Mogli: Entre Dois Mundos

Greetings from the darkness. If your idea of "The Jungle Book" is Phil Harris' Baloo singing a bouncy and memorable rendition of "The Bare Necessities" in 1967, or Christopher Walken voicing a giant orangutan in 2016, then be forewarned about this latest version of Rudyard Kipling's classic stories ... it's dark and, at times, terrifying. It's rated PG-13 to keep young kids away, so please keep your young kids away! One additional warning: this version is spectacular to look at and listen to.

Of course the story is quite familiar to most, but two things really stand out here: the amazing voice acting of the world class cast, and the look of the lush jungle with its vivid colors and textures. Director Andy Serkis is renowned for his stunning motion-capture work in such franchises as PLANET OF THE APES, LORD OF THE RINGS, and Peter Jackson's KING KONG (2005) ... along with many others ... and for this project, he combines his motion-capture Baloo with top notch CGI, and the live performance of young Rohan Chand (THE HUNDRED FOOT JOURNEY) as Mowgli, the man cub.

The voice acting is worth raving about. We first hear Cate Blanchett as Kaa, the ancient python, and within the first two minutes of the opening, we are captivated. Other standouts include an unnerving and intimidating Benedict Cumberbatch as Shere Khan, the always-threatening Tiger, Christian Bale (periodically lapsing into Batman voice) as the growling black panther Bagheera, Naomie Harris as Nisha the mother wolf, and a terrific Peter Mullan as lead wolf Akela. The deep cast also includes the voices of Jack Reynor, Eddie Marsan and Tom Hollander, while Matthew Rhys ("The Americans") appears as the hired tiger hunter, and Freida Pinto (SLUMDOG MILLIONAIRE) appears as Mowgli's caretaker in the man village.

Many scenes are particularly captivating - some are exciting, while others quite scary. The "no rules" monkeys are comedic relief ... right up until they kick off one of the darkest segments of the film. And there is an ongoing theme of the fine line between being 'special', 'different', or a 'freak', and the lessons learned here would be valuable for kids ... if this were a kids' movie ... which it's NOT! Although it's difficult to discern the intended audience for this film, it's quite a visual spectacle and entertaining from beginning to end.

Andy Serkis can do it all without drawing much attention or praise to himself. He can act, great voice actor and he's proven that he can direct. Even though they did the remake of The Jungle Book two years ago and I almost always hate remakes so close together. I would gladly say that I am wrong about this one. It was done perfectly and was a completely different spin on it. I would be glad if Andy got another chance at directing another Disney movie, Great job with this one!!!

After watching this, I felt really surprised on how good it was. Don't expect it to be too similar to The Jungle Book. Mowgli is a more adult oriented film with some dark tones which I appreciate. I was very more focused on the actors. Everyone stands out. Even some actors that have small, but important roles. The CGI was the only thing that got under my skin. Some scenes had excellent visual effects, then exceptional, and then just plain horrible CGI. It feels like an unfinished film and took me away from the movie for a while. Maybe Warner Bros cut the films cost when they decided to go to Netflix. I feel really sorry for Andy Serkis. If Warner Bros would have let Serkis finish Mowgli. It would have been better than Disney's version and Andy Serkis would get more praise when he clearly earns it.

Packing a far better & more involving story than its Disney counterpart yet failing to make the most of all that was up for grabs, Mowgli (also known as Mowgli: Legend of the Jungle) presents a more feral take on Rudyard Kipling's classic fable but still hesitates to embrace its darker retelling as it holds back when it needs to pounce.

The story of Mowgli follows the upbringing of a human kid who's raised by a pack of wolves as one of their own and learns about the harsh but sacred jungle laws under the tutelage of a bear & a black panther. But when his life is threatened by a Bengal Tiger, he's forced to leave the community and must face the truth about his human origins.

Directed by Andy Serkis, the mature themes at play here coupled with more serious approach than earlier adaptations only means that this tale had far greater potential than anyone realised. And it would've absolutely decimated Jon Favreau's take had Serkis managed to refine the narrative and rid the plot of tonal issues that plague it throughout.

Employing motion-capture to make sure the actors' renditions are reflected in their CGI roles, the facial attributes of few animal characters resemble the actors playing them to such an extent that it's somewhat distracting at times. Visual effects isn't up to the mark either, for the CGI looks cartoonish on few occasions while other times it is seamless.

The film attempts to dig into the struggle of a human boy trying to pass as a wolf but in the end, it turns out to be a quick skim instead of a deeper examination. However, the man-cub acts more primal & animalistic in this version, which actually is a much better & more realistic portrait of a character who grew up in a jungle alongside wild animals.

The acting department includes actors performing in live-action, rendering their act with motion capture & lending their voices to their CGI characters and many do well in their respective roles. Christian Bale is quite assuring as Bagheera. Andy Serkis is having too much fun as Baloo. And though Benedict Cumberbatch is fascinating as Shere Khan, he overdoes it at times.

Rohan Chand plays the eponymous character and he is outstanding in the role, far better than that forgettable kid in Disney's live-action flick. Freida Pinto & Matthew Rhys chip in with fine work in their human roles. The background score also lands on the positive side. But the film isn't savage enough, refusing to dig its teeth & rip off the flesh from the body, and that is disappointing.

On an overall scale, Mowgli tackles an ambitious, audacious & far more appealing side of Rudyard Kipling's magnum opus but its improper execution & uneven tone prevents it from realising its full potential. Failing to strike an emotional chord in a way that resonates strongly with the heart, Mowgli has its shares of ups n downs but its interpretation of the famous mythology is actually more interesting than the last attempt. Worth a shot, despite the shortcomings.

Andy Serkis had a fantastic dark take on the legend of Moglwi. Finally Netflix produced a good movie that strongly differs from Disney's version of Jungle Book.