Joe

There's a quote about midway through David Gordon Green's Joe that I believe is crucial to understanding the film's thematic core. Forgive me if I'm paraphrasing but it goes something like 'These men have no more frontiers'. The line is in reference to the men Joe works with and in many ways applies to the titular character himself. Joe is a man that knows he is stuck; he has no where to go because his surroundings can't let him. Even though he thinks five steps ahead of the average man it is only delaying the inevitable. The conflict of the story however is not whether or not Joe lives but if he can save the future of a promising child, named Gary.

Joe is the kind of film that proves that a small story can be much more meaningful than a larger one. This kind of unsentimental character piece needs a small tight focus so all of the nuances of said characters shines through. Thankfully David Gordon Green understands this; his approach to directing the film is subtle and organic, allowing the actors to shine first and foremost. There are some understated flourishes and several instances of visual poetry but for the most part Green keeps things taut and unsentimental. He wants the audience to be immersed in the volatile world Gary and Joe inhabit.

And what a convincing world it is. Green's depiction of Southern lower class Americana is unsentimental, austere and straightforward. The film doesn't feel the need to overemphasize aspects of these characters live. Nothing is glamorized, nothing romanticized; the film aims for a hard hitting depiction of the character's world which only serves to further highlight the core conflict. Green understands that the audience needs to understand how close Gary and his sister are to harm and in doing so has crafted a thoroughly realized community teeming with details and nuances.

But the real centerpiece of the film is it's acting; three performances in particular stick out. Cage's Joe, Sheridan's Gary and Gary Poulter's Wade. Cage's depiction of Joe is not quite the subdued performance many critics made it out to be. Instead it is a silent colossus of a performance. One of Cage's biggest strengths as an actor is the ability to convey a character's thought process without saying a word. He makes a perfect fit for Joe; a man who is always moving, thinking, never given to slowing down. He is a frank straightforward man and Cage does the character justice. Equally excellent is Sheridan's Gary. Coming off his sterling performance in Mud, Sheridan proves himself one of the most promising actors of the younger generation. He brings balances both the character's more mature and intelligent feelings and ambitions with a raw, primal rage that surfaces in a truly explosive manner. Finally we have Gary Poulter, the dark horse of this movie. A non-actor Poulter was hired due to his similarity to the character he was portraying. And boy does he nail it. Seething with a kind of disheveled rage, imbued with a selfish nostalgic anger for a time he had a future; Wade is a truly terrifying character only made more terrifying by Poulter's raw, thoroughly convincing performance. If Joe is symbolizes a man in societal stagnation, Wade is that stagnation taken to it's logical, horrific end.

Joe is a gritty, hard movie about gritty hard people but it's also intelligent, heartfelt and riveting from the first frame to the last. It solidifies the comeback for David Gordon Green as a unique presence in American cinema and hopefully is a sign that Cage will do more of these kinds of austere, gripping character pieces more often in the future.

9/10

"You pretend to be asleep, but I know you'd cry if I said the wrong thing."

Joe is a powerful and emotional drama that despite being slow grips you thanks to an intense realism and some excellent performances. Many have compared this to last year's MUD perhaps because teenager Tye Sheridan is in both films and they happen to take place in southern America dealing with some trashy characters. I really felt this film was more similar to Jennifer Lawrence's Winter's Bone in mood and tone, since MUD had an underlying romantic theme which this film lacks and you have two young characters that have to face great obstacles in order to sustain their families. With his performance in Joe, Tye Sheridan, has acquired quite an impressive resume despite his young age adding this performance to his work in MUD and The Tree of Life. As the title suggests however, the film benefits from a great lead performance from Cage who plays Joe, a man with a troubled past who gets a chance at redemption when he meets this young kid and becomes a sort of role model for him. This is one of Nicolas Cage's top 5 performances and a return to form for the actor that I grew up loving in the 90's. Perhaps my favorite performance in the film comes from newcomer, Gary Poulter, who plays the abusive alcoholic father. I can't think of a more horrifying villain than the character he portrays in Joe. Director, David Gordon Green, has also had a return to form after his disappointing turns in the comedies The Sitter and Your Highness. He is a very versatile director who received a lot of critical acclaim from his early small indies, George Washington and All the Real Girls, and then he also had success with his first stoner comedy, Pineapple Express. You would never imagine Joe was directed by the same person considering this is such a dark emotional drama.

Joe takes place in the wild South lands of Mississippi where we meet Joe Ransom (Nicolas Cage), an ex-con and heavy drinker who is trying to lay low working as a lumberjack. His life takes a turn when he meets a young 15 year old named Gary (Tye Sheridan) who comes to him looking for a job. Gary is the oldest son of a homeless family who suffers abuse from his alcoholic father, Wade (Gary Poulter). Wade spends all the money in booze and beats Gary on a regular basis. Joe's protective instincts come to play when he takes a liking for Joe who he tries to help. Despite having a lot of friends in the small local town, Joe also has made some enemies due to his heavy drinking and constant trouble with the law, and despite how much he tries to restrain himself from hurting others, seeing Gary being constantly abused awakens his anger towards his abusive father.

The characters in this film have a lot of depth and the realism with which they are portrayed by the actors is shocking at times. Sheridan gives a similar performance as that of Lawrence in Winter's Bone, Nicolas Cage is outstanding as well in his restrained role, and Poulter is so terrifying that he makes everyone's father look like a saint. The film has a haunting atmosphere and the drama is so rich that it is hard to remain emotionally detached to the story. It is a powerful and honest drama, one of the best from 2014. It's one of those rare emotional character studies that doesn't feel manipulative and never hits a false note. Cage reminds us why he was such a success in the past and I'm glad to see him back in form after a terrible batch of films.

In the South of the USA, the foreman Joe (Nicolas Cage) works with his black crew poisoning trees for the farmers to clean the field. Joe has a trauma, since he spent almost three years in prison for assaulting an abusive police officer. As the result, he has troubles with the police and he is emotionally detached from people. He spends most of his time drinking and smoking to control his nerves or with a whore and his dog. When the strong fifteen year-old Gary (Tye Sheridan) looks for a job with Joe, he notes that the teenager is a hard-worker and befriends him. But he also realizes that his abusive alcoholic father G-Daawg (Gary Poulter) is a scumbag. When G-Daawg associates to the also scum Willie-Russell (Ronnie Gene Blevins), he crosses a line with no point of return and Joe decides to protect Gary and his family.

"Joe" is a low-budget movie with magnificent performance of the uneven Nicolas Cage in his best role in the last films. The dramatic and realistic story of redemption of a good man is crude and never corny. The excellent direction and performances and the original screenplay keep the attention of the viewer until the very last scene. My vote is seven.

Title (Brazil): "Joe"

David Gordon Green, who's versatile career has swung from the sublime ('Snow Angels' & 'Undertow) to the completely absurd ('Pineapple Express' & 'Your Highness'), has swung back once again with this adaptation of Larry Brown's bleak novel, 'Joe'. The thriller follows the lives of country drifters surviving on the fringes of modern America's mid-west. The title character, played by Nicolas Cage, is a man with a troubled past and a short temper that has found a respectable - if teetering - balance in life. When he hires a young drifter, played by Tye Sheridan ('The Tree of Life' / 'Mud') as a day-laborer and tries to take the boy under his wing, that balance begins to tip when the boy's vagabond father becomes jealous of his income and his friendship with Joe. This is a film about fighting against your own nature and, though his more serious roles are often overshadowed by his over-the-top gonzo-ness, this is, by far, Cage's most subtle success to date. Don't worry though, he still gives the camera 'crazy-eyes' at least once.

Joe was well-received in its American premiere at Austin's SXSW Film Festival. David Gordon Green's film, based on Larry Brown's novel, was filmed locally in the Austin-area. The film is dark, brooding, intense and most of all depressing. The story about a local lumber foreman – Joe - who tries to rescue a 15-year-old drifter with an abusive alcoholic father is violent and disturbing and one knows from the start that there is no way for it to really end well. I found the film a little too dark and a little too slow as it moves to what seems like an inevitable bitter end. I think it could use some editing to speed the pace a bit. The acting by Nicholas Cage as the foreman and young Tye Sheridan – fresh off of his success in Mud alongside Matthew McConaughey – are excellent. In a way, it reverses the characters in Mud where Tye Sheridan's character is trying to rescue the older man; in Joe, the situation is the other way around. The film is hard to watch at times and difficult to call enjoyable, but the story is still powerful. It is difficult to imagine that such a dark film will attain much cinematic success. Green often casts locals in his film. In a sad, but perhaps appropriate corollary, the Green cast a local homeless man, Gary Poulter, to play the important role of the alcoholic father. Poulter died on the streets of Austin two months after the end of the filming. It is a powerful film, but I doubt I will ever want to watch it again.