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IMDbPro

Terceira Pessoa

Título original: Third Person
  • 2013
  • 14
  • 2 h 17 min
AVALIAÇÃO DA IMDb
6,3/10
30 mil
SUA AVALIAÇÃO
Kim Basinger, Liam Neeson, Adrien Brody, Mila Kunis, James Franco, and Olivia Wilde in Terceira Pessoa (2013)
Three stories of love, passion, trust and betrayal, in a multi-strand story line that play out in New York, Paris and Rome: three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found.
Reproduzir trailer2:13
11 vídeos
99+ fotos
Drama psicológicoDramaRomance

Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.Três histórias de amor entrelaçadas envolvendo três casais em três cidades: Roma, Paris e Nova Iorque.

  • Direção
    • Paul Haggis
  • Roteirista
    • Paul Haggis
  • Artistas
    • Liam Neeson
    • Mila Kunis
    • Adrien Brody
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    30 mil
    SUA AVALIAÇÃO
    • Direção
      • Paul Haggis
    • Roteirista
      • Paul Haggis
    • Artistas
      • Liam Neeson
      • Mila Kunis
      • Adrien Brody
    • 115Avaliações de usuários
    • 112Avaliações da crítica
    • 38Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos11

    Theatrical Trailer
    Trailer 2:13
    Theatrical Trailer
    Clip
    Clip 1:28
    Clip
    Clip
    Clip 1:28
    Clip
    Clip
    Clip 0:58
    Clip
    Clip
    Clip 0:42
    Clip
    Third Person: Lawyer
    Clip 1:04
    Third Person: Lawyer
    Third Person: What Is It About?
    Clip 1:09
    Third Person: What Is It About?

    Fotos212

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    Elenco principal37

    Editar
    Liam Neeson
    Liam Neeson
    • Michael
    Mila Kunis
    Mila Kunis
    • Julia
    Adrien Brody
    Adrien Brody
    • Scott
    Olivia Wilde
    Olivia Wilde
    • Anna
    Maria Bello
    Maria Bello
    • Theresa
    Kim Basinger
    Kim Basinger
    • Elaine
    Michele Melega
    Michele Melega
    • Giorgio
    Gianni Franco
    Gianni Franco
    • Taxi Driver (Rome)
    Marius Bizau
    Marius Bizau
    • Taxi Driver (Paris)
    Katy Louise Saunders
    • Gina
    James Franco
    James Franco
    • Rick
    Loan Chabanol
    Loan Chabanol
    • Sam
    Oliver Crouch
    • Jesse
    Valentina Gaia
    • News Reader
    Riccardo Scamarcio
    Riccardo Scamarcio
    • Marco
    Aldo Bufi Landi
    • Old Man at Bar Americano
    Moran Atias
    Moran Atias
    • Monika
    Daniela Virgilio
    Daniela Virgilio
    • Claire
    • Direção
      • Paul Haggis
    • Roteirista
      • Paul Haggis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários115

    6,330K
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    Avaliações em destaque

    9lboyajianpatterson

    Great acting, artsy film, unique and very interesting

    This is not the movie for everyone, but I loved it. The acting is superb and the story is not your formula Hollywood blockbuster. It is a unique and interesting story, that will hold your interest the entire time, always unsure of the outcome.

    The subject matter is a bleak but the characters are true and real. Kim Basinger after hearing something that would drive most women away, asks her husband to come home. Twists, turns, but in the end, it all makes sense.

    Not the movie for just anyone. If you want a schlock Hollywood feel good movie, go see the delightful new Rob Reiner film 'And so it goes'

    but as for me, this is head and shoulders over that.

    Phooey to the bad reviews
    10kosmasp

    Persons

    Paul Haggis did it again. At least for me he did. Obviously judging by the low rating, it hasn't had the same effect on others here. I really loved the movie, the intricacies, the connections and of course the "resolution". There might be a better word for the ending, but one thing is for sure: The movie demands more than one viewing. You can watch it with different eyes (your own, just a matter of speaking) and see things in a new light.

    There's also trademark Haggis dialog, pointing in one direction, making fun of it, by almost straying away, than going full throttle on the first assumption you made. You may or may not like that, but it's what Haggis can do very good. And he has the actors to pull anything off, he gives them. It's a great movie with little hints here and there, that make sense in the end. Even if you don't get everything the first time around, it is a rewarding (viewing) experience
    5rm_777

    Well-intentioned but Forced

    *** MAY CONTAIN SPOILERS***

    Paul Haggis has a heavy burden after winning Best Picture at the Oscars with "Crash," as high expectations have soon formulated any time he creates an interwoven story. Third Person, with its stellar cast and beautiful scenery, amplifies the hype, but unlike its predecessor, it doesn't deliver.

    Third Person tells three love stories, featuring unrelatable caricatures. Liam Neeson is a Pulitzer-prize winner author, who smokes cigarettes in darkness and slams his Macbook when ideas don't seamlessly flow to him (people do that?). Olivia Wilde is a charming though emotionally-detached single-in-the-city gal. Adrian Brody is an American in Rome who detests the culture yet thrives in stealing. James Franco is artist-son of wealthy New Yorkers… really? The characters often lack chemistry and their development often seems forced to fill the 'love du jour' trend of love-then-fighting-then love again. The performances are uninspiring, with the exception of Mila Kunis, who plays an ex-soap opera star and single mother trying to get her life back together.

    Haggis spent many years crafting this film, but he had to verbally inform the audience of many of the interwoven intricacies. The film will appeal to the New York liberal intellectual crowd who thrive on 'complex' characters, but ultimately, this movie is all sizzle, no steak.

    After the TIFF movie premiere, Haggis candidly stated that for the film he had difficulty attaining financing until the last minute. Perhaps this was an omen.
    8fbcnova

    We actually didn't realize how good it was until we thought about it.

    If you see a large number of user reviews with spoilers it's because this movie has a complex story line that is hard to describe without spoiling the suspense and confusion that one experiences while watching it for the first time. Don't read the spoilers until after you see the film or you will rip yourself off. My partner and I saw it at the Rehoboth Beach film festival and really didn't know exactly what to think at the end of the movie. We had both been engrossed and intrigued but felt unsatisfied at the end… until we were discussing it on the way home and figured out what we had just seen. The most popular spoiler alert review nails the plot, but suffice to say that this is no typical "I can see were this is going" movie, it was almost "I see dead people but they don't know they are dead" kind of realization, only for us, we didn't get it until a half an hour after the movie was over. We actually didn't realize how good it was until we thought about it. I would recommend it and I will watch it again to tie up all the clues given along the way.
    8noobshotpro

    Clever, surprising, and underrated drama

    When I received an invite to go to the screening of Third Person, I was a bit uncertain whether this would be a decent flick or not. I hadn't seen any trailers or read articles about it so I did not know what to expect.

    Third person is a film from Paul Haggis ( the director of the Oscar- winning "Crash") involving intertwining stories featuring Liam Neeson, Olivia Wilde, Adrien Brody, Mila Kunis, James Franco, Maria Bello, Moran Atlas and Kim Basinger.

    Having not seen Crash, I hadn't raised my expectations to spectacular levels. Maybe this is why Third Person is getting a mediocre score, people simply compare it with Crash and not as an individual movie.

    Let me begin by stating that the atmospheric feel of the movie is top notch. Whether it is the chic, extravagant life-style in Paris, the beautiful and not-so beautiful side of Rome or the busy streets in New York, every city is portrayed in a beautiful way. The soundtrack is okay and fits with the mood of the scenes.

    The acting is , how could it not be with this cast, top-notch ! Especially Mila Kunis surprised me with her emotionally depth, a side of her that we don't see a lot in her movies.

    Of course, with different intertwining stories, people will argue which one is the best of the bundle. Let me make this clear : Each story is very intriguing and has plot twists that I did not see coming. You could feel everyone staring with great surprise at the screen when major twists came.

    For me, the best story was the part with Adrien Brody and Moran Atlas. They had the best chemistry in the movie, with a very interesting dilemma. It had the funniest and most-thrilling moments ( according to me of course, the others are very well made as well, this is truly a matter of personal taste ).

    But the movie has a big flaw. The link between the stories is rather weak ( I still have no idea how Adrien's story was linked with the rest of them, when this movie releases for all audiences someone will maybe find that link ). The wrap-around at the end was very, very confusing and didn't make a lot of sense. It was surprising , yes, but really no- one understood what the ending meant for the story. But I think that if this movie gets analyzed and someone clearly explains it's ending, my appreciation for this movie would certainly be of the roof.

    I'm not the type of guy who volunteers to watch a romantic drama, I even dread the thought of watching another chick-flick/tear-buster with the girlfriend. But this drama pulled me into it's story with fantastic performances from an awesome cast, good writing/directing for each storyline and a fine balance between drama, romance and humor.

    And for that great achievement, this movie deserves :

    7,5 /10

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      James Franco said that Ashton Kutcher, Mila Kunis' husband (fiancé then), couldn't endure watching the scene where Franco had to slap Kunis' face and drag her across the floor. Kutcher had to leave the room during the shooting. "I mean, it wasn't my idea!! It was the script!" Franco said. Further to the close of this scene, when dragging Kunis out across the rug, Franco's stumble at the end was unscripted: but director Haggis felt it suited the scene's intensity so left it in the final take. [Latter direction reference from director's own DVD commentary]
    • Erros de gravação
      When Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers.
    • Citações

      Theresa: You love love.

      Theresa: It's people you don't have time for.

    • Cenas durante ou pós-créditos
      The opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character.
    • Conexões
      Featured in Film '72: Episode dated 12 November 2014 (2014)
    • Trilhas sonoras
      Chiaro
      Performed by Gigi D'Alessio

      Courtesy of GGD Srl.

      Written by Gigi D'Alessio (as Luigi D'Alessio) and Valentina D'Agostina

      Published by Warner Chappell Music Italiana Srl and GGD Edizioni Srl

      All Rights Administered by Warner Chappell Music Italiana Srl

    Principais escolhas

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    Perguntas frequentes22

    • How long is Third Person?Fornecido pela Alexa
    • How is Julia, living in New York, able to write the address of her appointment on a notepad in Michael's apartment in Paris and then also clean Anna's room full of roses also in Paris.
    • What is Third Person about?

    Detalhes

    Editar
    • Data de lançamento
      • 19 de março de 2015 (Brasil)
    • Países de origem
      • Bélgica
      • Estados Unidos da América
      • Reino Unido
      • Alemanha
      • Itália
      • França
    • Central de atendimento oficial
      • Official site (Japan)
    • Idiomas
      • Inglês
      • Italiano
    • Também conhecido como
      • Amores infieles
    • Locações de filme
      • Roma, Lazio, Itália
    • Empresas de produção
      • Corsan
      • Hwy61
      • Volten
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 28.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.021.398
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 38.856
      • 22 de jun. de 2014
    • Faturamento bruto mundial
      • US$ 2.624.761
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 17 min(137 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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