O Segredo de Crickley Hall

The core of any good story is the story, and this little treasure packs a WALLOP. The Secret of Crickley Hall is, firstly, a drama for people who like to read. There are certainly ghosts, but the story is what will invest you in these characters, not its special effects, so be prepared to carve out a block of time to see the series complete and uninterrupted. Like any good book, I couldn't put it down.

There isn't just one story here, and so the multiple plot lines converge with devastating — and at times, shocking — effect as the story takes unexpected twists and turns you couldn't possibly have seen coming.

Based on James Herbert's best selling novel, The Secret of Crickley Hall is so well written, cast & produced, I've given it 8 stars _and_ a review (rare for me). Bravo.

The Secret of Crickley Hall

This ghost story from beyond the pond toggles regularly and frequently, without notice, across the pale between Then and Now. (Mixed idioms are intentional.)

Then is at a private orphanage in 1943 Devon, at a time when children were bused from London to escape The Blitz. Primeval's Douglas Henshall plays the evil headmaster.

We start out, however, in the Now. Mother ("Eve Caleigh", played by Suranne Jones) and her five-year old Son have a special, even psychic, connection. Son disappears from the playground when Mother falls momentarily asleep. Mother is disconsolate for months thereafter.

Approaching the one-year anniversary of Son's disappearance, Father ("Gabe Caleigh", played by Tom Ellis) gets a job out west (in the aforementioned Devon of the novel), and the family takes the opportunity to move, in hopes of escaping the sad memories at home. The house they choose is the now-abandoned orphanage of Then; and Now, of course, it's haunted…by ghosts of children and staff who died in a long-ago "flood".

(The couple have two other children, both girls, one preschool; and the school bus which collects the older one for classes is labeled, "Manchester", per the location of filming.)

Once ensconced in the haunted house, Mother finds and reassembles a screw-driven toy top – like one I had as a child, but mine was less fancy than the one used here – and she uses it to reconnect psychically with her lost son, believing him to be still alive. From here, she employs extraordinary means to find him, beset all the while by Henshall's haunting.

This U.K. miniseries is an enjoyable Halloween treat, and I was happy to be able to watch the entire thing as a three-hour TV movie on BBC America the day before its scheduled U.K. broadcast.

(Note: This review is dated October 29 in my files, indicating the original scheduled airing in the U.K. It was not yet available for voting on IMDb then, hence my tardiness in submitting this review. December dates on previous reviews suggest that the U.K. presentation may have been delayed a month beyond the original scheduling.)

Just found this on Amazon Prime. I'd never heard of it before.

For those sensitive to child abuse (and who isn't) there's a big chance for triggering, here.

But for the rest of the story, and the many mysteries that slowly unravel and unfold, it's just marvelous. Wonderfully cast, filmed, and acted. The pace isn't rapid but it's not tediously slow, either. It is definitely one to be binge-watched in a big 3 hour session, but it's only slightly longer than a full-length film so that shouldn't be too difficult.

Did I mention the wonderful cast?

It's not a high-brow think piece, but it is what it is, and for that it's definitely fun. I really enjoyed it. If you sit back and just decide to enjoy an old-style ghost story with romance and danger and sad, sorrowful events (and just a little bit of redemption and joy), you should have a good time.

I purposely hadn't watched this series, based on the mainly negative reviews I'd read, but a dark miserable wet day and it went on, if I wasn't miserable enough before, I certainly was about fifteen minutes into this.

The story itself is dark and disturbing, but the way in which it was produced it was overly macabre and grim. It has a very good opening episode, a sound second, and a rather disappointing conclusion. It all fell apart a little at the end.

The best thing that can be said about this drama is the acting, some quality performances, Suranne Jones, Tom Ellis, David Warner, Sarah Smart etc all really good, Douglas Henshall is great as the creepy Augustus Cribben, but it's the wonderful Olivia Cooke that gave the most endearing performance as Nancy Linnet, she was great.

Worth a watch I guess, but if you've read it I fear you may be a little disappointed in it. 6/10.

I was enticed from the moment I saw the eerie opening credits. I can't fault this series, every minute I was gripped with a new twist, amazing performances and a remarkable story line. Although some twists were cliché; you can easily forgive and forget, thanks to something new and exciting happening within the next minute.

I read in a bio that the series was classed as a "drama", and a drama indeed it was. If you were expecting a gory horror I'd turn away now. As this series should be engaged with the expectations of a great story line drama... Even if the series still managed to spook me in parts and have me on the edge of my seat nearly all the way through.

The story line was truly captivating. The juxtaposition was easy to follow and fun to see a new time period.

The only reason for me not rating the series a '10' is simply because I wanted to know a little more about the boy, for which the bio of the series stated was one of the main focus points.

A must watch for everyone!