Hell House - A Origem

I enjoyed this instalment. Even though the story model remains more or less the same as the others, the tension and unnerving feelings managed to be effectively executed. I only have one gripe which was the main character was insufferable from beginning to end. I don't know why the screenwriter felt the need to make Margot obnoxious, arrogant, pig-headed, fundamentally unlikable and self-interested, especially seen as how we are supposed to be empathising with her the most, but it created a real divide between my willingness to root for her and my contempt towards her. The girlfriend and brother were likeable enough and I was on their sides when they were faced with conflict. But the lead was painful for me (the character not the actress). If they had written her differently I think I would've enjoyed this so much more. Regardless, as horror goes, this film produced enough sufficient scares to justify its existence.

I was looking forward to this installment of the series but my God I couldn't even finish it since the actress who plays Margot is just horrendous: she's constantly screaming her dialogue; she has no chemistry with her costars (the girlfriend and the brother), who, in comparison, are actually pretty decent; she's not at all convincing in any of her interactions or actions. It feels like she's in a different movie or production altogether, like a bad high school play. There have been some bad performances in these movies but she definitely takes the cake as the worst. Wish they chose a different lead.

This movie was really good, I think that it has a great set, the Carmichael Manor, the set was really large and had a lot of great hallways that the characters could walk through.

Personally, I think that the movie could have done away with a ton of the interviews that are interspersed throughout the run time. They really killed the momentum of the creep factor that the movie worked hard to get going. I think they were included so that the plot could be explained more in depth? Maybe so that the audience isn't lost in anyway?

I'd say its like eating a nice meal, then while you're eating it, the waiter comes out, takes the meal from you, and points to different parts of the meal and explains to you how the chef made it, and why it tastes good, you say, oh yeah, thanks, could've learned that later, and then the waiter sits it back down in front of you. Strange, but oh well, the food is good, I can deal with it. Then the waiter comes back and does it 5 more times, it gets tiring.

They could've saved the exposition dumps for the scenes that take place after the final climax of the movie, but they didn't for some reason.

The gore that is used, though sparingly, throughout the movie is well done, they weren't fake looking, they were slightly realistic, but the amount of blood that they did use wasn't to the point that it looked ridiculous, they use just the right amount for each scene they needed it.

The acting of the different characters seemed to falter in scenes where I guess the actors aren't proficient, but it didn't detract from the movie too much.

Overall, I don't regret watching this movie, the jump scares were innovative and kinda new, def a 7/10, would probably watch it again with new people.

I'd put this and the first film in the same league, as in, they're both watchable for the crafting of scares in a minimal but impressive way. But the origin story and lore expansion did little for me, as I didn't think even the first film necessarily had a lot going for it. Also, I haven't watched parts two and three, so I'm unsure if I missed anything significant. Found footage can become extremely monotonous and repetitive, and here I could witness that in parts. The protagonists are still fairly uninteresting and lacking any real motives (other than the quest for fame and adventure), and they continue to make questionable decisions throughout.

Director Stephen Cognetti also fails to capitalize on the outdoors of the manor for more atmospheric fights. While this comes into the picture fairly into the final act, the underutilization of the magnificent outdoors (with all those incredible-looking trees) is evident. The indoor scares are reminiscent of the ones from the original film, and I could see them coming at those critical junctures. One particular scare, during a video call, was quite nicely executed. The clowns are less scary this time, and some of it has to be attributed to what we've already seen. I don't exactly know what to make of those long-running lore connections, but it sure didn't make the experience substantially more riveting.

When an internet sleuth drags her girlfriend along to investigate the scene of a grisly massacre at a deserted mansion in the woods, they get more than they bargained for.

Over-produced found-footage that still manages to be effective. The ideal for this genre is to wind up the story like clockwork in the first ten minutes, then let it unwind through intelligent editing of the footage, allowing the audience to fill in the gaps. Instead this production gives us masses of exposition through the framing device of a mockumentary, with explanatory flashbacks, and inserts foreboding music where appropriate.

So the story has trouble standing on its own feet, with ho-hum plotting and characterisation, and in the end has to fall back into classic Blair Witch mode to reach its climax.

And despite the fussy direction, the in-scene motivations are poorly handled. You know you can run away, right, instead of shuffling? So that the audience might satisfy itself that every means of escape was tried, before this unstoppable evil had its way? Perhaps bolting and chaining the bedroom door might be in order - especially since the chain is hanging limp, in plain sight, in scene after scene? It won't do any good, but y'know ... And if a character is in terror of her life, the best thing to do is put the camera down while still trained on the action, so the audience doesn't have to wonder why she's still filming. If she needs the camera light to flee through the darkness, then that's OK. And of course: don't split up, and don't go toward the threat that just scared the bejebus out of you, etc. And it's not necessary to give a final homily on the nature of evil: we know what we just saw.

As for the figures of evil, I know many are creeped out just by the sight of clowns, but my first thought was, 'Oh, they hired some specialist mime artists for this bit - that's why they're so still. Do their noses get itchy?'

Yet the atmosphere is genuinely creepy, and I was mostly engaged throughout. Plus there is an original and excellent video conference weird-out at 45 mins that got my adrenaline buzzing. For that, and the mounting hysteria (a la BW, including a distant cry for help that sounds like the first victim) I rate it above average.