Kadal

KADAL ( 2013 )

Saw this on the release date itself. Normally it doesn't happen with Tamil movies as far as my movie watching habit is concerned.

KADAL is a pretty simple story. The life of a boy who grows up among the illiterate fishermen on sea shores. But that's not just about it. its also the story of good v/s evil fight. Good represented by the priest ( played by Aravind Sami ) and evil represented by rich bad guy (played by Arjun). That's not it about it its also about how love can change someone into good and bring them close to god. Now, that's it about the movie.

All clichéd plots, no unseen situations or anything. KADAL is a normal average movie. There is nothing mind blowing or supergood story wise. But in terms of making there are few things I really loved.

Songs of a movie play a huge role in pulling the audience to it. KADAL album is already a huge hit and there would be people coming in also to see those beautiful songs. I was also waiting for it to come on screen and I am totally surprised!! The sound track of the movie had different genres of songs and I was wondering what placement or picturisation they would have in a movie related to sea.

Right from the moment when my favorite track MAGUDI unfolded on screen, I realized that the experimentation begins then onwards. When you see the songs with the movie, I felt all of them doesn't blend well. But if the songs are viewed alone, they would look good and different. I liked the ' adiye.. enne enge ne' song picturisation very much for that was never what I had imagined that song would be like. MAGUDI also could have been better.

As always, Rajeev Menon's cinematography is beautiful and stunning in the climax scene. The climax scene in the sea reminded of Hollywood movies like Pirates of the Caribbean. I was so stunned to see that quality of vfx making it so real!!

Coming to the actors in this, KADAL marked the debut of two star-kids. KARTHIK's son GAUTAM and actress RADHA's second daughter TULSI. They could not have asked for a greater opening than this. Gautam has some allu arjun mannerisms but other than that he looks promising. Tulsi needs an acting workshop/course before she moves on . it was so delighting to see the wonderful actors ARAVIND SAMI and ARJUN on screen again.

KADAL has very few characters only and they were very limited in the script. It seemed as if they had not much to do in the story. Screenplay could have been much better and powerful. May be the Director Sir wanted to concentrate more on the emotion side of the story rather than the actual story.. who knows??

I am no one to talk about it.

After Raavanan, Mani Ratnam has returned behind the camera and has delivered us Kadal (English: The Sea), a drama film which revolves the story of the life of Indian-Tamil Christian fishermen. It features an ensemble cast that includes Aravinth Swamy, Arjun Sarja, Ponnvannan, Lakshmi Manchu and débutantes Gautham Karthik (son of actor Karthik Muthuraman) and Thulasi Nair (daughter of actress Radha). The film's score and soundtrack were composed by the two time Academy Award winner A.R Rahman and the voices were lent by A.R Rahman, Vijay Yesudas, Sid Sriram, Abhay Jodhpurkar, Harini, Shakri Sri Gopalan, Haricharan, Chinmayi, Tanvi Shah and rapper Aaryan Dinesh Kanagaratnam. The lyrics were penned by Kaviperarasu Vairamuthu, his son Madhan Karky and rapper Aaryan Dinesh Kanagaratnam. The film was written by Jeyamohan while Rajiv Menon and A. Sreekar Prasad handled the cinematography and editing. It was produced by A. Manohar Prasad and Mani Ratnam.

The film has two story lines that become one. The one features Father Samuel Fernando aka Sam (Swamy) and Bergmans aka Meesaikaaran (Sarja) while the other one features Thomas aka Tom (Karthik) and Beatrice aka Bea (Nair). The film marks a comeback for Swamy. He was last seen in Mani Ratnam's Alaipayuthey which was released 13 years ago. We can say that Aravinth Swamy owns the film even if the main actor is Gautham Karthik. The film's strongest point is the screenplay which was handled by Jeyamohan. The screenplay was simply amazing, specially the childhood scenes of Thomas. Both the child and the teenager who portrayed the younger Thomas have done a fabulous job. Both Karthik Muthuraman and Radha can be proud of their children. They have delivered a wonderful and neat performance. Specially Gautham Karthik. His acting skills, dance skills and action are pretty impressive. Thulasi Nair is natural, but I didn't feel that Beatrice was a suitable role for her. Aravinth Swamy was at his strongest performance after Bombay (1995). He was simply the perfect choice to portray Father Samuel Fernando. Arjun Sarja, the action king who has delivered a bunch of successful action- packed films in the 90's has portrayed Bergmans, the main antagonist. Sarja has played a role with negative shades and has shown us another side of his acting skills. Ponvannan who portrayed Thomas's unknown father has also done a good job.

Rajiv Menon, the cinematographer has pictured the whole film beautifully, specially the songs Elay Keechan, Moongil Tottham and Adiye. You will still have the shots of Thomas as a teenager when he surfs in the ocean in your mind even when you leave the cinema. A. Sreekar Prasad, the editor, deserves to be praised for his work as well.

A.R Rahman, who has been Mani Ratnam's usual composer since Roja (1992) has given the film a soundtrack with different genres. Chittirai Nila describes the difference between life and death, Elay Keechan has a farmer-humpback tune, Adiye has a jazz feel, Nenjukkulle, a romantic touch, Anbin Vaasale, a religious song, Moongil Tottham, a slow tune of Nenjukkulle and Magudi Magudi, a Hip-Hop track which gives energy in the action scenes. Kadal is the third best album of the Mani Ratnam - A.R Rahman combination.

Overall Kadal is a beautiful journey you never want to miss. It is a story that tells us about the good versus the evil. It has emotions, action, love, heart melting music, extraordinary shots of jumping waves, a good message and a small piece of comedy. It may not be a usual Mani Ratnam flick, but if you want to look and experience something different, then Kadal is definitely the right choice.

Strongly recommended for everyone. Specially non-Mani Ratnam fans.

Being an ardent Mani movie follower and an avid AR music lover I couldn't afford to miss Kadal, and didn't. Expectations ran high; and for a while with a thunderous opening sequence and a riveting exhilarating first half, the film held fort, only to fall away gradually in the second half and by the climax sequences and the anticlimaxes, the collapse was complete.

The film does start off well with the much Mani Ratnam traversed- social discard, orphaned child growing up in a low key environment - path, not very dissimilar to Nayakan or Thalapathy, and promises a lot while establishing the premises of how the light of good and the claws of evil manipulates the rawness of youth and innocence of love. But one couldn't escape the feeling that the master story teller having penned the film, had failed to draw starkly the lines of the characters, a task which he is usually so accomplished at, in particular that of the heroine and to some extent that of the antagonist. Incomprehensible is the heroine's character, and unjustifiable the antagonist's; both of whom the audience fail to identify with, and the method in the madness unbelievably unacceptable.

The film does go on however, shouldered by excellent performances by the artists, Arvind Swamy the stand out, Arjun, an admirable transformation in spite of a few hollow links, and a very commendable Gautham Karthik.

To his rescue Mani does have an ever reliable AR Rahman whose magic outscores the film itself, though with Nenjukkulle and Moongilthottam, it appears one song too many, but then no one is complaining; and the dependable Rajeev Menon whose visual treat had the audience in trance for more than a handful of occasions, with the hitherto unseen splendorous portrayal of Kadal(The sea) in all its enormity, tranquility, majesty and menace.

An appropriate end to the story seemed out of reach of the director, and the climax appeared tweaked, more an emotional compromise than a logical culmination; thus ruining the foundation of the story itself; and leaving many stones unturned and many fates undecided.

The film ends however, not before the audience is enthralled by some magical Mani moments - the burial scene, the tape recorder scene and the birth scene to name a few – but sadly you go back taking a few moments with yourself; and not the movie.

I do not understand some critics do not like this movie. This movie was prefect. The cast in this movie was amazing. Even a small role was realistic. I never seen Arjun act this realistic. He really acts like a real devil. The ending visual effects was amazing. It was a experience like the actors were there. The music was once brought back by A.R Rahman. His music always bring us happiness and it does it again in this movie. The background music was again amazing. The Cinematography was good. The camera starts in a very amazing angle. The story was one of the amazing story ever. The story looks like a real man's life. Overall, Kadal is a realistic movie. The story,Cinematography, the cast and the music are amazing.

Final verdict:10/10

Upgrade version of Manirathnam

The thing to talk here is the story. Jayamohan did it once again much separated from Neerparavai. The story narrated by him was done in a single shot where a small child stands up on its own in Manirathnam style "wow".The next thing is the cinematography which makes us to think Hollywood is far behind from Indian film making.Editing and Vfx work makes the film too colourfull and falls apart from the movie.May it pushed the movie back.

ACTORS:

Arjun job looks amazing especially in climax where a Indian health ledger is seen. Aravindswamy with much more boost up carries the movie all over.I thought Mani sir took hero and heroine for a coincidence but he made them to adopt to their character.I am pretty amazed by both their performance. Gautham has his grand father and his father attitude. In a scene where he comes to the church after meeting the heroine"cool". Thulasi expression in mookil thotam was like a half sridevi.

I don't why do they expect a alaipayuthey in a fisherman's life do you think Manirathnam has only love Ideas.At last but not least the AR Rahman music carried all over the movie cleaning your ears We can hear a much more energy since it is a combo from the past.

The only thing that i am disappointed is the audience who are not patience to a slow movie like this.I went to 2 theater and couldn't tolerate those Intelligent genius thinking themselves as Aranofsky creating and giving tips to the director .So whats the fact is if you don't like the movie just shut the f---k up so that other illiterate like us can watch the movie.

So Kadal is a vast ocean for a deep dive or for a gentle swim that in your point of suggestion.on the way for Infinite awards.