AVALIAÇÃO DA IMDb
6,2/10
2,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young man discovers a hole in the floor of a local motel that leads to yesterday.A young man discovers a hole in the floor of a local motel that leads to yesterday.A young man discovers a hole in the floor of a local motel that leads to yesterday.
- Prêmios
- 4 vitórias e 3 indicações no total
Fotos
Dafna Kronental
- Lauren
- (as Dana Kronental)
Lauren Wade
- Young Grandma
- (as Loz Wade)
Avaliações em destaque
Full review on my blog max4movies: 41 is an independent science fiction movie about a student of philosophy, who discovers a trap door in a motel room that leads to the past. The premise is basic but interesting, and the movie is mostly well executed, with great cinematography and an atmospheric score. The performances are somewhat middling, but the main actor mostly does a decent job. The plot is overall thrilling and clever, however, the ending will throw some viewers off, due to a central plot hole. Still, the movie is efficiently made and demonstrates that science fiction can also deal with very down-to-earth issues.
Albeit a low cost production movie, the story is well played. Don't expect big expensive special effects or a new approach in quantum physics to time travel.
Just a simple, yet captivating story about a time traveller.
Movie starts off the usual way by presenting us the characters and then develops throughout the plot. So far so good, but in the middle of the movie things just kinda go slow, but then it picks up pace wonderfully until the end.
Just a simple, yet captivating story about a time traveller.
Movie starts off the usual way by presenting us the characters and then develops throughout the plot. So far so good, but in the middle of the movie things just kinda go slow, but then it picks up pace wonderfully until the end.
About half way through I was ready to call it a day and stop this movie. It wasn't bad, but it was moving along little too slowly.
I'm glad I finished watching this film, the last 25 minutes more than made up for any perceived slowness early on.
No spoilers, but, you will be glad you watched it.
I'm glad I finished watching this film, the last 25 minutes more than made up for any perceived slowness early on.
No spoilers, but, you will be glad you watched it.
Delving into this area of extremely low budget time travel sci-fi gets with it the inevitable comparison to 2004 film "Primer" which was a masterwork of excruciatingly hard sci-fi.
Here, the mechanisms are largely unimportant, even though there is an entire scene devoted to basically expo-dumping how it works in the form of hypotheticals and quizzing of a small group of four philosophers and scientists.
Some guy named Aidan is driving in his car with his ex-girlfriend when suddenly someone jumps in front of the car while he's driving at night and it crashes, killing her and hospitalizing him. He meets a seemingly loony old man in the hospital who tells him to go to a motel and go to room 41 and crawl in a hole in the bathroom floor. Earlier in the film, someone who looked exactly like him told him not to go to that motel. So naturally he goes in.
From there he learns that going through the hole and emerging brings him about 12 hours into the past. From there, he tries to change what happened with his ex-girlfriend and the like.
Where the film falters, for me at least, is that it seems to not be able to decide upon what type of "time travel paradox" to go with. The presence of himself earlier in the film and the revelation about the cause of the crash would seem to imply a predestination paradox where he is in a situation where time is fixed, and any attempt he makes to change the past has already been done.
But then at the same time, other mutually incompatible paradoxes are toyed with as well, including a "multiple universes branching off" and some others. Toying with many different ideas for time travel would be something interesting to see if done well; the problem is it is not done well here. In some cases we don't even know what is happening and the determining factor as to whether Aidan is able to change something in the past amounts to "Whatever the script feels like".
As well, it drags in several places, and takes an awful long time to get to a really intriguing "Wow" moment, by which time the film was essentially over with barely 10 minutes left. Whether or not the extra focus or attention to detail would've helped or hindered the film I probably wouldn't be able to say, but for what it is, it was a neat enough film.
Here, the mechanisms are largely unimportant, even though there is an entire scene devoted to basically expo-dumping how it works in the form of hypotheticals and quizzing of a small group of four philosophers and scientists.
Some guy named Aidan is driving in his car with his ex-girlfriend when suddenly someone jumps in front of the car while he's driving at night and it crashes, killing her and hospitalizing him. He meets a seemingly loony old man in the hospital who tells him to go to a motel and go to room 41 and crawl in a hole in the bathroom floor. Earlier in the film, someone who looked exactly like him told him not to go to that motel. So naturally he goes in.
From there he learns that going through the hole and emerging brings him about 12 hours into the past. From there, he tries to change what happened with his ex-girlfriend and the like.
Where the film falters, for me at least, is that it seems to not be able to decide upon what type of "time travel paradox" to go with. The presence of himself earlier in the film and the revelation about the cause of the crash would seem to imply a predestination paradox where he is in a situation where time is fixed, and any attempt he makes to change the past has already been done.
But then at the same time, other mutually incompatible paradoxes are toyed with as well, including a "multiple universes branching off" and some others. Toying with many different ideas for time travel would be something interesting to see if done well; the problem is it is not done well here. In some cases we don't even know what is happening and the determining factor as to whether Aidan is able to change something in the past amounts to "Whatever the script feels like".
As well, it drags in several places, and takes an awful long time to get to a really intriguing "Wow" moment, by which time the film was essentially over with barely 10 minutes left. Whether or not the extra focus or attention to detail would've helped or hindered the film I probably wouldn't be able to say, but for what it is, it was a neat enough film.
This film is pretty good makes you think makes you pay attention. I thought I would turn it on and watch it for a few minutes and end up turning it off; like I do eight out of 10 movies these days. I found myself not wanting to turn it off. It's good and has a great twist.
Você sabia?
- CuriosidadesThe Diner in the film was shot on the other side of the world by a camera operator in Connecticut USA.
- Erros de gravaçãoThe car Aidan's grandfather was driving in 1957 had seats from a modern car. Vehicles in the 1950's didn't have headrests.
- Cenas durante ou pós-créditosBefore the opening credits is a montage showing aspects of life on Earth over hundreds of thousands of years, including a caveman in the snow, a scene of Greek soldiers going off to war, a baby being born (for real), footage from Vietnam, and a time-lapse night shot of the Milky Way. A woman in voice-over talks about the nature of time and memory.
- Trilhas sonorasAltitude
Performed by Tara Dowler
Principais escolhas
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- How long is 41?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Locações de filme
- Olympia Diner - 3413 Berlin Turnpike, Newington, Connecticut, EUA(filming location: diner scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 20 minutos
- Cor
- Proporção
- 1.78 : 1
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