True Detective

Right when the opening credits start and you hear that morbidly beautiful song 'Far From Any Road' by 'The Handsome Family', you know that this isn't going to be your usual cop show. Now, if you're more into action films, avoid this at all costs - but if you like amazing performances and dark, brooding cinema peppered with some black humour and a slight psychedelic touch, you're going to love this. The atmosphere and the southern ambiance of this show are so rich and the cinematography is so beautiful, I can hardly think of anything in recent TV-history that compares to this. To make a musical analogy: if the crazy, creative energy of 'Breaking Bad' felt like 'Led Zeppelin', this feels more like 'The Doors'. The slow, bluesy, hypnotic pulse of this show draws you in and hooks you - and then it doesn't let go. By the way, the original music is also excellent (T-Bone Burnett) and fits the mood perfectly.

As far as the actors are concerned, there's nothing but great performances. Even the smaller parts are perfectly cast and the two leads: wow, just - wow! Harrelson (freshly returned from 'The Hunger Games'), plays the "normal", more down to earth character, while McConaughey (still marked by his own personal hunger games) nails the part of his slightly mad, highly intelligent but nihilistic and severely depressed partner. Watching them play off each other (again, after 'Edtv' and 'Surfer, Dude') while their conflicted - and conflicting - characters try to solve a ritual murder is so captivating (and so much fun) I honestly don't care that much if they are ever going to solve that crime.

So for the moment, I'm giving this 10 stars (I can still take back a few if it all goes downhill from here), because in my opinion, there wasn't a single note out of key so far. The writing is top notch, and if the creative team behind this can keep it up, this could turn out to be HBO's next 'Wire' in terms of quality. Cary Fukunaga ('Sin Nombre','Jane Eyre'), who will hopefully one day adapt Stephen King's 'It', proves once more that he's a very accomplished director and a talent to look out for in the future.

My verdict: if you like a well told, character driven story (that might lead you to some very dark places) and if you're not put off by a rather considerate pace, I can't recommend this show enough - this is some great television.

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

Cohle and Hart play off eachother so amazingly well, and I was stunned by the constant wisdom on humanoids thrown out by Cohle constantly in the first episodes. I've never felt such a deep connection to a characters' thoughts ever and was taken aback by how deeply I could resonate to these thoughts on humanoids.

These constant spurts of wisdom sold me on S1 from the first episode. It was amazingly depicted and I had to calm down through the dialogue and replay some bits because there was just so much stuff being said which required processing. I'll return to S1 in a couple of years to understand the wisdom bits deeper, and enjoy this masterfully created piece again.

There was not a single dull moment in this series, despite being a slow-burner if that's what you want to call it. I'd say it's similar to mindhunter S1 but they're not really comparable in that way. You'll understand once you see it.

Hart and Cohle played their characters ridiculously well and built this incredible depth to their stories and personalities that I have never seen before in TV. It made the series feel extremely mature in a sense that only people with proper understanding of their own emotions could understand the thought processes depicted in the series. Maggie was such a perfect character to make sure these thought processes were fished out. Amazing performance! I really have nothing but praise for S1.

Just like Maggie said, Hart did not know what he wanted, and Cohle knew what he wanted. It is such a small line but it says so incredibly much. This world is divided like this and you can see it in all adults of all ages. Some people know who they are and therefore content with themselves, with integrity (just like Cohle) and some people are figuring things out at their own pace, but never really reaching the destination in terms of self actualization (Hart). Maggie was much more similar to Cohle and it was depicted masterfully.

Either way I'm just going off on nothing here. Best Series I've watched and I feel like I evolved as a person after S1. Thank you!

I'm not mentioning S2 and S3 and will not watch them as other reviews have made it clear I shouldn't. Haha.

Before season one aired I had never seen anything so compelling in storytelling or filmmaking in my entire life. The following two seasons are watchable and well-made but nowhere near as phenomenal as season one. This is a paint-by-numbers example of how to do a gripping and unique story. There is nothing negative I can say about season one. Everything is top-notch. The acting, the story, the camera work, the music, the mood, everything.

We see through the relationship of the two main characters a complicated and sometimes volatile relationship. They aren't enemies but they aren't exactly friends either. The dialogues they share together are some of the most interesting filmmaking I've ever seen. They aren't good men or bad men either. They exist in the grey area. They are just good enough to not be bad but bad enough to not be good. They are stark contrasts of one another as well. The relationship Rust and Marty have evolves constantly throughout the series and is the highlight of the entire show. I cannot recommend this season enough.

Season 1 True Detective, different actors, different story, different class....absolutely amazing.....the following seasons average in comparison.

Season 1 of True Detective may be the best television I've ever seen. Its written brilliantly and has some of the best performances I've ever witnessed with Woody and Matthew. They were robbed by not winning an Emmy or Golden Globe.