Uma entrega equivocada no famoso e eficiente sistema de entrega de lancheiras de Mumbai conecta uma jovem e a um homem mais velho, enquanto eles constroem um mundo de fantasia juntos através... Ler tudoUma entrega equivocada no famoso e eficiente sistema de entrega de lancheiras de Mumbai conecta uma jovem e a um homem mais velho, enquanto eles constroem um mundo de fantasia juntos através de anotações na lancheira.Uma entrega equivocada no famoso e eficiente sistema de entrega de lancheiras de Mumbai conecta uma jovem e a um homem mais velho, enquanto eles constroem um mundo de fantasia juntos através de anotações na lancheira.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 30 vitórias e 46 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Lunchbox review: Note: Don't open this Dabba if you don't like slow paced movies!!
After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!
The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!
The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.
Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.
After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!
The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!
The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.
Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.
The first glimpse of the movie , promises you that it is't a 'just another regular bollywood movie', its refreshingly Fresh and New.
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
Must watch with a full stomach, else you'll have a watering mouth every five minutes while watching the plot. India is a country where we give utmost importance to food & family. This story, packed in a Lunchbox, comes to your table & gives you a flavor of Indian ethnicity & the emotions we go through in everyday life !
The overcrowded local trains, Harvard certified Mumbai Dabbawalas, Amidst busy working hours, an irritating yet likable junior And the best friend "Aunty" to a direction less housewife
All this should be enough to drag you to the cinema house & enjoy the spicy curry in the LUNCHBOX.
The overcrowded local trains, Harvard certified Mumbai Dabbawalas, Amidst busy working hours, an irritating yet likable junior And the best friend "Aunty" to a direction less housewife
All this should be enough to drag you to the cinema house & enjoy the spicy curry in the LUNCHBOX.
To be able to write an involving story on something considered impossible is the hallmark of a good writer. 'The Lunchbox' is based on such a story surrounding the dabbawalas of Mumbai.
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
Enjoy!
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
Enjoy!
In an age when instant messaging, email, and various social media have made communication easier and quicker, debutant writer-director Ritesh Batra relies on scribbled notes tucked in tiffin boxes to deliver a charming, old-fashioned love story in The Lunchbox. There's a simple line in this sumptuous film that captures its essence beautifully: "Sometimes even the wrong train can take you to the right destination." It's a line that might help interpret the film's open ending, but one that also nicely sums up its unique premise.
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
Você sabia?
- CuriosidadesIn order to bring authenticity to the role and for knowing each other well enough to share the love and resentment among the couple as per the story in the film, Nimrat Kaur (Ila) and her onscreen husband Nakul Vaid (Rajeev) stayed at the same house as shown in the movie for weeks and spent days extensively rehearsing their part and adjusting to it prior to the other cast members even getting finalized.
- Erros de gravaçãoAfter his marriage, Shaikh tells Saajan that on their first train ride together he got into the first class compartment without a ticket. However, during their first ride the train seat seen is that of the second class.
- Citações
Saajan Fernandes: I think we forget things if there is nobody to tell them.
- ConexõesFeatured in 59th Idea Filmfare Awards (2014)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Lunchbox?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.235.151
- Fim de semana de estreia nos EUA e Canadá
- US$ 44.542
- 2 de mar. de 2014
- Faturamento bruto mundial
- US$ 11.621.785
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente