A Coroa Vazia

I saw the Michael Bogdanov directed versions of these plays at the Old Vic some time ago and loved them! But they didn't translate that experience onto the videos sold. This was a fine effort to film the unfilmable with Richard ii and Henry IV Part one coming out of the mix very well. The latter's opening pub scenes are incomprehensible to me and the Bogdanov version solved this by having Pistol burst in wearing a Buffalo Bill costume and firing off his pistols. By the time the audience had recovered from this, the rather difficult scene was over. Get past the opening hurdle and this play becomes one of Shakespeare's wittiest and wisest. This was an excellent production.I was less enamoured of Part two but mainly because it has weaker material in it (the army recruitment scene was tedious.) However this was forgotten when in the second half of the play, Jeremy Irons gave a towering performance as Bolingbroke. Tom Hiddleston was great as Hal/Henry V and you could chart his progress from tearaway youth to hero soldier with fascinated admiration. Surely he is wasted in Marvel films, good as he is in them. Having seen Jeremy's performance as Richard ii in Stratford ,it was brilliant to see him play the man who caused the downfall of that king (Richard II). And all from the comfort of my armchair! Great casting of Ben Wishaw and Rory Kinnear as modern incarnations of Richard/ Bolingbroke in this feud. The BBC have acquitted themselves well.I only wish there was a series 2 featuring the Henry 6th trilogy and Richard iii that completes this cycle of plays .Steve Qualtrough

Arguably one of the very best screen adaptations of Shakespeare ever produced. They have pulled off what many have tried and failed to do: make good cinema out of the plays. The necessary realism is there, without detracting in any way from the source material. And the acting is for the most part really superb. Hats off especially for Jeremy Irons, David Dawson, Tom Hiddleston and Ben Whishaw. The latter's Richard II far surpasses any portrayal I have seen, both onstage and onscreen.

If my father was alive I think he would be giddy to see this because he enjoyed Shakespeare and WW2 movies almost equally. Few household include Shakespeare plays as everyday topics, Marc Anthony's speech when drying dishes and we were fortunate. When Shakespeare questions are asked on 'University Challenge' I find myself screaming at the confused teenagers who were not so lucky.

Granted, 'Coriolanus' was a favorite, but almost all of Shakespeare plays have blood pumping through them and deserve the full treatment of location, mud, costume and conflict so we can absorb the poetry of the script.

This production is likely to open the door to Shakespeare for people who were not given a friendly introduction. As with Opera, some experiences open a door to appreciation and understanding. (mine was the £5 ticket to Covent Garden in 1996 because you only understand what the fuss is about when experiencing a quality, live performance)

To the original audiences, the death of a king was a shocking as the JFK assassination is to us. They enjoyed the glamor, the insight and the drama inherent in power struggles, ambition, just as we do today.

Season 1 - looks at how Henry IV took power, his difficulties with his son and how his son (Henry V) adjusted. Is there anything more timeless than one generation attempting to guide and train the younger? Youthful rejection of everything offered? Recognition too late that the parent was heroic and worthy of admiration?

For some reason, the character of Sir John, penetrated my understanding more when watching this, than ever before. This is likely as a result of my deeper understand as a result of the passage of time.

Season 2 - The third generation (Henry VI) raised without paternal guidance, struggles to keep the crown. The War of the Roses leading to bloody battle. Richard III, was to say the least, ambitious.

The Hollow Crown has an excellent cast.

What makes this selection of History plays so sublime? The glorious Ben Wishaw as Richard II. The equally glorious Tom Hiddlestone as Henry V. The - again - equally glorious Jeremy Irons as Henry IV. The fantastic supporting cast - especially Simon Russell Beale and Julie Walters and Rory Kinnear....

Also, the spellbinding music, the authentic locations, the detailed costumes, the sensitive cinematography, the wonderful direction and, of course, the eternally magnificent words.

I cannot find enough superlatives to praise these sublime productions. Shakespeare's language, his vision and his political and social world, brought to life by different directors with differing approaches, but with a singular aim - to entertain an audience with the most powerful weapons available - language. For me, they succeeded. To paraphrase the words of another denizen of Shakespeare's limitless imagination, Prospero, these productions: "...are such stuff as dreams are made on;"

Thank you, whoever had the common sense to commission and nurture these productions; the best thing I have seen on my television this year. And my 19 year old daughter and 16 year old son agree - I am no wrinkled greybeard, bemoaning the loss of the golden age, but I hope to see more of these productions; stunning gems of real culture and tradition, nestled amidst the dross of reality TV programming and the glorification of idiocy that is typified by the celebrity culture in which we live.

My copy of the DVD is on order, and I cannot wait to watch these magnificent productions again. And again and again and again....

What distinguishes these hollow crown productions from their predecessors is the crystal clarity of the text as delivered by the cast – well done everyone! It is so easy to fall into the trap of believing that the text is to be delivered as verse. Twaddle! Ideas like that permeate school English classrooms where failed actors teach gullible pupils that iambic pentameters rule. No, they do not! Furthermore, good presentation of Shakespeare is so often ruined by over enthusiasm on the part of the performers. Without wishing to name names, I saw one version of "Much Ado About Nothing" where the comedy in the text was entirely lost because the director and his cast insisted on inventing and adding their own comedy instead. It is a brave man who would want to out-do Shakespeare! The ability of these Hollow Crown productions to tell the story which leads ultimately to the "Wars of the Roses" was admirable. There was so much to say – even before the "Wars" had begun. I should probably watch them all over again….! And I think I will!