AVALIAÇÃO DA IMDb
3,5/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaYears after his father's death, the son of a fallen soldier tries to reconnect with his grandfather, who is still grieving the loss of his son.Years after his father's death, the son of a fallen soldier tries to reconnect with his grandfather, who is still grieving the loss of his son.Years after his father's death, the son of a fallen soldier tries to reconnect with his grandfather, who is still grieving the loss of his son.
- Direção
- Roteiristas
- Artistas
Michelle Davidson
- Connie Lee
- (as Michelle D. Bratcher)
Avaliações em destaque
LAST OUNCE OF COURAGE is so over-the-top that one is tempted to brand it a parody: the heavy use of military march music to suggest patriotic resolution, the ham-fisted speechifying, the slimy cigar-smoking villain...but then there are the elements which are clearly meant to be funny, like the fey theater director (ha, ha) or the bumbling biker gang (who look tough, but are, of course, just a bunch of softies).
But what really makes the film a chore to watch is how weak a piece of propaganda it is. The villains never make a remotely rounded case for themselves; the (hilariously exaggerated) actions on the part of those who try to repress Christmas and religious expression are based on vague fear alone, and while vague fear has inspired many a misguided action, when there's a message to be conveyed (I assume that's what they were trying to do), there needs to be either something concrete to react against, or an actual nuanced exploration of the issues. In a general sense, liberals seem to be the antagonistic force here, but the film doesn't take an actual stand against anything.
It's also one of the most pandering films I've ever seen, using the Army, the Bible, Christmas trees, motorcycles, the word "freedom", the American flag, and the cross as grossly blunt symbols of what this film means to honor. But it's so empty-minded that these symbols do not elevate the film or its themes; they just underscore its total lack of substance.
The acting doesn't help. Marshall Teague was far more convincing as a psychotic henchman in ROAD HOUSE; he has one line in particular that would turn off this film's target audience. The character of Bob Revere is a hard one to really like (he's awfully self-righteous), and Teague's performance doesn't help matters. Jennifer O'Neill, a long, long time after SCANNERS or SUMMER OF '42, can do little with the role of Teague's wife. Fred Williamson, as the aforementioned villain, seems to realize how awful the film he's in is, and manages to bring a little more pizazz to his one-dimensional role. Not enough to make it a memorable performance, really, but he's definitely the best thing in the film.
Add to the leaden script and flat performances a cheap production and sloppy directing, and you've got one big steaming pile of film. Not recommended. Oh, wait--it IS "Chuck Norris approved". Make of that what you will.
But what really makes the film a chore to watch is how weak a piece of propaganda it is. The villains never make a remotely rounded case for themselves; the (hilariously exaggerated) actions on the part of those who try to repress Christmas and religious expression are based on vague fear alone, and while vague fear has inspired many a misguided action, when there's a message to be conveyed (I assume that's what they were trying to do), there needs to be either something concrete to react against, or an actual nuanced exploration of the issues. In a general sense, liberals seem to be the antagonistic force here, but the film doesn't take an actual stand against anything.
It's also one of the most pandering films I've ever seen, using the Army, the Bible, Christmas trees, motorcycles, the word "freedom", the American flag, and the cross as grossly blunt symbols of what this film means to honor. But it's so empty-minded that these symbols do not elevate the film or its themes; they just underscore its total lack of substance.
The acting doesn't help. Marshall Teague was far more convincing as a psychotic henchman in ROAD HOUSE; he has one line in particular that would turn off this film's target audience. The character of Bob Revere is a hard one to really like (he's awfully self-righteous), and Teague's performance doesn't help matters. Jennifer O'Neill, a long, long time after SCANNERS or SUMMER OF '42, can do little with the role of Teague's wife. Fred Williamson, as the aforementioned villain, seems to realize how awful the film he's in is, and manages to bring a little more pizazz to his one-dimensional role. Not enough to make it a memorable performance, really, but he's definitely the best thing in the film.
Add to the leaden script and flat performances a cheap production and sloppy directing, and you've got one big steaming pile of film. Not recommended. Oh, wait--it IS "Chuck Norris approved". Make of that what you will.
Last Ounce of Courage takes place in a skewed, alternate reality where everyday freedoms HAVE been taken away and Christmas is actually threatened by people such as an African-American man from Washington DC (seriously ... the film went there). There is NOTHING subtle about this movie (the "TRUE" patriotic hero of the film has a last name of Revere) and it is comprised of nothing but false talking points that aren't even close to being true or becoming a reality. There are so many furrowed brows on display here the fictional town of Mt. Columbus appears to be among the angriest in film history. It is all balderdash.
Even with these preposterous assertions, what truly makes the film a disaster are the low production values, the over-the-top-hoping-for-an-Oscar acting, the blatant vilifying of select minorities and its sense of smugness that it has throughout for anybody with a differing opinion.
It is either this or a brilliant satire of the fanatical right ... in which case it may be genius.
Even with these preposterous assertions, what truly makes the film a disaster are the low production values, the over-the-top-hoping-for-an-Oscar acting, the blatant vilifying of select minorities and its sense of smugness that it has throughout for anybody with a differing opinion.
It is either this or a brilliant satire of the fanatical right ... in which case it may be genius.
Honestly, I do not know why I bothered. If you have any appreciation for film, you will avoid this propaganda. Even if you support the message, which I generally do, you should at least give it an honest rating. Rating a low budget, poorly written, poorly acted, poorly directed film as high as Casablanca or Citizen Cane is a travesty. It is just plane WRONG. That being said, how could any intelligent person trust the truthfulness of the film's message if it is so blatantly wrapped in lies and deceit by the so-called "reviewers"? Al Qaeda techniques by those who claim to appose them. I struggled with the rating I chose, because my initial thought was to vote it a 1 in order to help balance the skewed ratings, but I didn't. That would be basically the same crime. No matter how those who falsely inflated the rating feel about the message, as a film it is still just plain bad.
It is time for us to take a stand! This movie will make you aware of the condition that our country is in and now it is only going to get worse unless we do "take a stand" and take our freedoms back! Our rights as Americans have been taken away and we have sit by and let this happen! This movie gives us hope and challenges us to use our very "last ounce of courage" to take back what is rightfully ours and what our forefathers fought and died for and what our soldiers today are fighting and dying for...our freedom!I applaud the writers and producers of this movie for having the courage to take a stand and now it is our turn...we can make a difference!!!
This movie is a Fox News viewer's wet dream: factually inaccurate, racially insensitive, and wallowing in manufactured Christian persecution and martyrdom. We're so oppressed! We are only allowed to have our Christmas decorations prominently displayed in our homes and places of worship. They are stripping us of our right to force everyone in the country to acknowledge our religion too!
The guys at God Awful Movies podcast put it best: Will America Freedom Jesus? Will Jesus Freedom America? Will Freedom Freedom Freedom? Find out the Jesus to America Questions and Freedom, when we Jesus back for act Freedom of America America Jesus!
The guys at God Awful Movies podcast put it best: Will America Freedom Jesus? Will Jesus Freedom America? Will Freedom Freedom Freedom? Find out the Jesus to America Questions and Freedom, when we Jesus back for act Freedom of America America Jesus!
Você sabia?
- CuriosidadesIn 2012, former Arkansas governor Mike Huckabee took part in a telemarketing campaign that involved making over four million robocalls to promote the film. This was considered to be a violation of the Telephone Consumer Protection Act, as it was in the guise of a political survey, and a class-action lawsuit was later filed. Originally, it was ultimately dismissed in 2014, but in 2015, that decision was overturned by the 8th Circuit Court of Appeals, and the lawsuit was able to proceed. In 2017, U.S. District Court Judge E. Richard Webber ordered AIC Communications, the company involved with the campaign on behalf of Veritas Entertainment, to pay the sum of $32,424,930 in damages.
- Erros de gravaçãoBob claims when the Pilgrims came to the New World 400 years ago, one of the first things they did was erect a cross on the shore of the Atlantic. Besides there being no historical record of this occurring, Pilgrims were Calvinists, meaning they aren't into cross worshiping, a major factor in them leaving England.
- ConexõesFeatured in The Cinema Snob: Last Ounce of Courage (2016)
- Trilhas sonorasGet On and Ride
Written and performed by Bo Bice
Principais escolhas
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- How long is Last Ounce of Courage?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Last Ounce of Courage
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.329.674
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.708.000
- 16 de set. de 2012
- Faturamento bruto mundial
- US$ 3.329.674
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Proporção
- 1.78 : 1
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