AVALIAÇÃO DA IMDb
6,3/10
30 mil
SUA AVALIAÇÃO
Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.
- Direção
- Roteirista
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- Prêmios
- 1 vitória e 1 indicação no total
Avaliações em destaque
This is not the movie for everyone, but I loved it. The acting is superb and the story is not your formula Hollywood blockbuster. It is a unique and interesting story, that will hold your interest the entire time, always unsure of the outcome.
The subject matter is a bleak but the characters are true and real. Kim Basinger after hearing something that would drive most women away, asks her husband to come home. Twists, turns, but in the end, it all makes sense.
Not the movie for just anyone. If you want a schlock Hollywood feel good movie, go see the delightful new Rob Reiner film 'And so it goes'
but as for me, this is head and shoulders over that.
Phooey to the bad reviews
The subject matter is a bleak but the characters are true and real. Kim Basinger after hearing something that would drive most women away, asks her husband to come home. Twists, turns, but in the end, it all makes sense.
Not the movie for just anyone. If you want a schlock Hollywood feel good movie, go see the delightful new Rob Reiner film 'And so it goes'
but as for me, this is head and shoulders over that.
Phooey to the bad reviews
10kosmasp
Paul Haggis did it again. At least for me he did. Obviously judging by the low rating, it hasn't had the same effect on others here. I really loved the movie, the intricacies, the connections and of course the "resolution". There might be a better word for the ending, but one thing is for sure: The movie demands more than one viewing. You can watch it with different eyes (your own, just a matter of speaking) and see things in a new light.
There's also trademark Haggis dialog, pointing in one direction, making fun of it, by almost straying away, than going full throttle on the first assumption you made. You may or may not like that, but it's what Haggis can do very good. And he has the actors to pull anything off, he gives them. It's a great movie with little hints here and there, that make sense in the end. Even if you don't get everything the first time around, it is a rewarding (viewing) experience
There's also trademark Haggis dialog, pointing in one direction, making fun of it, by almost straying away, than going full throttle on the first assumption you made. You may or may not like that, but it's what Haggis can do very good. And he has the actors to pull anything off, he gives them. It's a great movie with little hints here and there, that make sense in the end. Even if you don't get everything the first time around, it is a rewarding (viewing) experience
*** MAY CONTAIN SPOILERS***
Paul Haggis has a heavy burden after winning Best Picture at the Oscars with "Crash," as high expectations have soon formulated any time he creates an interwoven story. Third Person, with its stellar cast and beautiful scenery, amplifies the hype, but unlike its predecessor, it doesn't deliver.
Third Person tells three love stories, featuring unrelatable caricatures. Liam Neeson is a Pulitzer-prize winner author, who smokes cigarettes in darkness and slams his Macbook when ideas don't seamlessly flow to him (people do that?). Olivia Wilde is a charming though emotionally-detached single-in-the-city gal. Adrian Brody is an American in Rome who detests the culture yet thrives in stealing. James Franco is artist-son of wealthy New Yorkers really? The characters often lack chemistry and their development often seems forced to fill the 'love du jour' trend of love-then-fighting-then love again. The performances are uninspiring, with the exception of Mila Kunis, who plays an ex-soap opera star and single mother trying to get her life back together.
Haggis spent many years crafting this film, but he had to verbally inform the audience of many of the interwoven intricacies. The film will appeal to the New York liberal intellectual crowd who thrive on 'complex' characters, but ultimately, this movie is all sizzle, no steak.
After the TIFF movie premiere, Haggis candidly stated that for the film he had difficulty attaining financing until the last minute. Perhaps this was an omen.
Paul Haggis has a heavy burden after winning Best Picture at the Oscars with "Crash," as high expectations have soon formulated any time he creates an interwoven story. Third Person, with its stellar cast and beautiful scenery, amplifies the hype, but unlike its predecessor, it doesn't deliver.
Third Person tells three love stories, featuring unrelatable caricatures. Liam Neeson is a Pulitzer-prize winner author, who smokes cigarettes in darkness and slams his Macbook when ideas don't seamlessly flow to him (people do that?). Olivia Wilde is a charming though emotionally-detached single-in-the-city gal. Adrian Brody is an American in Rome who detests the culture yet thrives in stealing. James Franco is artist-son of wealthy New Yorkers really? The characters often lack chemistry and their development often seems forced to fill the 'love du jour' trend of love-then-fighting-then love again. The performances are uninspiring, with the exception of Mila Kunis, who plays an ex-soap opera star and single mother trying to get her life back together.
Haggis spent many years crafting this film, but he had to verbally inform the audience of many of the interwoven intricacies. The film will appeal to the New York liberal intellectual crowd who thrive on 'complex' characters, but ultimately, this movie is all sizzle, no steak.
After the TIFF movie premiere, Haggis candidly stated that for the film he had difficulty attaining financing until the last minute. Perhaps this was an omen.
If you see a large number of user reviews with spoilers it's because this movie has a complex story line that is hard to describe without spoiling the suspense and confusion that one experiences while watching it for the first time. Don't read the spoilers until after you see the film or you will rip yourself off. My partner and I saw it at the Rehoboth Beach film festival and really didn't know exactly what to think at the end of the movie. We had both been engrossed and intrigued but felt unsatisfied at the end
until we were discussing it on the way home and figured out what we had just seen. The most popular spoiler alert review nails the plot, but suffice to say that this is no typical "I can see were this is going" movie, it was almost "I see dead people but they don't know they are dead" kind of realization, only for us, we didn't get it until a half an hour after the movie was over. We actually didn't realize how good it was until we thought about it. I would recommend it and I will watch it again to tie up all the clues given along the way.
When I received an invite to go to the screening of Third Person, I was a bit uncertain whether this would be a decent flick or not. I hadn't seen any trailers or read articles about it so I did not know what to expect.
Third person is a film from Paul Haggis ( the director of the Oscar- winning "Crash") involving intertwining stories featuring Liam Neeson, Olivia Wilde, Adrien Brody, Mila Kunis, James Franco, Maria Bello, Moran Atlas and Kim Basinger.
Having not seen Crash, I hadn't raised my expectations to spectacular levels. Maybe this is why Third Person is getting a mediocre score, people simply compare it with Crash and not as an individual movie.
Let me begin by stating that the atmospheric feel of the movie is top notch. Whether it is the chic, extravagant life-style in Paris, the beautiful and not-so beautiful side of Rome or the busy streets in New York, every city is portrayed in a beautiful way. The soundtrack is okay and fits with the mood of the scenes.
The acting is , how could it not be with this cast, top-notch ! Especially Mila Kunis surprised me with her emotionally depth, a side of her that we don't see a lot in her movies.
Of course, with different intertwining stories, people will argue which one is the best of the bundle. Let me make this clear : Each story is very intriguing and has plot twists that I did not see coming. You could feel everyone staring with great surprise at the screen when major twists came.
For me, the best story was the part with Adrien Brody and Moran Atlas. They had the best chemistry in the movie, with a very interesting dilemma. It had the funniest and most-thrilling moments ( according to me of course, the others are very well made as well, this is truly a matter of personal taste ).
But the movie has a big flaw. The link between the stories is rather weak ( I still have no idea how Adrien's story was linked with the rest of them, when this movie releases for all audiences someone will maybe find that link ). The wrap-around at the end was very, very confusing and didn't make a lot of sense. It was surprising , yes, but really no- one understood what the ending meant for the story. But I think that if this movie gets analyzed and someone clearly explains it's ending, my appreciation for this movie would certainly be of the roof.
I'm not the type of guy who volunteers to watch a romantic drama, I even dread the thought of watching another chick-flick/tear-buster with the girlfriend. But this drama pulled me into it's story with fantastic performances from an awesome cast, good writing/directing for each storyline and a fine balance between drama, romance and humor.
And for that great achievement, this movie deserves :
7,5 /10
Third person is a film from Paul Haggis ( the director of the Oscar- winning "Crash") involving intertwining stories featuring Liam Neeson, Olivia Wilde, Adrien Brody, Mila Kunis, James Franco, Maria Bello, Moran Atlas and Kim Basinger.
Having not seen Crash, I hadn't raised my expectations to spectacular levels. Maybe this is why Third Person is getting a mediocre score, people simply compare it with Crash and not as an individual movie.
Let me begin by stating that the atmospheric feel of the movie is top notch. Whether it is the chic, extravagant life-style in Paris, the beautiful and not-so beautiful side of Rome or the busy streets in New York, every city is portrayed in a beautiful way. The soundtrack is okay and fits with the mood of the scenes.
The acting is , how could it not be with this cast, top-notch ! Especially Mila Kunis surprised me with her emotionally depth, a side of her that we don't see a lot in her movies.
Of course, with different intertwining stories, people will argue which one is the best of the bundle. Let me make this clear : Each story is very intriguing and has plot twists that I did not see coming. You could feel everyone staring with great surprise at the screen when major twists came.
For me, the best story was the part with Adrien Brody and Moran Atlas. They had the best chemistry in the movie, with a very interesting dilemma. It had the funniest and most-thrilling moments ( according to me of course, the others are very well made as well, this is truly a matter of personal taste ).
But the movie has a big flaw. The link between the stories is rather weak ( I still have no idea how Adrien's story was linked with the rest of them, when this movie releases for all audiences someone will maybe find that link ). The wrap-around at the end was very, very confusing and didn't make a lot of sense. It was surprising , yes, but really no- one understood what the ending meant for the story. But I think that if this movie gets analyzed and someone clearly explains it's ending, my appreciation for this movie would certainly be of the roof.
I'm not the type of guy who volunteers to watch a romantic drama, I even dread the thought of watching another chick-flick/tear-buster with the girlfriend. But this drama pulled me into it's story with fantastic performances from an awesome cast, good writing/directing for each storyline and a fine balance between drama, romance and humor.
And for that great achievement, this movie deserves :
7,5 /10
Você sabia?
- CuriosidadesJames Franco said that Ashton Kutcher, Mila Kunis' husband (fiancé then), couldn't endure watching the scene where Franco had to slap Kunis' face and drag her across the floor. Kutcher had to leave the room during the shooting. "I mean, it wasn't my idea!! It was the script!" Franco said. Further to the close of this scene, when dragging Kunis out across the rug, Franco's stumble at the end was unscripted: but director Haggis felt it suited the scene's intensity so left it in the final take. [Latter direction reference from director's own DVD commentary]
- Erros de gravaçãoWhen Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers.
- Cenas durante ou pós-créditosThe opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character.
- ConexõesFeatured in Film '72: Episode dated 12 November 2014 (2014)
- Trilhas sonorasChiaro
Performed by Gigi D'Alessio
Courtesy of GGD Srl.
Written by Gigi D'Alessio (as Luigi D'Alessio) and Valentina D'Agostina
Published by Warner Chappell Music Italiana Srl and GGD Edizioni Srl
All Rights Administered by Warner Chappell Music Italiana Srl
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Amores infieles
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.021.398
- Fim de semana de estreia nos EUA e Canadá
- US$ 38.856
- 22 de jun. de 2014
- Faturamento bruto mundial
- US$ 2.624.761
- Tempo de duração
- 2 h 17 min(137 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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