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IMDbPro

Somos o Que Somos

Título original: We Are What We Are
  • 2013
  • 18
  • 1 h 45 min
AVALIAÇÃO DA IMDb
5,9/10
23 mil
SUA AVALIAÇÃO
Bill Sage, Ambyr Childers, and Julia Garner in Somos o Que Somos (2013)
Behind closed doors, the seemingly whole Parker family is ruled by a patriarch determined to keep his ancestral customs intact. As a torrential rainstorm hits their town, authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for years.
Reproduzir trailer2:31
11 vídeos
31 fotos
Folk HorrorSupernatural HorrorDramaHorrorThriller

Os Parkers, uma família reclusa que segue costumes antigos, encontram sua existência secreta ameaçada quando uma chuva torrencial se move em sua área, forçando as filhas a assumir responsabi... Ler tudoOs Parkers, uma família reclusa que segue costumes antigos, encontram sua existência secreta ameaçada quando uma chuva torrencial se move em sua área, forçando as filhas a assumir responsabilidades além das de uma família típica.Os Parkers, uma família reclusa que segue costumes antigos, encontram sua existência secreta ameaçada quando uma chuva torrencial se move em sua área, forçando as filhas a assumir responsabilidades além das de uma família típica.

  • Direção
    • Jim Mickle
  • Roteiristas
    • Nick Damici
    • Jim Mickle
    • Jorge Michel Grau
  • Artistas
    • Bill Sage
    • Ambyr Childers
    • Julia Garner
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • Jim Mickle
    • Roteiristas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Artistas
      • Bill Sage
      • Ambyr Childers
      • Julia Garner
    • 112Avaliações de usuários
    • 175Avaliações da crítica
    • 71Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 5 vitórias e 11 indicações no total

    Vídeos11

    Theatrical Trailer
    Trailer 2:31
    Theatrical Trailer
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 1:03
    We Are What We Are
    We Are What We Are
    Clip 0:58
    We Are What We Are
    We Are What We Are
    Clip 1:09
    We Are What We Are
    We Are What We Are: Clutching At Straws
    Clip 1:29
    We Are What We Are: Clutching At Straws

    Fotos31

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 27
    Ver pôster

    Elenco principal30

    Editar
    Bill Sage
    Bill Sage
    • Frank Parker
    Ambyr Childers
    Ambyr Childers
    • Iris Parker
    Julia Garner
    Julia Garner
    • Rose Parker
    Wyatt Russell
    Wyatt Russell
    • Deputy Anders
    Kassie Wesley DePaiva
    Kassie Wesley DePaiva
    • Emma Parker
    • (as Kassie DePaiva)
    Laurent Rejto
    Laurent Rejto
    • Hardware Clerk
    Jack Gore
    Jack Gore
    • Rory Parker
    Kelly McGillis
    Kelly McGillis
    • Marge
    Michael Parks
    Michael Parks
    • Doc Barrow
    Annemarie Lawless
    Annemarie Lawless
    • Arlene Stratton
    Traci Hovel
    Traci Hovel
    • Mrs. Kimble
    Nat DeWolf
    Nat DeWolf
    • Mr. Kimble
    Nick Damici
    Nick Damici
    • Sheriff Meeks
    Vonia Arslanian
    • Emily Meeks
    Larry Fessenden
    Larry Fessenden
    • Bearded Tenant
    Odeya Rush
    Odeya Rush
    • Alyce Parker
    Joel Nagle
    Joel Nagle
    • Mathias Parker
    Reagan Leonard
    • Alyce's Mother
    • Direção
      • Jim Mickle
    • Roteiristas
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários112

    5,922.6K
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    Avaliações em destaque

    7sstetsko

    A good remake of a foreign film... that's rare.

    Having seen and quite enjoyed the Spanish original I was a bit concerned about seeing it remade. My concerns were unfounded though as it turns out since, while the director did use the general idea of the original, he did not so much do a remake as a spin off. The setting, characters, general plot, and ending all very significantly deviate from the original, and there is even a detailed back story added which creates, if not sympathy, at least comprehension for the acts this family does.

    The movie itself is beautifully developed to create both a very plausible realism and very well defined characters. It is these characters that are the goal, and the movie does not resort to needless gore to satisfy cruder appetites. The acting is carried off quite flawlessly, and we do find ourselves at least rooting for the children to some degree. All in all it was well worth the watch.

    Would I say it is better than the original? Well, given that they are both very different it would be unfair to pit them against each other directly. I will say I did prefer the original overall as it was first, so it took some of the novelty out of the second, and the original made it more of a sort of very twisted coming of age tale than the second movie did, and I really liked that dimension of it. But if I look at them more as apples and oranges, I would say they both are very well done and each earns its place as a highly recommended piece of work.
    7claudio_carvalho

    Depressing and Creepy

    The Parker family is fasting following and old family tradition. When the matriarch, Emma Parker (Kassie DePaiva), goes to a hardware store in the nearby small town during a rainstorm, she does not feel well, has an accident and dies. Her husband Frank Parker (Bill Sage), who is the owner of a trailer camping area, grieves her death and forces her older daughter Iris (Ambyr Childers) to assume the responsibility for keeping the family tradition, feeding them and nursing her teenage daughter Rose (Julia Garner) and her young brother Rory (Jack Gore). He also gives Emma's journal to Rose with the history of their family to learn their traditions.

    Meanwhile Sheriff Meeks (Nick Damici) and Deputy Anders (Wyatt Russell) are investigating cases of missing persons in the skirts of the town. Doc Barrow (Michael Parks), who lost one daughter that has disappeared, is carrying out Emma's autopsy and finds an important discovery that will connect the missing cases with the Parker family. What is the tradition of the Parker family?

    "We Are What We Are" is a depressing and creepy remake of a 2010 Spanish movie "Somos lo que hay". The story is developed in slow pace in a depressive atmosphere and the acting is top-notch. Unfortunately the screenplay discloses the mystery too soon but the gore conclusion is gruesome and hard to be seen. My vote is seven.

    Title (Brazil): "Somos o Que Somos" ("We Are What We Are")
    8doug_park2001

    "All this damn rain gets in the bones"

    Dark, slow but steady film about the apparently normal Parker family, who share a macabre secret ritual. Excellent acting and cinematography bring an immediate realism that really carries this film. WARNING: If gore and grossness get to you, stay away. While WE ARE WHAT WE ARE is not just a constant schlock-fest, there is some pretty disturbing stuff here: Short but graphic scenes of an autopsy, etc.

    There's been some debate about whether or not WAWWA is really a horror film, and I would vote a definite "yea" even though the whole mood and atmosphere are different (and better in many ways) than most contemporary horror flicks. There are some elements of suspense, but you know the big "secret" before it's halfway through--the cover also gives a decent hint--so it doesn't exactly work as a mystery. Regardless, the brief flashbacks to the family's ancestors in the 1780s add a great deal.

    Though none of the individual elements here are anything that hasn't been done plenty of times before, WAWWA's whole combination of qualities make it a different experience. It's obviously low budget but still far from being another super-amateurish cheapie. The makers of this film did an excellent job with what they had to work with. There are some blank spots--e.g., the body in the water--and a little stronger sense of place would have been nice. At the same time, it's probably better that they don't explain every little thing away.
    8FilmMuscle

    We Are What We Are for Good or Bad

    A film with such a visible title is surely hinting at the potential themes of the film, right? Well, popularly so, that seems to not be enough for the majority as they're seeking unusually complex films that are basically only made to reach that one significant message to the audience. In my honest opinion, not every film has to blatantly and pretentiously boast its themes and message in order to be considered a masterpiece or, at least, a great film. Upon entering a film, I expect it to entertain and immerse me in a memorable story, coupled with all the effective elements to make it so. If you're commencing this film with that mindset, you're almost guaranteed to have a much better experience. This motion picture tells a remarkable and compelling story about an isolated family who vastly differentiate from the normal citizens- a father and his two daughters and son- suddenly mourning the death of their mother/wife.

    The film does noticeably carry along at a slow pace in its first half as the moviegoer adjusts to the environment and carefully observes this rural atmosphere and its wildly strange inhabitants. Once you familiarize yourself with the family's habits as their backstory unravels, the film begins to kick in. In defense to the flak the film's been receiving from critics who're essentially panning its sluggish pace, I'm forced to question why Terrence Malick's films (the earlier works, especially) are met with such unanimous applause because they perfectly replicate what it means to be excruciatingly slow-paced. With this unfolding plot, the pace eventually picks up in its latter half (unlike Malick's persistence in meddling pace), and we're ultimately greeted, for lack of a better term, with a remarkably tense ending, which serves as a pinnacle in conclusions. Although the film is frankly plagued by an element of predictability due to the way some scenes are shot, an edge of unpredictability is highly prevalent throughout the finale. The crowd encounters several twists and turns along the way until all has been exposed and the conflict hits its marvelous peak. Basically, this is one of those movies that are definitely redeemed by the exceptional manner in which the story wraps up.

    By the way, this is, at the end of the day, a horror film in essence, and I greatly appreciated the film's preference of storytelling rather than the mindless path of excessive gore and pointless violence, that which infests the horrendous contemporary horror flicks. Admittedly, I found myself losing interest in the film's events and ensuing mystery until it finally reaches that sweet spot halfway through the story (as previously mentioned). In addition, it's superbly acted with the whole cast terrifically fitting into their roles and the father perfectly conveying that look of menace, intimidating everyone around him with a low-pitched, frightening voice and a werewolf-like, unshaven face. However, I'll have to mention just how irritated I was by the amount of mumbling that was occurring during the beginning. It was extremely difficult to grasp a single word out of their mouths, and I can't possibly stress just how much I hate actors' decisions to mumble. Understandably, they're often found in miserable positions. Regardless, without subtitles, you're left to struggle with understanding as the tale progresses.

    Furthermore, the cinematography is undeniably beautiful at times and then, it also serves well when it comes to telling the story with that hint of tension and suspense (the primary goal of a cinematographer, in the first place, before going for fancier shots), complementary to the mise-en-scène as well. The director's consistent use of rack focusing undoubtedly contributes to the outstanding execution of some specific scenes, especially the grand finale. In the end, the film isn't fascinatingly complex or considerably intelligent, but it absolutely works in terms of plot, camera-work, and performances. Though the music disappointedly isn't striking and feels fairly bland and generic (removing potentially greater suspense and eeriness from the final product), We Are What We Are will likely stick in your mind due to the completely unexpected and pulsating intensity that erupts as it nears the finish mark.
    5grmfpharma

    Poor ending

    Good narrative until the five final minutes... poor ending... it was disappointing.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Based on the screenplay "Somos Lo Que Hay" by Jorge Michel Grau.
    • Erros de gravação
      The dungeon door's window bars were removed each time the camera looked through it. Four wide vertical bars were visible in approach and open door shots.
    • Citações

      Marge: I heard somebody down in the shed earlier.

      Iris Parker: It must've been Daddy. He's the only one allowed down there. Ever.

      Marge: Well, it sounded like a girl crying.

      Iris Parker: I don't know what you think you heard, but you must be mistaken.

    • Conexões
      Featured in At the Movies: Cannes Film Festival 2013 (2013)
    • Trilhas sonoras
      I'll Pretend
      Written and Performed by Glen Morris

      Courtesy of Fervor Records Vintage Masters

    Principais escolhas

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    Perguntas frequentes19

    • How long is We Are What We Are?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de dezembro de 2013 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • França
    • Central de atendimento oficial
      • Official Twitter
    • Idioma
      • Inglês
    • Também conhecido como
      • Somos lo que hay
    • Locações de filme
      • Margaretville, Nova Iorque, EUA(town and surrounding areas)
    • Empresas de produção
      • Belladonna Productions
      • Memento Films International
      • Paradise City
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 81.381
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 13.727
      • 29 de set. de 2013
    • Faturamento bruto mundial
      • US$ 159.047
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 45 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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