Uma mensagem enigmática do passado de James Bond o envia em uma trilha para descobrir a existência de uma organização sinistra chamada SPECTRE.Uma mensagem enigmática do passado de James Bond o envia em uma trilha para descobrir a existência de uma organização sinistra chamada SPECTRE.Uma mensagem enigmática do passado de James Bond o envia em uma trilha para descobrir a existência de uma organização sinistra chamada SPECTRE.
- Direção
- Roteiristas
- Estrelas
- Ganhou 1 Oscar
- 8 vitórias e 37 indicações no total
Stefano Elfi DiClaudia
- Gallo's Accomplice
- (as Stefano Elfi-DiClaudia)
Avaliações em destaque
Spectre, another chapter in the James Bond series, garners a respectable 7/10 for its blend of suspense and high-quality filmmaking. This installment continues the legacy of the franchise, offering an action-packed and engaging experience.
The film's strength lies in its ability to weave a suspenseful narrative that keeps viewers engaged throughout. It delivers the thrilling action and intricate plot that fans have come to expect from a Bond film. The story is well-paced, blending intense action sequences with moments of intrigue and drama.
Spectre also excels in its visual presentation. The cinematography is striking, with each scene beautifully crafted to enhance the film's atmosphere. The action sequences are particularly well-executed, showcasing the high production values that are a hallmark of the Bond series.
The performances in Spectre are noteworthy. The cast brings depth to their characters, adding to the film's overall impact. Their portrayals contribute to the story's tension and excitement, making the characters' journey through the film more compelling.
The film's strength lies in its ability to weave a suspenseful narrative that keeps viewers engaged throughout. It delivers the thrilling action and intricate plot that fans have come to expect from a Bond film. The story is well-paced, blending intense action sequences with moments of intrigue and drama.
Spectre also excels in its visual presentation. The cinematography is striking, with each scene beautifully crafted to enhance the film's atmosphere. The action sequences are particularly well-executed, showcasing the high production values that are a hallmark of the Bond series.
The performances in Spectre are noteworthy. The cast brings depth to their characters, adding to the film's overall impact. Their portrayals contribute to the story's tension and excitement, making the characters' journey through the film more compelling.
This is certainly not the best Bond film to be made, but it's another solid outing for Daniel Craig's 007.
I thought the action, as in pretty much all Bond films, was the standout for me. The train sequence was brilliantly choreographed and the climatic scene added some spectacular set piece action that will be etched into the Bond archives.
Performance wise all good as expected once more, however Christoph Waltz as the films leading antagonist provided his usual demonic demeanour and his appreance weaves nicely into the narrative that had been building through the films prior to Spectre.
This certainly does no harm to a group of films that has built itself up, especially since Craig has been at the helm, as one of the best action franchises of all time.
I thought the action, as in pretty much all Bond films, was the standout for me. The train sequence was brilliantly choreographed and the climatic scene added some spectacular set piece action that will be etched into the Bond archives.
Performance wise all good as expected once more, however Christoph Waltz as the films leading antagonist provided his usual demonic demeanour and his appreance weaves nicely into the narrative that had been building through the films prior to Spectre.
This certainly does no harm to a group of films that has built itself up, especially since Craig has been at the helm, as one of the best action franchises of all time.
Despite an initial action scene full of CGI that you can also experience in the trailer, this movie hasn't got too much to offer.
The main problem is the bad script and dialogs and the pretentious style which tries to keep the tradition of older Bond films incorporating some not-so-witty and cliché humor and ludicrous action sequences with nothing new to offer. Planes, helicopters, cars...Well we've seen it all before and in much better executions.
Also Blofeld (or should I say BLOWfeld), despite the fact he is the King of all previous villains, seems quite harmless.
Casino Royale (2006) is far more entertaining (I've watched it again recently) and engaging. Spectre is "Meh!" in almost every department including (unfortunately) the ladies.
Thomas Newman who serves as the composer of the film, is proved to be a bad decision too. At the beginning he tries to revive the good-old 007 theme in almost every scene and the outcome is sub-par to say the least. Later he replaces the music with the same note again and again (da-da-da-da-da-da-da). David Arnold did a great job in C.R. and should have been the composer in this too (although I doubt that he could save this movie).
And what's the deal with this lame song? Unsuitable for a Bond movie or any movie out there. Same goes for the same-o same-o intro sequence. The combination of these 2 makes it look like it was made by Liberace.
Overall: The whole movie is pale like the Pale King it mentions.
The main problem is the bad script and dialogs and the pretentious style which tries to keep the tradition of older Bond films incorporating some not-so-witty and cliché humor and ludicrous action sequences with nothing new to offer. Planes, helicopters, cars...Well we've seen it all before and in much better executions.
Also Blofeld (or should I say BLOWfeld), despite the fact he is the King of all previous villains, seems quite harmless.
Casino Royale (2006) is far more entertaining (I've watched it again recently) and engaging. Spectre is "Meh!" in almost every department including (unfortunately) the ladies.
Thomas Newman who serves as the composer of the film, is proved to be a bad decision too. At the beginning he tries to revive the good-old 007 theme in almost every scene and the outcome is sub-par to say the least. Later he replaces the music with the same note again and again (da-da-da-da-da-da-da). David Arnold did a great job in C.R. and should have been the composer in this too (although I doubt that he could save this movie).
And what's the deal with this lame song? Unsuitable for a Bond movie or any movie out there. Same goes for the same-o same-o intro sequence. The combination of these 2 makes it look like it was made by Liberace.
Overall: The whole movie is pale like the Pale King it mentions.
I really enjoyed all the throwback to the classic Bond films in this, from the cars and gadgets to the evil villains committee complete with kitty cat. Trying to retroactively make it that all the other Craig movies have been orchestrated came off as a bit forced and long winded. But it did wrap everything up in a nice bow for Craig's final Bond...
I have to say I was one of the few people who actually liked this movie. Its fun and over the top action sequences are heavily inspired by the Roger Moore Bond films. But that isn't a bad thing at all. Although the movie might lack its predecessor's cohesive plot, it certainly makes up for it with the biggest explosion in the world and the absolutely ridiculous plane chase sequence in the snow. Also the inclusion of the classic White tuxedo was a pleasant surprise. While it may not be as good as Casino Royale or Goldeneye and not as well written as Skyfall, it is certainly enjoyable to watch.
Você sabia?
- CuriosidadesIn the Ian Fleming James Bond stories, Hannes Oberhauser, who is the father of this movie's Franz Oberhauser (Christoph Waltz), was a skiing and climbing instructor who taught Bond while he was at Fettes College in Edinburgh, Scotland. In Fleming's "Octopussy" (1966) short story, Bond says of him: "He taught me to ski before the war, when I was in my teens. He was something of a wonderful man. He was something of a father to me at a time when I happened to need one."
- Erros de gravaçãoIn the train, Bond and Madeleine order dirty martinis (a break from his normal routine), but when the drinks arrive, they are perfectly clear. Dirty martinis contain olive juice, so they would be cloudy. The International Bartenders Association standard recipe requires Olive Juice/brine. The traditional number of olives is that it should be odd, with 5 seen as excessive and 3 the norm.
- Citações
Blofeld: Why did you come?
James Bond: I came here to kill you.
Blofeld: And I thought you came here to die.
James Bond: Well, it's all a matter of perspective.
- Cenas durante ou pós-créditosThe gunbarrel sequence has returned to the start of the movie.
- Versões alternativasThe UK release was cut, this film was originally seen for advice in an unfinished version. The distributor was advised it was likely to be classified 15 but that their preferred 12A could be obtained by making reductions in a scene of violence and in another scene showing the aftermath of a violent act. When the film was submitted for formal classification, acceptable reductions had been made in both scenes and the film was classified 12A.
- ConexõesEdited into Omega 'Spectre' Television Commercial (2015)
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- 007: Spectre
- Locações de filme
- Erfoud, Marrocos(SPECTRE lair, desert)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 245.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 200.074.609
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.403.148
- 8 de nov. de 2015
- Faturamento bruto mundial
- US$ 880.707.597
- Tempo de duração
- 2 h 28 min(148 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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