Tigre Branco

First things first - if you expect a "standard" war film like Saving Private Ryan or Enemy at the Gates or Fury, then this is the wrong place to look. White Tiger is a Russian film set in the dying days of WW2. The titular AFV is a lone German tank which appears mysteriously on the battlefield and destroys Russian tanks by the dozen, whilst seeming invincible. No crew is ever seen, with the result that it feels like a mash-up between the great white whale from Moby Dick and the homicidal tanker in Spielberg's Duel.

Hunting the tank is a character halfway between Captain Ahab and Ishmael; a Russian tank-man who makes a miraculous recovery from seemingly fatal burns, only to find that he has total amnesia. He only knows that he can talk to the souls of tanks, and that he must hunt the white tiger.

Sounds odd? That's the point. The film is heavy on metaphor and mysticism, and in the latter third becomes deeply surreal. There's a scene of three German generals signing the document of surrender, then enjoying a strange meal. Then cut to a line of German PoWs; then to Ahab/Ishmael alone in a field with his tank. The white tiger hasn't gone, he says. It's merely hiding, and will be back in a hundred years or so. Then the final scene: is it real? Is it symbolic? Is it happening in someone's head? You decide.

This is a cerebral film. It asks questions, and leaves the viewer to struggle for answers.

In Russian, with subtitles.

'White Tiger' is not your usual war movie concentrating on heroes or horrors of war. It is a rather allegorical tale about the essence of war. I have to say I guess that I went into the movie with the wrong mindset - horror fantasy about tank commander who must face the undestroyable and mysterious enemy tank. As a genre, war and horror don't mix very well, yet I decided to watch this peculiarity. The film was presented as an action-packed horror epic, and so I went into this. The movie starts with a scene that depicts the aftermath of the tank battle where they recover a tank commander who has lost his memory but not his remarkable skills. From there on the film takes sudden turn into the territories of surrealism and mysticism. That itself is never a bad thing, but. . . It quickly became obvious where the director was going with this thing, and although, I did reset my mind very quickly, the film didn't work for me wholly. It felt kind of bland and sterile. Some parts didn't quite add up or match. It wasn't polished enough for war epic neither it wasn't 'artsy' enough to work as allegory. The pacing wasn't off, and there were some brilliantly directed scenes, especially the final standoff. And the appearing of the White Tiger from the mist nearly gave me goosebumps.

Quite an interesting movie with a thought-provoking concept. At least I thought about this movie afterward. If You happen to read this review before watching 'White Tiger' then I recommend you keep the open mind and not expect some usual war hero action epic. That might help. On the other hand, if the movie is truly great, it should catch your attention anyway no matter how prepared you are or in what mood you are.

I might give this movie another shot, although I got a general idea, the execution wasn't anything special. Yet, I can't call this movie either a boring or total waste of time.

Starts out as a perfectly good war flick and turns more and more surreal during the last thirty minutes. Or maybe I should say, it becomes a meditation over the meaning, the spirit, the essence of war. As a whole, White Tiger is like an episode of Twilight Zone filmed in the gritty philosophical manner of Tarkovsky - some faces and scenes almost appear like a nod to the protagonists of Stalker. It probably won't please those who watch this for the war part, and because marketed as a war movie, it probably fails to reach out those looking for the surreal and mystical. However, even if this film is an odd bag, it has the potential to leave a lasting impression on the viewer because the point it makes in the end (in the fireplace monologue scene) is utterly taboo-breaking with thoughts no Western-made WW2 films dared to express. 8/10 for a few sluggish scenes towards the end.

As previous commentators have stated, this is an 'unusual' war movie. Despite having a quite good and accurate depiction of fighting on the Eastern Front, including depictions of lend-lease armour at the start of the film, it's the allegorical message that's the main point of the film.

In short, the battle between the White Tiger and the resurrected Russian tanker is an allegory of Russia's centuries old battle with invaders from the West (be they Teutonic knights, Napoleon or Hitler in this case).

The message of the director is that WWII was just another episode in this long struggle and that the White Tiger (western militarism) hasn't been destroyed in 1945, but is waiting dormant for the next episode....and the immortal Russian tanker will once again be there to confront the 'Tiger' again.

The film was made in 2012. Considering current events it's proved to be quite prophetic

a film about war. a surviver. a tank. a fight like Melville's Moby Dick. image of battle in smoke lens. and all ingredients for this type of movie. it is difficult to say if it is a good film or not. crumbs of many histories about last world conflict are stones in a not flat mount. all is at right place. but , in few moments, the tale is only a sketch.sure, a film far from usual cages of ideology or triumphalism is a nice work. tanks seduction is always fresh. but is it enough ? after a splendid story the final taste is almost bitter. because the final of confrontation is more delicate, the script puts in public imagination the solution. and it is not really fair ! conclusion - too many directions, a not inspired mixture between magic and war facts. but , however, it is not a disappointing experience. only a trip in the corners of a myth shadow.