À Procura do Amor

ENOUGH SAID is quite simply wonderful. Its plot is straightforward: a middle-aged woman (Julia-Louis Dreyfus) falls in love with a divorced middle-aged man (James Gandolfini). However the course of true love never runs smoothly, as the woman also becomes friends with the man's ex-wife. This ultimately leads to trouble. Within that straightforward plot, director Nicole Holofcener obtains two absolutely wonderful central performances. Dreyfus doesn't want to fall in love, yet finds herself inexorably drawn towards Gandolfini's shy yet bear-like personality. Physically imposing, he has a basic insecurity both about himself and his relationship with the two women in his life, his ex-wife and his daughter (Eve Hewson). Photographed amid the suburban sprawl of California, Holofcener explores the cracks underlying life behind the closed doors and immaculately manicured gardens. While the plot might seem familiar, the performances redeem the film, which is truly bitter- sweet and spell-binding. This was Gandolfini's last film before his untimely death; it stands as a fitting epitaph to a wonderful actor.

first of all, i would like to say that i do miss James Gandolfini. his sudden past away indeed made me feel very regretful and sad. this film is perhaps his last swan song but like always sang in a such nice and natural way, making this film a very heart warming film that has become rare and rare in recent years. this film also re-telling us what could be called or categorized as a 'comedy', a 'good' and a 'very good' comedy. what i like most is that when you watched this film, it gave you a very mature, quite realistically down-to-earth feeling. of course, the coincidental relationships between and among these modern day couples or divorcées somehow felt not quite possible, yet at the same time, it also allow you to accept it to be happened possibly. the casting job was top notched, all of them were convincing and likable. there's nothing i could be picky to criticize or cursed, because it's such a nice film that left a very nice after taste when it ended. a very very lovely romantic comedy and most of all, a REAL comedy.

Considering that James Gandolfini is dead now and we'll never get any more from him I would have seen this movie if it was a $300 million bankbuster about a drunk Indian with a dead bird on his head. Thankfully it wasn't.

You never really know how good an actor is until you see him (or her) do something completely different than what you're used to. Gandolfini was incredible in this role, making you forget Tony Soprano or anything else he's done. He completely loses himself in the role.

Julia Louis-Dreyfus, I haven't seen since Seinfeld so I'm not as familiar with all her talents but this character definitely wasn't Elaine Bennis.

If you're tired of all the schlock Hollywood has been pumping out the past couple years and would just like some good old fashioned entertainment then this is the movie to see.

'ENOUGH SAID': Four and a Half Stars (Out of Five) James Gandolfini (in one of his last film roles) co-stars with Julia Louis-Dreyfus in this romantic comedy drama film written and directed by Nicole Holofcener. Holofcener also helmed such critically acclaimed movies as 2010's 'PLEASE GIVE', 2006's 'FRIENDS WITH MONEY' and 2001's 'LOVELY & AMAZING'. This film also co-stars Catherine Keener (a usual player in Holofcener's movies), Toni Collette and Ben Falcone. I think it's one of Gandolfini's best and most likable performances and Louis-Dreyfus has never been better or more lovable as well. Fans of honest and real romantic comedies should be more than pleased.

Julia Louis-Dreyfus stars as Eva, a divorced massage therapist who is not looking forward to her daughter, Ellen (Tracey Fairaway), going away to college. She goes to a party with her friend Sarah (Collette), and Sarah's husband Will (Falcone), and meets Albert (Gandolfini). Albert is a divorced father who's also not looking forward to his daughter, Tess (Eve Hewson), moving away for school. Eva and Albert hit it off and begin dating, despite the fact that Eva is not physically attracted to Albert (due to him being overweight). Eva also starts giving massages to a client she met at the party as well, named Marianne (Keener). The two become friends and Marianne tells Eva a bunch of horror stories about her ex-husband. When Eva learns that her ex is Albert things become complicated as she doesn't know how to tell Albert or Marianne that she knows the other.

The film is funny but in a very real way; I was really impressed with how much the movie felt so true to life. It has a lot to say about attraction and relationships, as well as family and divorce. Eva and Albert's relationship is the driving point of the film and the two lead performances really make the whole thing work. Gandolfini is once again awkward and kind of crude but ultimately very lovable. It's Louis-Dreyfus that really surprised me though. On 'SEINFELD' she was so self centered and unlikeable (like all of the characters on that show, except for Kramer) so it's really refreshing to see her be so adorable. She's really sweet and so is this film; Holofcener gives the movie the perfect touch once again and proves why she's an awesome indie film director. I really liked this movie and think most others will too.

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I saw this movie this past weekend, when it FINALLY made it to a local theater. The fact that I found a lot of kinship with Julia Louis Dreyfus' character helped push it up a notch or two. Like her character, I'm a divorcée, and my only child, a boy, went off to college this past August. Fortunately, I'm not as needy, and would never think of inviting one of his (younger) friends to live with me after he went off to school. :-) All in all, very realistic dialog (it's not easy dating in your 40s/50s), and I think this captured an empty-nester's mindset very well. Great acting by all, but James Galdofini's performance as Albert was charming and bittersweet.