AVALIAÇÃO DA IMDb
7,0/10
68 mil
SUA AVALIAÇÃO
Uma mulher divorciada que decide ir atrás do homem por quem está interessada, mas descobre que ele é o ex-marido de sua nova amiga.Uma mulher divorciada que decide ir atrás do homem por quem está interessada, mas descobre que ele é o ex-marido de sua nova amiga.Uma mulher divorciada que decide ir atrás do homem por quem está interessada, mas descobre que ele é o ex-marido de sua nova amiga.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 vitórias e 38 indicações no total
Christopher Nicholas Smith
- Hal - Massage Client
- (as Chris Smith)
Nick L. Williams
- Chris
- (as Nick Williams)
Avaliações em destaque
I saw this movie this past weekend, when it FINALLY made it to a local theater. The fact that I found a lot of kinship with Julia Louis Dreyfus' character helped push it up a notch or two. Like her character, I'm a divorcée, and my only child, a boy, went off to college this past August. Fortunately, I'm not as needy, and would never think of inviting one of his (younger) friends to live with me after he went off to school. :-) All in all, very realistic dialog (it's not easy dating in your 40s/50s), and I think this captured an empty-nester's mindset very well. Great acting by all, but James Galdofini's performance as Albert was charming and bittersweet.
My wife and I (in our 50s) went to see this with my parents (75 and 80). Mom was sorry to see it end. Yes, this is a movie that will appeal to an older crowd, especially if you have children or are divorced, and it's unfortunate that the younger sect will likely ignore it. It presents a very accurate perspective on parenting, especially as a divorced couple, and relationships at an older age. The dialog and portrayals of events/situations was very realistic and interesting enough to hold my attention.
It would benefit each generation to see movies that realistically address a different generation, to give us all a better perspective of life in general. I personally think I'd have enjoyed this movie even in my 20s, but in my 50s, I loved it. So did those in attendance with me. Makes you a little sad to know James G. won't be around to do more work of this quality.
It would benefit each generation to see movies that realistically address a different generation, to give us all a better perspective of life in general. I personally think I'd have enjoyed this movie even in my 20s, but in my 50s, I loved it. So did those in attendance with me. Makes you a little sad to know James G. won't be around to do more work of this quality.
Earlier this year we lost James Gandolfini. Although he already left a rich legacy with The Sopranos, it felt like he still had more to give us. I saw an interview with Julia Louis-Dreyfus yesterday and while she put on a brave face, when asked about Gandolfini, you could tell how deeply saddened he was by his death. Good thing that Enough Said is such a joyous and light- hearted film despite inevitably destined to be associated with his death. I'm a fan of The Sopranos and I've never really watched or liked Seinfeld, but it's a genius idea to pair these two actors up in such off-type roles. There was a huge goofy grin on my face when they were on screen together. They shed those past screen images with surprising ease and reveal effortless human beings. That's the beauty in their performances. It's incredibly funny at times and quietly poignant in others. But it's a gentle film in its very casual visual approach and lack of emotionally explosive scenes. Unfortunately the subplots really bog the film down. They don't add to the film's point and are just not up to the same quality. The daughter subplot is the only one close but it wasn't focused enough. However, Enough Said is still a very charming film with a mature look at adult love and second chances.
7/10
7/10
Considering that James Gandolfini is dead now and we'll never get any more from him I would have seen this movie if it was a $300 million bankbuster about a drunk Indian with a dead bird on his head. Thankfully it wasn't.
You never really know how good an actor is until you see him (or her) do something completely different than what you're used to. Gandolfini was incredible in this role, making you forget Tony Soprano or anything else he's done. He completely loses himself in the role.
Julia Louis-Dreyfus, I haven't seen since Seinfeld so I'm not as familiar with all her talents but this character definitely wasn't Elaine Bennis.
If you're tired of all the schlock Hollywood has been pumping out the past couple years and would just like some good old fashioned entertainment then this is the movie to see.
You never really know how good an actor is until you see him (or her) do something completely different than what you're used to. Gandolfini was incredible in this role, making you forget Tony Soprano or anything else he's done. He completely loses himself in the role.
Julia Louis-Dreyfus, I haven't seen since Seinfeld so I'm not as familiar with all her talents but this character definitely wasn't Elaine Bennis.
If you're tired of all the schlock Hollywood has been pumping out the past couple years and would just like some good old fashioned entertainment then this is the movie to see.
'ENOUGH SAID': Four and a Half Stars (Out of Five) James Gandolfini (in one of his last film roles) co-stars with Julia Louis-Dreyfus in this romantic comedy drama film written and directed by Nicole Holofcener. Holofcener also helmed such critically acclaimed movies as 2010's 'PLEASE GIVE', 2006's 'FRIENDS WITH MONEY' and 2001's 'LOVELY & AMAZING'. This film also co-stars Catherine Keener (a usual player in Holofcener's movies), Toni Collette and Ben Falcone. I think it's one of Gandolfini's best and most likable performances and Louis-Dreyfus has never been better or more lovable as well. Fans of honest and real romantic comedies should be more than pleased.
Julia Louis-Dreyfus stars as Eva, a divorced massage therapist who is not looking forward to her daughter, Ellen (Tracey Fairaway), going away to college. She goes to a party with her friend Sarah (Collette), and Sarah's husband Will (Falcone), and meets Albert (Gandolfini). Albert is a divorced father who's also not looking forward to his daughter, Tess (Eve Hewson), moving away for school. Eva and Albert hit it off and begin dating, despite the fact that Eva is not physically attracted to Albert (due to him being overweight). Eva also starts giving massages to a client she met at the party as well, named Marianne (Keener). The two become friends and Marianne tells Eva a bunch of horror stories about her ex-husband. When Eva learns that her ex is Albert things become complicated as she doesn't know how to tell Albert or Marianne that she knows the other.
The film is funny but in a very real way; I was really impressed with how much the movie felt so true to life. It has a lot to say about attraction and relationships, as well as family and divorce. Eva and Albert's relationship is the driving point of the film and the two lead performances really make the whole thing work. Gandolfini is once again awkward and kind of crude but ultimately very lovable. It's Louis-Dreyfus that really surprised me though. On 'SEINFELD' she was so self centered and unlikeable (like all of the characters on that show, except for Kramer) so it's really refreshing to see her be so adorable. She's really sweet and so is this film; Holofcener gives the movie the perfect touch once again and proves why she's an awesome indie film director. I really liked this movie and think most others will too.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=0gmBnRGZV8o
Julia Louis-Dreyfus stars as Eva, a divorced massage therapist who is not looking forward to her daughter, Ellen (Tracey Fairaway), going away to college. She goes to a party with her friend Sarah (Collette), and Sarah's husband Will (Falcone), and meets Albert (Gandolfini). Albert is a divorced father who's also not looking forward to his daughter, Tess (Eve Hewson), moving away for school. Eva and Albert hit it off and begin dating, despite the fact that Eva is not physically attracted to Albert (due to him being overweight). Eva also starts giving massages to a client she met at the party as well, named Marianne (Keener). The two become friends and Marianne tells Eva a bunch of horror stories about her ex-husband. When Eva learns that her ex is Albert things become complicated as she doesn't know how to tell Albert or Marianne that she knows the other.
The film is funny but in a very real way; I was really impressed with how much the movie felt so true to life. It has a lot to say about attraction and relationships, as well as family and divorce. Eva and Albert's relationship is the driving point of the film and the two lead performances really make the whole thing work. Gandolfini is once again awkward and kind of crude but ultimately very lovable. It's Louis-Dreyfus that really surprised me though. On 'SEINFELD' she was so self centered and unlikeable (like all of the characters on that show, except for Kramer) so it's really refreshing to see her be so adorable. She's really sweet and so is this film; Holofcener gives the movie the perfect touch once again and proves why she's an awesome indie film director. I really liked this movie and think most others will too.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=0gmBnRGZV8o
Você sabia?
- CuriosidadesJames Gandolfini's next-to-last movie. The dedication at the end of the movie reads, "For Jim."
- Erros de gravaçãoHilary drives a Chevrolet Volt, a near-silent electric vehicle. When she pulls into Eve's driveway near the end of the film, and again when she drives away minutes later, it sounds as though the car has a large gasoline-powered engine.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #22.4 (2013)
- Trilhas sonorasNeon Night
Written and Performed by Craig Erickson
Courtesy of Fervor Records
Principais escolhas
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- How long is Enough Said?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Una segunda oportunidad
- Locações de filme
- Santa Mônica, Califórnia, EUA(Marianne's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.550.872
- Fim de semana de estreia nos EUA e Canadá
- US$ 232.800
- 22 de set. de 2013
- Faturamento bruto mundial
- US$ 25.288.872
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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