Temporário 12

It's rare that a film moves you to tears and in the next moment makes you belly laugh, all within a context of a very real, grounded story.

This film has some of the strongest writing, acting, and directing I've seen in American cinema since American Beauty was released. Subtle, incredibly deep, and full of unsentimental heart and compassion. It's about people who have been damaged by the people who are supposed to protect them the most: their parents. And it's not just about that. It's about how the human spirit can, with care and respect, somehow sustain after such darkness. It's about real love.

This film is why I go to the movies. This film is why I've made my livelihood movies. Bravo Mr. Cretton and everyone involved with the film. I wish you nothing but the best.

One of the few movies in my life I cried at. Due to some of my background I was moved by the subject matter. It is one of the most natural movies I have ever seen. The entire cast seemed like real people and not one of them seemed like an actor. Great movies plunge the viewer into real lives as if they suddenly discovered someone else's life in front of them. The writer/director also had balance in the story, The most emotional scenes had tremendous impact because the timing when they occurred was not suspected. The scenes were gut-wrenching and drove me to emotional experiences as if I was a person in the film. Thus, the tears. This may be a hard film for viewers to be involved with, but it is worth every minute of it. The private lives of the leaders were weaved into the film and gave great understanding to the people who ran the agency. The child acting was without a flaw, and I felt as if I knew them in real life. I urge you to see it, but prepare yourself for an emotional ride with people in dire circumstances. A simply great film!!

After seeing this movie, I realized how the Academy works. If a movie doesn't have the budget to distribute their film to a vast amount of cities or campaign well, then it is unlikely to get its deserved recognition. I sat through the 96 minutes of this Indie film that got raved with impressive reviews at SXSW to see what the fuss was about. The people behind this movie deserve SO much more praise than they have gotten. This film, though not technically masterful, is emotionally wrenching. I laughed, I freaking cried my heart out, and overall it felt real. There was a connection to the film that was surprisingly amazing. The movie reminded me to Blue is the Warmest Color in the sense that it was raw, powerful, real, and astonishing. Brie Larson should have easily been one of the five nominees for Best Actress as well as Keith Stanfield for Best Supporting Actor. This film is a portrayal of neglected youth, a rare look at relationships, an articulation of the fears in the world, and a new point of view that most films have never shown before. I truly recommend this film to everyone, and will always give it the praise it deserves.

Incredibly natural in its approach, wonderfully balanced from start to finish & further solidified by a convincing ensemble performances, Short Term 12 tells the story of Grace, a very caring & capable supervisor at a foster-care facility for at-risk teenagers. There are three story lines that emerge from this film; one is about Marcus, a quiet kid who's about to turn eighteen but doesn't want to leave the facility, the second plot line is about Jayden, a troubled teenage girl who's the latest member of the club. And the final & main plot line is about Grace herself, whose past returns to haunt her after meeting Jayden with whom she shares a connection plus the unexpected surprise she discovers that can have a major impact on her future, thus leaving her utterly confused with everything about her life.

The entire cast has given a brilliant performance, but it's Brie Larson who impresses the most as Grace and the film manages to portray her toughness & fragility evocatively. The locations are very lifelike, the entire film has a very calm & relaxed atmosphere for which the shooting location is responsible for, editing is finely done & it is smartly written & directed. On an overall scale, Short Term 12 is one of those dramas that are heartwarming & heartbreaking at the same time that will have you go through every emotion you're capable of and dares to deal with issues most people or families aren't very comfortable viewing or discussing about.

Greetings again from the darkness. "An indie gem" is meant to be a term of respect for a little movie that manages to make an emotional connection, usually while being screened at a film festival or in a very limited and brief theatrical run. The best ones drive us to encourage everyone we know to take the time to see it. Such is writer/director Destin Cretton's latest.

Some movies offer a promising premise and then let us down with faulty execution. Short Term 12 is actually better than its premise would lead you to expect. Credit goes to Mr. Cretton's quasi-documentary directorial style, tremendous acting from support characters played by John Gallagher Jr (Mason), Kaitlyn Dever (Jayden), and Keith Stanfield (Marcus), and a stunning lead performance from rising star Brie Larson (Grace).

Grace and Mason help run a foster care facility. We witness first hand their daily work with the kids, some of it quite mundane ... though other moments incredibly powerful. Grace and Marcus have their own personal connections to this way of life, and also happen to be in a relationship that seems built on avoiding the communication and connection that goes into their daily jobs.

The use of art as a communication device plays a role throughout. Marcus uses his rap lyrics, newcomer Jayden draws and writes children's stories. These two kids are particularly important because they also mirror the inner sanctum of Mason and Grace, and we see these people all battle demons in hope of living a "normal" life. This is not a story of saints and sinners ... these are just people coming to grip with the deck they've been dealt.

You will recognize Gallagher from his work on HBO's "Newsroom", and Dever made quite an impression in her time on "Justified". Larson's star is on the rise thanks to her presence in The Spectacular Now and Don Jon, as well as some upcoming projects. She IS what critics have been trying make Greta Gerwig ... an actress who breathes life into character we feel we know.