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Uncanny

  • 2015
  • Not Rated
  • 1 h 25 min
AVALIAÇÃO DA IMDb
6,2/10
6,2 mil
SUA AVALIAÇÃO
David Clayton Rogers in Uncanny (2015)
Official Trailer Uncanny
Reproduzir trailer2:07
1 vídeo
18 fotos
DramaFicção científicaHorrorSuspense

A primeira Inteligência Artificial "perfeita" do mundo começa a exibir um comportamento emergente surpreendente e desconcertante quando uma repórter inicia um relacionamento com o cientista ... Ler tudoA primeira Inteligência Artificial "perfeita" do mundo começa a exibir um comportamento emergente surpreendente e desconcertante quando uma repórter inicia um relacionamento com o cientista que a criou.A primeira Inteligência Artificial "perfeita" do mundo começa a exibir um comportamento emergente surpreendente e desconcertante quando uma repórter inicia um relacionamento com o cientista que a criou.

  • Direção
    • Matthew Leutwyler
  • Roteirista
    • Shahin Chandrasoma
  • Artistas
    • Mark Webber
    • David Clayton Rogers
    • Lucy Griffiths
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    6,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Matthew Leutwyler
    • Roteirista
      • Shahin Chandrasoma
    • Artistas
      • Mark Webber
      • David Clayton Rogers
      • Lucy Griffiths
    • 55Avaliações de usuários
    • 25Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    Uncanny
    Trailer 2:07
    Uncanny

    Fotos17

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    Elenco principal4

    Editar
    Mark Webber
    Mark Webber
    • David Kressen
    David Clayton Rogers
    David Clayton Rogers
    • Adam Kressen
    Lucy Griffiths
    Lucy Griffiths
    • Joy Andrews
    Rainn Wilson
    Rainn Wilson
    • Castle
    • Direção
      • Matthew Leutwyler
    • Roteirista
      • Shahin Chandrasoma
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários55

    6,26.1K
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    Avaliações em destaque

    7peterp-450-298716

    Intriguing and indeed uncanny. Let me put it this way: it's a demonstration of a new development in the pleasure sector.

    "This kid the next big thing? Some Asperger's cousin of yours ready to get all Good Will Hunting on coding and change the world?"

    Was "Ex Machina" according to you the epitome of future technology and a demonstration of potential consequences of it, "Uncanny" is for sure a level higher. Not because of the shown interior design or the futuristic technologies, but because of the surprising denouement. Despite the austere imagery and decidedly lower budget, this film managed to captivate me pleasantly. Especially because of the interactions between the characters. Ditto as in "Ex Machina", the number of protagonists is limited, so the focus is on the dialogs. Eventually they didn't end up in a tangle of irrelevant side issues. And despite the limited display of high-end technologies, the intellectual level was boosted by a series of (for me anyway) incomprehensible, technological gibberish such as aerated titanium, convert a hemispheric image into a planar representation, chambered baths of synthetic hymotrips, proloanaprotiese that demolishes gluten, pesinium vibo receptors en proprioceptive information. I'm not an engineer. That became clear after a while, because it went over my head at certain times.

    It seems that artificial intelligence and robotics are the new, sexy hype. During the last year we were bombarded with films which had this as a central theme. Besides "Ex Machina" we were also treated to "Automata", "Chappie", "Transcendence", "The Machine" and "Her". Every movie demonstrated the dangers that lie in the further development of A.I. Should we worry about these self-developing machines getting a self-consciousness? And what about certain ethical issues? How will these highly intelligent beings operate in our society? And how will these artificial individuals react and act towards humans? This latter aspect was subtly elaborated in this rather excellent, low-budget film. A complex interplay between human individuals and an artificial,eerily human-looking robot. What takes place before your eyes, is a complicated love triangle with an android whose feelings resemble those of humans. With jealousy playing a major role.

    The most striking is obviously the acting performance of David Clayton Rogers as Adam, the autonomously operating robot designed by David Kressen (Mark Webber). The way he plays Adam is sublime throughout the film. He acts in such a way that you're convinced that he's truly an artificially intelligent being. That puzzled look and the astonishment about the way David and Joy respond to him. That lost look while he's scanning all possible feedbacks in his mind, after which a stream of words follow as if he's quoting from a Wikipedia page. His designer sometimes exhibits the same characteristics. So you start to wonder if he isn't an android as well. The way he formulated his response whether or not joy is pretty for example: Her hair is nice. Good facial symmetry. Delicate features. Nice fashion sense. Yes, I do. I think she's pretty.

    And finally there's Joy (Lucy Griffiths), an intelligent journalist who studied robotics (but as far as I understood she didn't graduate) and someone who worked on or designed a game called "Aquaria 3". Apparently this game was so successful, it wasn't necessary for her to continue her studies. This was the only thing that bothered me. Why was she chosen to be the person to write a report about such a highly technological issue? Or was there an additional plan specially created for her? Anyway, her performance were convincing enough.

    I'm sure many will say this film is as slow as a snail and there's an absence of action and excitement. But the gradual build up, brilliant dialogs and subtle interplay of the characters is necessary so that the denouement will come as a surprise. Although I had two specific outcomes in mind, it still was an intriguing film with a disturbing result. Let me end with a slightly humorous remark: I'm sure that Adam is the ultimate dream for a woman ... a sophisticated home-garden-kitchen robot with "Tarzan" -like features ... Well, I guess the vision of the future will look appetizing for some.

    More reviews here : http://bit.ly/1KIdQMT
    8Seth_Rogue_One

    Stellar low-budget sci-fi.

    Comparisons with 'EX MACHINA' is inevitable, the set up is almost identical; 1 scientist has created a shockingly human-like robot and 1 person is sent to investigate just how life-life the robot actually is.

    But let it be known that in no way is this a rip-off of said movie as it was released just 9 days after 'EX MACHINA' was... Hardly enough time to write a script of this magnitude and cast it as well as this was cast etc etc.

    The acting is great (Mark Webber is just one hit-movie away from becoming an a-lister I believe, if you've seen him in other things you know that this performance is very unlike his usual performances, if he even has such a thing) and the atmosphere as well.

    The writing is very good for the more part, I was slightly let down by the ending though I must admit but I still enjoyed the movie as a whole and will most likely watch again sometime.

    If you like low-key up close and personal sci-fi's then this will most certainly do.
    7siderite

    Forever hidden in the shadow of Ex Machina.

    The film's title is appropriate, since that is the feeling you are getting from the movie. Somehow, something is wrong with it, but you can't put your finger on it. The twist at the end was pretty predictable as well, but somehow they botched it up with the very last scenes. If they change the ending - not in its idea, but its handling - the movie gains an instant extra rating point.

    However the biggest harm that anything can do to this film is that it was released soon after Ex Machina when they are approaching similar subjects. It is not the same thing, but close enough, and clearly not as good. I have to think, would I have liked the film in 2014, let's say? And the answer is probably yes. Change the ending scenes, make the pace a little more alert, maybe remove some of the slow scenes or some of the bad ones (because there are some that are just stupid) and you get an instant winner.

    Bottom line: interesting concept, not bad yet mediocre implementation, badly written ending scenes. Uncannily close to a good movie.

    P.S. Why do movies try to seem smart with chess analogies, and then really botch them completely? Even the weakest chess player in the world would instantly see that the people doing the scenes had no idea how the game is played.
    6themonkey-4

    Something is off

    The movie is drawn out, and while it is a low budget, the whole movie is paced like the prologue to a story that never shows anything new. To make an AI story boring and standard is sad because there is so much interesting potential but the movie never dives deep into any of the concepts and fails to ignite the audiences attention.

    The actors in this movie are fine, with a few moments that are good or very good. I have no serious complaints about any of the characters or actors as such. However, the story somehow never lets them do anything interesting, every part of their story unfolds at a steady pace without bringing anything interesting to the mix.

    The movie needed more intrigue and a faster pace, and the twist the movie tries to throw is extremely unremarkable. There are 100 more interesting things that could have been done that would have thrown the audience for a loop in a satisfying way.
    8s3276169

    Almost excellent.....

    Uncanny is one of those very rare movies that quickly and effectively engages the viewer.

    This is a slow burn sci fi, there is not an abundance of special effects or action. What you get instead is a mostly well written, very clever story with a message about deception and surveillance. Technology may be amazing but, in the wrong hands, it is not necessarily our friend.

    The acting is of a very high standard. Its hard to fault the cast in any way. That said, the story which is almost excellent lets the film down somewhat in the last five to ten minutes. Its conclusion is a little clumsy, whilst the rest of the film is carried with an airy, almost effortless, deftness. A more subtle conclusion, would still have carried the films message and I suspect, left a more indelible impression on the viewer.

    So is Uncanny worth your time? Yes it is. It may be a little flawed but this is still a very good film with a very relevant message. Eight out of ten from me.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Uncanny was actually shot August 2012 - 3 years before Ex-Machina was released, but was stuck in post production due to its small budget.
    • Erros de gravação
      Around 19 mins, when Joy is with David in his workshop, it cuts from a close up of her clutching onto a notepad to a wide shot where it has suddenly completely disappeared.
    • Citações

      David Kressen: EGTBOK.

      Adam Kressen: Everything's Going To Be OK.

    • Cenas durante ou pós-créditos
      There is an additional scene after the end credits start rolling.
    • Conexões
      References A Primeira Noite de um Homem (1967)
    • Trilhas sonoras
      Sonata in C for Violin and Piano K.296
      Wolfgang Amadeus Mozart

      Performed by Elaine Richey, violin and Craig Richey, piano

    Principais escolhas

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    Perguntas frequentes17

    • How long is Uncanny?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de junho de 2016 (Filipinas)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Android
    • Locações de filme
      • Los Angeles, Califórnia, EUA(main location)
    • Empresas de produção
      • Accelerated Matter
      • Uncanny
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 25 min(85 min)
    • Cor
      • Color
    • Proporção
      • 2.39:1

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