Leviatã

If you are expecting a neat little movie with a clear plot, that leaves you with a sense of having experienced something you can summarize easily ... you'll be sorely disappointed. This is a horror film in many senses, presented as poetry and intellectually obscure.

Its title, Leviathan, is a reference to the biblical passage that depicts man's encounter with a sea monster. Here, the monster is man, ripping life from the sea and destroying it in the harshest of ways, butchering sea creatures in such a matter-of-fact, emotionally detached way as to bring you to tears. But the way it is filmed creates a detachment of its own, sort of stifling the viewers' emotions so we can watch without turning away.

It is on its surface a commentary on the commercial fishing industry ... how we have reduced mass slaughter to an assembly-line process ... much like what the Nazis did to the Jews. When man turns against man, we are horrified. When man turns against nature ... it's just business as usual.

If there is a message to the film it's that we are the monsters on this planet.

'LEVIATHAN': Three Stars (Out of Five)

Another experimental film taking the 'less is more' approach to art and filmmaking. There's no storyline, no character development and no characters for that matter. The movie 'LEVIATHAN' (not to be confused with the 1989 monster flick, of the same name, starring Peter Weller) is a collection of long random shots aboard a fishing ship. It was directed and written (if you can call it writing) by Lucien Castaing-Taylor and Verena Paravel. I found it to be visually interesting but also extremely boring.

The movie is just a collection of random shots (that go on for way too long) about a fishing vessel. It's supposed to be some kind of a commentary on the fishing industry I think. There's a lot of shots of people doing various jobs, with almost no dialogue (and what dialogue there is is not important). It was filmed with waterproof cameras that are clipped to all sorts of people, animals (possibly) and things.

The film received rave reviews and I don't understand why. I think it actually would have been a lot better cut into a bunch of 5 to 10 minute YouTube videos. As a nearly 90 minute movie it's way too long and uninteresting. The shots look cool though and I guess it's kind of an informative look at the fishing industry and life at sea. It reminds me of another recent critically acclaimed but very boring film (with no dialogue) called 'ALL IS LOST'. In my opinion there's not much to it.

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LEVIATHAN has attracted a fair amount of negative criticism from users. The reason is obvious: it is an essentially plot less piece designed to appeal to the senses and the imagination rather than telling a story. Focusing on the fishing industry in New Bedford, USA, directors Lucien Castaing-Taylor and Verena Paravel create a visually arresting experience in which color and imagery assume paramount importance. The movie is full of memorable images - a flock of seagulls flying at night, a lone bird trying to find food on the fishing boat, the sight of the fishermen lopping the heads off their catch. The movie has a memorable soundtrack, with the sounds of daily life in the fishing industry forming a kind of musique-concrete style score that has a certain haunting power. In thematic terms, the directors are out to show the power of the elements and how human life often seems insignificant by comparison - sometimes the fishermen seem entirely at the mercy of the cruel sea. Nonetheless they acquire a certain stoicism that enables them to continue their work; in one sequence, for instance, a lone fishermen is shown watching the television during one of his all-too- brief breaks from his nightly chores. LEVIATHAN does not celebrate the fishermen's life; it is more concerned to create an experience for viewers, and more than fulfills the task.

Blood, guts, flesh, fishes, carcasses, knifes, butchery, filth, water, seagulls, workers, cigarettes, days, nights, alienation, Gopro cameras. This is sensory anthropology at its best. The viewer is trapped into this immersive world and forced to experience life and working hours through the fishermen's eyes. A fascinating, nauseous and vertiginous documentary film about industrial fishing. Masterpiece.

I've never felt compelled to counteract negative reviews on this site before, but in the case of Leviathan I couldn't help myself. If I had come to this film expecting a traditional documentary on the commercial fishing industry, I may have been contributing my very own one-star critique right now. Then again, if I'd thought this was going to be a traditional documentary on the commercial fishing industry, I probably wouldn't have watched it in the first place.

Leviathan is definitely experimental (though experiential may be a better descriptor for it.) It offers no narration, no facts or figures, no conclusion or agenda. The only dialogue we hear is, for the most part, distorted to the point of abstraction.

What Leviathan does offer is an immersive, hypnotic experience. The sounds and images are alternately nightmarish, surreal and eerily beautiful. Even the rudimentary glimpses into the lives of the fishermen on board are rendered at an odd reserve, remaining as enigmatic as the seabirds we see throughout the film, crashing into the black waves. Experiencing this movie is like being transformed into an alien observer; the ordinary becomes extraordinary.

Of course, everyone's entitled to an opinion, and I can completely understand why a person might hate this movie. It truly is a Rorschach blot of a film, allowing the audience to engage with it from almost any angle imaginable. I think that's where Leviathan's beauty lies. Anyone interested in what movies can show us should at least give this one a shot.