Muppets 2: Procurados e Amados

Jim Henson's successors have tried for years to re-capture the magic of the original Muppet Movie, The Great Muppet Caper, and Muppets Take Manhattan and have failed to take us to that special land of wonderment.

2011's "The Muppets" tried hard (maybe too hard) but stumbled out the gate by making us sit through unbearable musical numbers such as Texas Richman's rap and Amy Adams' "Me Party." It's plot also focused on a new Muppet, Walter, as well his human brother Jason Segel and his girlfriend Amy Adams rather than center around the original Muppet cast that we love so dear.

The creators of Muppets Most Wanted understood these shortcomings and comically pointed them out. I'm not saying that Muppets Most Wanted is as good as the original three, or date say better. But it is as close to Muppet-Greatness as we've been since Jim Henson's passing.

The writers found that perfect balance between silly and witty. The plot centered around the beloved original characters, while introducing a hilarious new villain. The musical numbers had that uplifting, old-school feel and never induced cringing.

We finally have a post-Henson Muppet Movie that will stand the test of time. Rejoice!

The Muppets of 2011 was a surprise, it is one of the rare throwbacks that excellently lives up to the material which brings nostalgia to the old fans and potentially earns new ones from the current generation. That little film gives us faith to their upcoming films, and here it is, the latest sequel that once again delivers the same delight and enthusiasm. This quality is always a welcome, however the storyline doesn't seem to offer anything new or say anything important. But none of it will ever matter in the end, Muppets Most Wanted is quite entertaining because that is what this material is always best at.

This edition tries to be like any blockbuster today by pulling off a bombastic and thrilling tone since it involves criminal schemes and exciting mysteries, but these aren't the most interesting parts the film has. Many can immediately notice it suffers finding fresher ideas for the main plot, but those aren't exactly what we care for. It's really about being loyal to their thing: absurd humor, shining talents, and best of all, singing. The attempt of heightening things up is probably for the film to fit in to this epic sized era of cinema. But the truth is the plot is really not as special as the quirks, the most memorable parts that end up to the storyline are either the Muppets' amusing naivety from Constantine's disguise as Kermit or the two agents' ridiculous arguments about the size of their badges.

While the classic stuff are kept, the only thing that was elevated is the songs. Bret McKenzie gives the same joy of the last movie, the beat goes from groovy to Broadway. Every musical set piece is just wonderfully enjoyable. The craft is nothing to talk about since they're always neat, and the voices too have always been full of life. The celebrity cast seems like they're having a good time: Ricky Gervais is kind of just doing his own thing. Ty Burrell seems to be parodying Inspector Clouseau and it's quite fun, he has a delightful chemistry with his Muppet partner, Sam the Eagle. People might only notice the accent in Tina Fey, but she still made the character likable anyway.

Muppets Most Wanted has the feeling for a TV Special worth or something, because definitely there is hardly anything grand about the film other than the spectacles, but it's really hard to say anything bad to the Muppets since the spirit of the show is still there. Its significance is just too little compared to the last movie since that one had a message why this show is so special. This sequel only exists probably just to fit in, but then again it's still a very fun time at the movies. New and old fans can appreciate every bit of it, because nothing can entertain you like this than the Muppets.

'The Muppets: Most Wanted (2014)' picks up right after the muppets finish filming 'The Muppets (2011)'. This meta self-awareness continues throughout the piece, though to varying degrees, and is especially evident in the opening musical number in which the characters sing about doing a sequel. The first film must be based on a 'true story', though, because its events (the muppets getting back together, Walter being introduced) are directly referenced as having happened to the muppets even though the opening makes it explicit that the film itself is the reason for the muppet's reunion and subsequent success (which kicks in prior to their picture even being edited, since this starts as soon as they shoot the last shot and wrap up production). Confused? Well, the flick doesn't want you to think about it. It steams ahead with almost reckless abandon, unconcerned with most of its throwaway humour, which leads to a 'just go with it' vibe and prevents any semblance of self-seriousness. It's a distinct yet mostly successful approach that fits with the inherent silliness of the age-old 'puppets and people' concept. The flick is enjoyable enough for what it is, filled with a host colourful core characters and a slew of throwaway yet inoffensive celebrity cameos. There are plenty of lively musical numbers and the piece is relatively funny on occasion (though never side-splitting, by any means). A lot of the comedy is based around ever-so-slightly xenophobic stereotypes, but this feels more lazy than malicious. Therefore, it isn't particularly bothersome, even though it does make a lot of the movie seem somewhat old-fashioned. The most successful aspects of the feature are its villains, a dastardly doppelgänger and an in-the-closet furry. Their evil plan is as predictable as you'd expect, but the picture doesn't make a point of focusing on its plot and just uses it as a catalyst for its somewhat creaky comedy and its catchy song-and-dance routines (the latter of which includes an excellent 80s pop-ballad parody). Ultimately, this is a well-executed and generally enjoyable affair. There isn't anything particularly wrong with it, but it's only ever so engaging or, even, entertaining. It's good enough for a bit of throwaway fun, though. To be fair, it never pretends to be anything more than that. 6/10.

I hate to give the Muppets anything less than a 10, I really do. I'm an enormous Muppets fan, but this movie disappointed on a couple counts.

First, they started using CGI - A lot.

The charm of the Muppets is that... well, they are puppets. That somehow got lost in translation in this movie when some scenes included full bodies of dancing and walking Muppets. In the past movies, Muppets were shown full-bodied only as stop-action; but the CGI thing just takes the fun and mystery out of it.

Another negative is over-saturation of the Muppets. They are everywhere now, from car commercials to my lunch at Subway. Disney is milking the franchise to death, sadly, so the movie doesn't have that special pop.

All that said, the movie starts with a bang. It's a hilarious transition from the last film, though the absence of Jason Segal is quickly noticed. A cameo may have done justice there.

Overall, the movie is fun; though the writing didn't get a lot of laugh- out-loud moments like their other films. The evil Kermit concept was well executed and the human actors were excellent in their roles. A few good songs, but nothing I'd commit to memory to sing on a road trip.

It's worth a watch for every Muppet fan, and overall a strong 7 out of 10.

When I reviewed "The Muppets" (2011) upon its release, I was ecstatic about it. I loved the story, the songs, and everything the Muppets themselves did in the movie.

Most people who saw "The Muppets" who were not Muppet fans before seeing it enjoyed the film. Muppet fans themselves, in addition to loving the movie, could sense the heart and passion the filmmakers put into every aspect, and felt no doubt everyone involved in making "The Muppets" were Muppet fans themselves.

"Muppets Most Wanted" is the 8th Muppet movie, but the first one that is technically a sequel because it acknowledges the events that took place in its immediate predecessor. Many of those involved in "The Muppets" return in this sequel, including director and co-writer James Bobin, co-writer Nicholas Stoller, songwriter (and Oscar-winner) Bret McKenzie, and all the Muppets including newcomer Walter . . . but something was missing.

As I watched the film, I could see all the Muppets were there, and it seemed like they were trying to perform "The Muppet Show" as well as they did in their previous film. There was a coherent story about a criminal mastermind who happened to look identical to Kermit the Frog, and exploits this coincidence to help him escape from prison.

I wanted this movie to make me laugh. I want to tell everyone that the Muppets are cool and funny again like I did back when I saw "The Muppets" . . . but I can't.

The problem may have had to do with the story, or at least the motivations of antagonist and Kermit-lookalike Constantine. With his partner in crime Dominic Badguy (pronounced BA-jee, & played by Ricky Gervais), he uses the Muppets' world tour as a front to rob European museums of their precious diamonds.

"The Great Muppet Caper" had a similar plot, but that movie was more clever because virtually all the Muppets in that movie parodied how overdone such a plot was. This movie doesn't even want to acknowledge the banality of that hackneyed plot line, or even consider why any modern audience would care about a jewel heist.

Also, whereas the songs were a major strength in "The Muppets", the song "We're Doing A Sequel" is the only one worth remembering. It's a promising, tongue-in-cheek song that acknowledges the stigma and symptoms of sequelitis, only to allow the whole film to fall victim to its own diagnosis.

Many of the other songs are surprisingly mundane, considering McKenzie wrote far more brilliant songs for "The Muppets". For example, the song "I'll Get What You Want (Cockatoo In Malibu)" has lyrics that include "I can give you anything you want/Give you anything you need/I'll make your dreams come true/Give you anything you want".

You're waiting for a funny line, but McKenzie, for the first time in his songwriting career, never delivers one. Considering the hilarious, genre-bashing songs he made famous with Flight Of The Conchords, it feels as if he didn't even try.

Last but not least, everything "The Muppets" did right with celebrity cameos, "Muppets Most Wanted" did wrong. You see Christoph Waltz dancing the waltz, Salma Hayek getting on and off stage, Danny Trejo in prison, and Celine Dion just singing.

You don't see Gonzo doing a crazy stunt (you only hear him talking about it), Fozzie Bear telling a joke, or most of the Muppets doing what they do best. Even Lew Zealand forgets to throw a fish.

Of the human stars who actually have relevant roles, Tina Fey and Ty Burrell actually look like they're having fun. Ricky Gervais is surprisingly dull, being both unfunny enough to stand alongside the Muppets, and not menacing enough to be a villain.

The Muppets are the stars of this movie, not the humans. Somewhere in the making of this movie, the filmmakers left their love of the Muppets, and their desire to make them intriguing characters, by the door, and it shows by what you don't see the Muppets do.

"Muppets Most Wanted" has some laughs, but they are more like light chuckles with no feelings of joy or poignancy. The Muppets have already proved they can make a comeback, but this is not the movie that proves their staying power.

"Muppets Most Wanted" is by no means a terrible movie, but I hope the Muppets prove their worth in their next movie. I hope there is a next movie.

One last note: The Walt Disney Company has not yet released "The Muppet Show" Seasons 4 & 5 on DVD in addition to many other long-unavailable Muppet TV specials (e.g. "A Muppet Family Christmas" (1987)), yet has purchased Marvel Comics and the Star Wars franchise. Maybe the problem lies with Disney not caring enough about the Muppets.