.

    "A Quiet Passion" was like the experience of visiting a historical home that is open to the public where ropes separate visitors from the rooms. But in this case, the ropes are temporarily removed and we are allowed in as long as we keep a respectful distance. With a fine cast as well as superb lighting, costumes, and set designs, Davies does a great job in recreating a time and place long gone. Viewing this film is a very soulful experience. - dbamateurcritic
    7howard.schumann

    Neither quiet nor passion

    The great American poet Emily Dickinson wrote:

    "Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality."

    Whether or not Dickinson stopped for life, it kindly stopped for her and her immortality is enshrined in the legacy of the 1800 exquisite poems she left, only ten of which were published during her lifetime. She did not leave any commentaries to interpret her work, but left them for us to understand and explain. One interpretation of her life and work is provided by Terence Davies in his film A Quiet Passion, a sympathetic but overwritten and curiously wooden look at her life and the influences that shaped her art. Starring Cynthia Nixon ("The Adderall Diaries") as Emily, Davies traces Dickinson's life in a standard linear format. Raised in the Puritan New England city of Amherst, Massachusetts (the film is shot near Antwerp, Belgium) the poet was lonely and secretive throughout her life, seldom left home, and visitors were few.

    She stayed with her family all of her life, living through births, marriages, and deaths but always setting aside the early morning hours in her study to compose. Bright and outgoing as a young woman, Emily is portrayed as becoming more isolated, and bitter as she grows older. Her only companions were her austere and unforgiving father, Edward (Keith Carradine, "Ain't Them Bodies Saints"), a one-term Congressman, her haughty brother, Austin (Duncan Duff, "Island"), who became an attorney and lived next door with his wife Susan Gilbert (Johdi May, "Ginger and Rosa"), and her younger sister, Lavinia (Jennifer Ehle, "Little Men") who was her greatest solace. As the film opens, Emily is tagged as an outsider almost immediately. As a young student (Emma Bell, "See You in Valhalla") at the Mount Holyoke women's seminary, she stands up to the governess by declaring that she does not want either to be saved by divine Providence or forgotten by it and also speaks out for feminism, women's rights and abolitionism.

    Her willingness to challenge conventional thinking by dismissing Longfellow's poem "The Song of Hiawatha" as "gruel," and her support for the poorly-regarded Bronte sisters was not appreciated by her family. "If they wanted to be wholesome," she retorted, "I imagine they would crochet." As Davies cleverly morphs the faces of Emily and her well-to-do family from children into adults, a clearer picture emerges of her relationship with her strict father and reserved mother (Joanna Bacon, "Love Actually"). Her only refuge from family conflicts and disappointments was her intimate relationship with Vinnie, the companionship of her best friend Vryling Buffam (Catherine Bailey, "The Grind"), and the sermons of Reverend Wadsworth (Eric Loren, "Red Lights"). Irreverent and provocative, Emily, Vinnie, and Vryling are shown walking through the gardens, exchanging witty aphorisms while they twirl their parasols, but the element of artifice is overbearing.

    We do not see Emily in the process of composition but listen to her poems read aloud in voice-over. They are the highlight of the film, but there are not enough of them and too much time is spent on Emily's sad physical deterioration as she confronts the debilitating Bright's disease. In this regard, there is no subtlety in the film's presentation as the camera unnecessarily lingers over Emily's shaking fits for an inordinate length of time and her last days are an endurance test for the audience. In spite of the family's strong religious approach to life, there is no reflection about her life and legacy or talk about life's meaning and purpose.

    Though Emily Dickinson's poetry glimmers with a spiritual glow, the uniqueness of who she is does not fully come across. For all of its fine performances and moments of comic satire, A Quiet Passion is dramatically inert, and its stilted and mannered dialogue is an emotional straitjacket with each character talking to the other as if they were reading a book of aphorisms. Terence Davies has directed some memorable period films in his career such as his remarkable adaptation of Edith Wharton's The House of Mirth. A Quiet Passion, however, has neither quiet nor passion. Gratitude must be offered, however, to Davies for introducing the poems of Emily Dickinson to a wider audience. Thanks Terence and thanks Emily.

    "You left me, sweet, two legacies, A legacy of love A Heavenly Father would content, Had He the offer of; You left me boundaries of pain Capacious as the sea, Between eternity and time, Your consciousness and me"

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    Enredo

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    • Curiosidades
      Cynthia Nixon has detected similarities in the personality of Emily Dickinson with hers: In having big feelings, in wanting to connect with other people but not for example party with them, and in desiring to receive attention but kind of having a reluctance of the certain things one does that make it happen.
    • Erros de gravação
      Emily's brother refers to the draft and the fee for avoiding it right after Fort Sumter, in 1861. The draft and the fee were not established until 1863, and in 1861 everyone was sure that volunteers would end the war very quickly.
    • Citações

      Emily Dickinson: Because I could not stop for death, he kindly stopped for me.

    • Trilhas sonoras
      Ah! Non Credea Mirarti
      [From "La sonnambula"]

      Written by Vincenzo Bellini

      Performed by Marieke Bresseleers and Luc De Vos (as Luke Devos)

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    • How long is A Quiet Passion?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de abril de 2017 (Brasil)
    • Países de origem
      • Reino Unido
      • Bélgica
      • Canadá
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official site (Japan)
    • Idioma
      • Inglês
    • Também conhecido como
      • A Quiet Passion
    • Locações de filme
      • AED Studios NV, 38 Fabriekstraat, Lint 1457, Bélgica(interiors of Emily's home)
    • Empresas de produção
      • Hurricane Films
      • Potemkino
      • Gibson & MacLeod
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 6.900.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.865.396
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 45.825
      • 16 de abr. de 2017
    • Faturamento bruto mundial
      • US$ 4.159.246
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 5 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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