Ficção Americana

American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.

The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.

Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.

With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.

Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.

For reference, I frequently enjoy dumb-fun, mindless movies and watch basically everything superhero-related. You know... the kinds of movies where the writing is rarely the draw. Then I watch something with great writing and feel metaphorical whiplash. The difference is drastic.

Witty dialogue, intriguing story and clever scenarios elevate everything. The cast all give fantastic performances, especially Jeffrey Wright. But for me personally, by far the best attribute is the comedy. I full-volume laughed throughout. And the humor feels entirely original.

My only dislike is a few subplots, like the love life of his brother or the maid, that don't seem to be related to the main plot. They feel out of place and detract from the main story. Otherwise, I found American Fiction to be highly entertaining.

(1 viewing, opening Thursday 1/4/2024)

I had not heard of this movie before the lead-up to the Oscars, and I thought that it sounded like an intellectual endeavour that would be important to watch. What I didn't expect was that it would be so much fun - hilarious, in fact!

Jeffrey Wright was spot-on in his depiction of a frustrated academic getting in trouble with his liberal white colleagues and students for being blunt when talking about race. Outside of his job, he's generally grumpy with everything and everyone. But in watching what he has to deal with, we really can't blame him: modern America expects everyone to be ambitious and better themselves, but when Monk does this, he feels like a fish out of water and only gains fans when he pretends to be a "poor boy from the hood".

This movie addresses a lot of issues, covering homophobia, infidelity and grief, as well as racism, but it does so with a light touch. By focusing on characters and entertainment, it enlightens viewers without ever feeling like a lecture.

A movie about a black author tired of the simple and unidimensional exposure of the African-American culture and white people regarding it as holy work. As a protest, he fed them with a fiction of his own about the poverty and the hardships that come with being black. The book is so void of anything to him and his PhD in literature that he sends it to publishers as a joke, but little did he know that it was the demise of his morale. As some might find the end disappointing, it is very highlighting the whole speech of the movie. Because by the end, the audience is treated as the movie's white people; when it could have stopped on a question mark, it proposes an alternative ending that would please the masses.

This was really good on so many levels. It was funny and thought-provoking and intelligent. I can see it landing a number of Oscar nominations, and not just so the academy can show off its new found diversity (although that would be fitting given the storyline and themes this movie tackles).

In short, Thelonius Ellison is a struggling author. When his latest book doesn't sell because it's not "black enough" he writes the most cliched black novel he can come up with, full of gang bangers and hoes. His agent submits it under a nom de plume and wouldn't you know, it becomes a best-seller. That's the bones of this story but it's so much more than that, as Ellison deals with an aging mother, an older brother who has just recently come out, and a new girlfriend. There's a twist towards the end of this movie that I won't spoil, but just suffice to say it made a good movie great IMO.