À Procura do Amor

When I see a film and are still thinking about the characters the next day, I know I liked it."Enough Said" is one of those films..

A quality script that the all star cast brings to the highest level. The dialogue is so subtle, intimate and at times evasive that I could easily see the work on a stage. It has a modern day Pinteresque quality to it! The bitter sweet note is that as James Gandolfinos' last role, before his untimely death, it is his best. It seems like he was just starting to feel his potential as a diverse actor and "Albert" is a character we have never seen him in. Julia Louis- Dreyfus continues to amaze us with her portrayal of "Eva", a California single mom masseuse. I have always enjoyed her work especially in "Veep" but I think we will be delightfully surprised in the future with the range of characters she creates. Catherine Keener and Toni Collette who I would watch and listen to read a phone book, round out the cast. Go see it if you are in the mood for a "grown-up" film. Enjoy!

Earlier this year we lost James Gandolfini. Although he already left a rich legacy with The Sopranos, it felt like he still had more to give us. I saw an interview with Julia Louis-Dreyfus yesterday and while she put on a brave face, when asked about Gandolfini, you could tell how deeply saddened he was by his death. Good thing that Enough Said is such a joyous and light- hearted film despite inevitably destined to be associated with his death. I'm a fan of The Sopranos and I've never really watched or liked Seinfeld, but it's a genius idea to pair these two actors up in such off-type roles. There was a huge goofy grin on my face when they were on screen together. They shed those past screen images with surprising ease and reveal effortless human beings. That's the beauty in their performances. It's incredibly funny at times and quietly poignant in others. But it's a gentle film in its very casual visual approach and lack of emotionally explosive scenes. Unfortunately the subplots really bog the film down. They don't add to the film's point and are just not up to the same quality. The daughter subplot is the only one close but it wasn't focused enough. However, Enough Said is still a very charming film with a mature look at adult love and second chances.

7/10

first of all, i would like to say that i do miss James Gandolfini. his sudden past away indeed made me feel very regretful and sad. this film is perhaps his last swan song but like always sang in a such nice and natural way, making this film a very heart warming film that has become rare and rare in recent years. this film also re-telling us what could be called or categorized as a 'comedy', a 'good' and a 'very good' comedy. what i like most is that when you watched this film, it gave you a very mature, quite realistically down-to-earth feeling. of course, the coincidental relationships between and among these modern day couples or divorcées somehow felt not quite possible, yet at the same time, it also allow you to accept it to be happened possibly. the casting job was top notched, all of them were convincing and likable. there's nothing i could be picky to criticize or cursed, because it's such a nice film that left a very nice after taste when it ended. a very very lovely romantic comedy and most of all, a REAL comedy.

ENOUGH SAID is quite simply wonderful. Its plot is straightforward: a middle-aged woman (Julia-Louis Dreyfus) falls in love with a divorced middle-aged man (James Gandolfini). However the course of true love never runs smoothly, as the woman also becomes friends with the man's ex-wife. This ultimately leads to trouble. Within that straightforward plot, director Nicole Holofcener obtains two absolutely wonderful central performances. Dreyfus doesn't want to fall in love, yet finds herself inexorably drawn towards Gandolfini's shy yet bear-like personality. Physically imposing, he has a basic insecurity both about himself and his relationship with the two women in his life, his ex-wife and his daughter (Eve Hewson). Photographed amid the suburban sprawl of California, Holofcener explores the cracks underlying life behind the closed doors and immaculately manicured gardens. While the plot might seem familiar, the performances redeem the film, which is truly bitter- sweet and spell-binding. This was Gandolfini's last film before his untimely death; it stands as a fitting epitaph to a wonderful actor.

I saw this movie this past weekend, when it FINALLY made it to a local theater. The fact that I found a lot of kinship with Julia Louis Dreyfus' character helped push it up a notch or two. Like her character, I'm a divorcée, and my only child, a boy, went off to college this past August. Fortunately, I'm not as needy, and would never think of inviting one of his (younger) friends to live with me after he went off to school. :-) All in all, very realistic dialog (it's not easy dating in your 40s/50s), and I think this captured an empty-nester's mindset very well. Great acting by all, but James Galdofini's performance as Albert was charming and bittersweet.