Amor sem Fim

Life is unpredictable and then life will turn upside down when you meet you the right person and will feel like staying in safe haven with the person closest to you. Endless Drama is romantic–drama that has strong performances but is mowed by a weak script.

Endless Love tells the story of a high-society yet shy and introvert girl who falls in love with charismatic boy who works in a garage with his father. The journey of their love begins but faces hurdles in form of their parents who disapproves of their relationship.

Endless Love has everything going in its favor - enchanting chemistry between the screen couple, nice background score , beautiful location. However the fairy tale does not last long with never ending drama towards the climax and is saddened by a weak script which makes the movie a one-time watch. Alex Pettyfer gives a fine performance and giving admirable performance with each film. Gabriella Wilde is eye- candy but needs to have better expression. Bruce Greenwood, Robert Patrick are usual dependent.

So, if you are looking for a nice romantic date with your partner, you might choose Endless Love for a perfect evening. Decent 2.75/5

This is basically a good romantic movie. If you are hoping for more depth, more story or more anything you will be disappointed. But for what it was, I enjoyed it.

The acting was solid, I really liked Gabriella Wildes performance. She was fresh faced and innocent. I was really not interested in Alex Pettyfer's performance prior to watching it, but he proved me wrong and was believable and you found yourself with a vested interest in their relationship.

If you are after an escape into a good romantic movie, I think this one is worth the effort...

To my surprise I actually really enjoyed this movie.

I wasn't sure with all the P-G 13 romantic movies, I figured nothing would make this stand out and it would be another typical teenage romance.

I was pleasantly surprised with the film and though it may be a bit clichéd, I was captivated by the tender acting of Gabrielle Wilde.

The character of the tough, stubborn father of Gabrielle brings to perspective the reality of needing to let go of the past in order to allow in good of the present.

There's really not much more to say. This film isn't very deep, or original, but it was nice to watch.

Watching the first scene of this movie really made me predict that, I think it's gonna be another "The Perks of Being A Wallflower" but Charlie acts as Jade here. Or maybe it's even a new version of Romeo and Juliet, which in my opinion is pretty similar.

I kinda tired watching movie with a similar conflict. That's why I tried to figure out something different by guessing that the boy Jade is talking to is her late brother. Yeah, who knows he is her imaginary friend because she can't take the death of his beloved brother? But then I realize that this is the remake of the same title in 1981. So, he's not a ghost. He's her other brother.

For the cast itself,I like them all. Gabriella Wilde is so pretty and hot. But unfortunately this is the reason why I can't accept that she doesn't have any friend during her high school year. I know that she acts as a shy girl, but I know boys. They can't keep their mouth shut having a hot blonde like Jade around them. They're dying for her, trust me. But through the narration of David, Jade is a forgotten girl. However, I am convinced by Gabriella's expression that she's a shy girl. In the end of the movie, I remembered that she is the girl from Carrie, Sue Snell.

One more thing that really bugs me. When David visits psychiatrist to talk about the problem of his love life. It's so weird. A boy like David will even consider that??? That type of guy will just be quiet, or at least talk to his father or his friend when he is asked.

I love all the soundtracks, which, once again, reminds me of The Perks of Being A Wallflower. You know, it has cool soundtracks, too. Somehow, they're sound similar.

Hollywood has been running out of ideas for years – remakes, sequels, prequels and reboots now seem to be the order of the day. What's hard to imagine is why anyone thought a remake of Endless Love was necessary in the first place. The 1981 film of the same name – based on a pulpy, albeit well-regarded, novel by Scott Spencer – wasn't even that good to begin with. At least that version of the story had the distinction of starring a young, nubile Brooke Shields, not to mention a title song that became more famous than the movie itself. This remake manages to be both extremely bland and painfully melodramatic, bled of almost any hint of controversy or genuine complexity and darkness.

Jade Butterfield (Gabriella Wilde) is the quintessential poor little rich girl: a beautiful, blonde ice princess who has shut herself in with her parents, Hugh (Bruce Greenwood) and Anne (Joely Richardson), after the untimely death of her brother Chris. David (Alex Pettyfer) is a kid from the poorer side of town who has nursed a crush on her throughout high school. She's college-bound, he just wants to work in his dad's (Robert Patrick) workshop. When they finally connect, sparks fly and Jade starts to re-think the safe, perfect future she's planned with Hugh.

It's all very cookie-cutter high-school romantic melodrama. Nothing about this film feels particularly fresh or smart, although it does start out a little better than you'd expect. But, after the initial meet-cute between Jade and a thoroughly smitten David, Endless Love quickly descends into trashy predictability: Hugh does everything within his power to get rid of David, but the spark of love and lust between the star-crossed couple burns so hot and bright that nothing will stand in their way.

What's frustrating is that the film has almost completely excised anything even remotely complex about its plot and characters. The 1981 movie may have been faintly terrible and soapy, but it at least made a stab at psychological darkness, suggesting that the 'endless love' of the title bordered more on creepy, damaging obsession than sweet, romantic love. There's no such suggestion here: David is troubled but ultimately noble; Jade is purely, truly in love; and it's the curmudgeonly Hugh who must realise the errors of his ways.

The cast is watchable but not really memorable. Pettyfer broods as if he knows he's meant for better things. Wilde is effortlessly, often stunningly beautiful, but doesn't have much to offer beyond that. Greenwood has the most scenery to chew – he practically twirls an invisible moustache and cackles at some points – but it's Richardson who walks away with the film's few affecting moments (even though her character loses much of its shock value in morphing into the archetypal loyal, loving housewife).

You would imagine that, in a cinematic landscape overrun by remakes, these films would – at the minimum – have something interesting to say about the times in which we live now. They can make a case for their existence, perhaps, by being a little edgier than the original films: explaining why there's a need to tell this old story again. Endless Love doesn't really manage that. Instead, by forgoing depth and darkness for schmaltz and sentiment, it ends up being even safer and sweeter than a movie shot over thirty years ago.