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IMDbPro

Depois de Lúcia

Título original: Después de Lucía
  • 2012
  • 16
  • 1 h 43 min
AVALIAÇÃO DA IMDb
7,1/10
7,2 mil
SUA AVALIAÇÃO
Tessa Ia in Depois de Lúcia (2012)
Drama

Alejandra e seu pai Roberto acabam de se mudar para a cidade. Ela é nova na escola, ele tem um novo emprego. Às vezes começar de novo é difícil quando se deixa tanto para trás.Alejandra e seu pai Roberto acabam de se mudar para a cidade. Ela é nova na escola, ele tem um novo emprego. Às vezes começar de novo é difícil quando se deixa tanto para trás.Alejandra e seu pai Roberto acabam de se mudar para a cidade. Ela é nova na escola, ele tem um novo emprego. Às vezes começar de novo é difícil quando se deixa tanto para trás.

  • Direção
    • Michel Franco
  • Roteirista
    • Michel Franco
  • Artistas
    • Tessa Ia
    • Hernán Mendoza
    • Gonzalo Vega Jr.
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    7,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Michel Franco
    • Roteirista
      • Michel Franco
    • Artistas
      • Tessa Ia
      • Hernán Mendoza
      • Gonzalo Vega Jr.
    • 17Avaliações de usuários
    • 53Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 19 indicações no total

    Fotos22

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    Elenco principal29

    Editar
    Tessa Ia
    Tessa Ia
    • Alejandra
    Hernán Mendoza
    Hernán Mendoza
    • Roberto
    Gonzalo Vega Jr.
    Gonzalo Vega Jr.
    • José
    • (as Gonzálo Vega Sisto)
    Tamara Yazbek
    • Camila
    Paco Rueda
    • Javier
    • (as Francisco Rueda)
    Paloma Cervantes
    • Irene
    Juan Carlos Barranco
    • Manuel
    Diego Canales
    • Diego
    Marco Treviño
    Marco Treviño
    • Director
    Humberto Busto
    Humberto Busto
    • Cocinero
    Carmen Beato
    Carmen Beato
    • Leticia
    Mónica Del Carmen
    Mónica Del Carmen
    • Maestra
    José María Torre
    José María Torre
    • Joaquín
    • (as Josemaría Torre Hütt)
    Nailea Norvind
    Nailea Norvind
    • Aseguradora
    María E. Sandoval
    • Mamá de José
    Salvador Sacal
    • Papá de José
    Ireri Solís
    • Cocinera
    Edgar Espinoza
    • Compañero de Escuela
    • Direção
      • Michel Franco
    • Roteirista
      • Michel Franco
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    7,17.2K
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    Avaliações em destaque

    8Alexios1995

    Unsparing, cruel and stomach-churning

    In an early scene of the movie, a grieving husband suddenly bursts into tears while cooking. His 17-year-old daughter is with him in the house, but prefers to stay away. The sight of her father crying, which deeply moves her, leaves a authority void in her life that will define her behavior as things unravel at her new school. The relationship between Alejandra and her father is of deep love, but too many things are left unspoken, maybe precisely because each one thinks it is his duty to protect the other.

    But at its seething heart, After Lucia is about the abject cruelty of the human being, and more specifically of teenagers. The acts portrayed soon become monstrous,and the issues raised are only too real. Unfortunately, the ensemble lacks cohesion, and leaves many questions unanswered about the characters and the plot. Moreover, the emotional frigidness of the film, desisting any sentimentalism, may be annoying to some. The camera seems to shun the characters, and consequently never gets close to them.

    The film is saved by Tessa Ia Gonzalez, you embodies a scarred teenager. The scary intensity of her gaze, at once eerily serene and seething with mute terrors, will stick long in your minds.

    Even if confusing, After Lucia packs a hard emotional wallop and have proved to be, alongside with American indie Compliance, one of the most disturbing sit in recent memory.
    9JvH48

    Disturbing film about high school bullying and loneliness

    I saw this film at the Ghent filmfestival 2012. A chef (Roberto) and his daughter (Alejandra) move to a city where both are new. Their wife resp. mother has recently died in a car accident, and their move seems a recipe to get some distance from what happened and an attempt to deal with their loss. Father and daughter follow their own path to get settled in their new environment.

    We see Roberto starting to work in a restaurant, but his depressive mood and sudden impatience hinders him from a fruitful working relationship with co-workers. He quits suddenly, but that solved nothing and he regrets this hasty decision. We see him later on working as a chef again. But the remembrance of his loss continues to haunt him. His depressions and anger are never taken out on his daughter, however.

    Alejandra seems to get along well with her new classmates, and integrates remarkably fast. That turns around when a film showing her being drunk and having sex during a party, happens to be published on Internet. That triggers an unbelievable amount of bullying by her classmates, often to such an extent that you eagerly want to look away. But you can't, while the camera is close by and does not let go.

    It is difficult to believe that the young players are all amateurs with no previous experience on stage or film-set. They have a significant part in the proceedings, be it the collective bullying of Alejandra, or the collective silence when interrogated by teachers about what is going on. The boys and the girls play equal roles in the bullying. I see them showing a very natural way of behaving, even with the camera very close.

    The collective mindset, all against one, is not easy to watch. Teachers nor parent have any idea that worrisome things are going on. You feel alone with Alejandra. With apparently no one to rescue her, it is all very disturbing to witness. Teachers are not aware, because these school kids are too old to need constant supervision, and have a lot of leeway to fill their own time. The parent (Roberto) is not aware that anything bad is happening with Alejandra. As a loving daughter she takes all trouble to shield her father from any bad news, observing his depressive moods. Not until very very late in the story we see involvement of teachers and parent.

    A few loose ends remain unexplained, maybe only to show Roberto's depressive mood and nothing else. Best example is that in the beginning of the film we see that he let a garage fully restore his wife's car after a crash, to subsequently abandon it somewhere with the keys inside to continue his journey on foot. Halfway the film we see the same car wrecked again after a disastrous joy riding. Similar inconsistencies I have with Roberto's job at a the restaurant where he works at first, then quits, and later on resumed working without much explanation. All things considered, these are minor details.

    The camera closes in on the story. The situation gets from bad to ugly, and without anyone on the rescue. I consider this a very strong feature of this film, letting us watch what happens from very close. You get involved, willingly or not. I scored a 5 (out of 5) for the audience award when leaving the theater. In hindsight, though not as bad as Alejandra, I feel a bit lonely too when seeing that this film ended on the 38th place for the audience award, in my opinion undeservedly surpassed by several films with much less qualities.
    Porky_Pigs

    The powerful Mexican cinema

    It's hard to watch Después de Lucía and don't get hit by a mix of feelings caused by it, like anguish, guilt, hatred and pity. And these are just a few that I felt when watching the movie. At least for me, the movie was pretty effective, mainly because I have witnessed situations just like the one shown in the movie.

    The story follows the teenager Alejandra and her father Roberto moving to a new city after the death of the title character. In this new town, he starts working as a chef while Alejandra starts going to school. After something happens in a weekend party, she starts being bullied by the students.

    Everything that her character goes through makes us feel really bad and powerless, seeing all that and without the capacity to help. And that's part of the superb direction of Michel Franco, which really carries the movie. Notice that almost all scenes have a static camera, and all the action perfectly fits within the frame. This gives us powerful scenes, like the one in the trip to Veracruz, where we can see students making out, others smoking marijuana, others drinking and two guys talking about something that one of them just made in the bathroom. Even with all this happening on the screen, we can't stop thinking about what happened outside of it, and it's hard to tell what just happened in that bathroom.

    The camera is always far from the actors, trying to avoid us to make a connection with them. However, there is one scene with a close-up in Alejandra face, maybe to make us feel close to her. There is also only one scene (that I remember) where the camera moves, and that happens when Alejandra enters the classroom, and we see a 180 degree turn, maybe in an attempt of Franco to tell the public that the moment when the girl enters that room, her life is going to take a similar turn.

    The director also made a good choice picking Tessa Ia e Hernán Mendoza for the main roles. When they're together, it's visible the indifference that reigns in their relationship. Roberto always tries to hide his suffering from Alejandra but when he is alone he cries and can't stand to drive the car in which his wife died. And even trying to show some love for Alejandra, he fails in some situations, like the one when he forgets her birthday, a fact that is not missed by her so called friends.

    If it wasn't for the ending, which will irritate the politically correct, I wouldn't hesitate in show Después de Lucía to some students, trying to make them to see the dimension that bullying can reach. And let's make clear that I'm not a defender of Alejandra, mainly because the act that starts all of the bullying is caused by her recklessness. But, even knowing that she has some guilty in everything that happened, the reaction it caused was extremely unproportional.
    7westsideschl

    Abuse

    Clichéd storyline of new girl getting picked on by ss at her new school. No mom, just dad trying to start a new job as a chef. Fairly good acting as father tries to juggle attending to daughter's needs; loss of wife (mom) and job. Fairly good acting on the daughter's part as the abuse at school goes too far. What makes this a little more interesting than other films of this type are the twists and the girl's passiveness which provokes the viewer into asking important questions including the role of the school's administration in monitoring it's ss. A second question was how the father and daughter went about dealing with their own problems. On a critical note I thought the ending could have been stronger/clearer.
    8losindiscretoscine

    A pessimist but realistic and universal vision of the world, in which a simple action in the social media can make a durable impact in anyone's life

    Awarded with the prize "un certain regard" at the Cannes Film Festival, Michel Franco's second film deals with a social problem largely present in cinema: school bullying in the digital age. The shooting and the framing, specially the fix off-camera shots, as well as the long silences, immerse the public into the deepness of Alejandra's emotions (superbly played by Tessa Ia). Rough, bitter and cold, the harassment scenes come one after another and we enter a kind of vicious circle in which freedom does not exist. Any type of rationality, understanding or communication are in vain in this compulsory contemplation of violence whose origin is unknown by the victim and, maybe, even by the aggressors. The lack of communication and the sobriety of the photography provide more realism to the movie. Finally, the long sequence shot at the ending enhances the beauty and coldness of the whole. With "After Lucia", Michel France offers at the same time a pessimist but realistic and universal vision of the world, in which a simple action in the social media can make a durable impact in anyone's life. Full review on our blog Los Indiscretos : https://losindiscretos.org

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Most of the young supporting cast is played by Tessa Ia's real-life friends.
    • Trilhas sonoras
      Get On Me
      Written by Letona, Olivera, and Pepe

      Performed by Mary L

    Principais escolhas

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    Perguntas frequentes16

    • How long is After Lucia?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de março de 2013 (Brasil)
    • Países de origem
      • México
      • França
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Facebook
    • Idioma
      • Espanhol
    • Também conhecido como
      • After Lucia
    • Locações de filme
      • Puerto Vallarta, Jalisco, México(Alejandra's home city, final scene at sea off the cost)
    • Empresas de produção
      • Pop Films
      • Filmadora Nacional
      • Filmadora
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 2.401.169
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 43 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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