AVALIAÇÃO DA IMDb
5,7/10
2,3 mil
SUA AVALIAÇÃO
Um ex-presidiário muçulmano faz amizade com seu agente de condicional.Um ex-presidiário muçulmano faz amizade com seu agente de condicional.Um ex-presidiário muçulmano faz amizade com seu agente de condicional.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Maher M. Hathout
- Imam
- (as Maher Hathout)
Augusta Allen-Jones
- Bartender
- (as Augusta Allen Jones)
Mona Malec
- Border Patrol
- (as Mona Lisa Malec)
Avaliações em destaque
My summary line making the point that this is a remake many years removed from its (french) original. I haven't watched the original, so I cannot tell you how the two movies compare. I can only judge this by its own merits (and faults). What I can say, is that Whitaker is giving an excellent performance. It's also nice to see Harvey Keitel in a bigger role, even if it sometimes turns a bit comic evil, he has the gravitas to pull it in.
The age old question within this movie is: can we escape our pasts? Can we change and become someone/something different? Can we ever truly repent and is there such a thing as forgiveness? Those are heavy topics and the movie does not stay away from other topics as well (like religion, though it's not really made a big strong point, other than being there). You can tell early on, if this is the kind of "entertainment" you like to watch or not ... the rhythm/pace stays the same throughout (occasional outbursts excluded)
The age old question within this movie is: can we escape our pasts? Can we change and become someone/something different? Can we ever truly repent and is there such a thing as forgiveness? Those are heavy topics and the movie does not stay away from other topics as well (like religion, though it's not really made a big strong point, other than being there). You can tell early on, if this is the kind of "entertainment" you like to watch or not ... the rhythm/pace stays the same throughout (occasional outbursts excluded)
I saw this film at the Berlinale film festival 2014, where it was part of the official competition. It allows us sufficient time to get acquainted with the five main characters: (1) Garnett who is just released from prison after an 18 years sentence, (2) the sheriff whose deputy was killed by Garnett some 18 years ago, (3) an underworld-er who wants to enlist Garnett for a shady job, (4) Garnett's new girl friend who he met after his release while opening a bank account, and (5) last-but-not-least his assigned parole officer who takes her job very seriously, and even ruffles the sheriff's furs when the need arises. We also meet several side characters who are portrayed very well, in spite of their much shorter appearance. Yet, the full two hours running time stretches our patience unnecessarily.
The plot itself is not new in essence (ex-convict tries to keep on track), but this variant offers many novel directions given the ingredients included. The finale is not fully predictable, which is a good thing. Yet, I was not very satisfied with the chosen outcome (no details to avoid spoilers), preferably something more optimistic could be thought of. Further, I'm not sure about the need for some side tracking sub-plots, e.g. Garnett's conversion to Islam, the issues around the Mexican border, and amply showing off the landscape. Not all these are necessary for the core story, maybe even deemed redundant and better left out to get a more concise story.
The plot itself is not new in essence (ex-convict tries to keep on track), but this variant offers many novel directions given the ingredients included. The finale is not fully predictable, which is a good thing. Yet, I was not very satisfied with the chosen outcome (no details to avoid spoilers), preferably something more optimistic could be thought of. Further, I'm not sure about the need for some side tracking sub-plots, e.g. Garnett's conversion to Islam, the issues around the Mexican border, and amply showing off the landscape. Not all these are necessary for the core story, maybe even deemed redundant and better left out to get a more concise story.
"Two Men in Town" (2014)" is a brilliant blend of acting, directing, cinematography and setting. Why isn't this film better known? It's a real sleeper that ranks up there with series noir classics of the US Southwest -- from "Bad Day At Black Rock" (1955) through "No Country For Old Men" (2007). Yet one can see why this gets a low IMDb rating, probably low US Box Office too. This is not a happy film. This is not sunny, funny New Mexico. Another "Milagro Beanfield War" with a magically satisfying ending. "Two Men in Town" is richer; traditional and innovative at the same time. Acting A+; equally the DP work. This is both Cop Show and Western. Bigger than a single genre. Here be the desert -- of the soul. Here be echoes of Camus' "The Stranger". Here be an austere foreboding world from which man or woman cannot escape. God has left. Check it out. Good luck.
The Good: Brenda Blethyn acting was natural, and you feel it is your mom, and you are connected to her.
Harvey Keitel missed him lately, and filled his role.
Forest Whitaker is excellent as usual in his acting, but not convincing in practicing Islamic prayer, from a Muslim perspective...it might be OK for westerner just to mumble and put water on his hand, but that is not how we prepare for prayer or pray.
The Bad: Prayer scenes to start with. Usually a Muslim convert is a devoted Mulsim as he converted into this faith cause he found himself in it and the religion was not reflected on his character, other than pretending to be calm or looking for peace...not convincing that much...Religion was there for just being there with no added value.
The Ugly: I have it when there is no effort is spent to have the Muslim practice correct in the film, and worse when the producer and director of the movie is supposed to know more about Muslim practice. The preparation for the prayer was wrong, and the recitation of the prayer was stupid!
Harvey Keitel missed him lately, and filled his role.
Forest Whitaker is excellent as usual in his acting, but not convincing in practicing Islamic prayer, from a Muslim perspective...it might be OK for westerner just to mumble and put water on his hand, but that is not how we prepare for prayer or pray.
The Bad: Prayer scenes to start with. Usually a Muslim convert is a devoted Mulsim as he converted into this faith cause he found himself in it and the religion was not reflected on his character, other than pretending to be calm or looking for peace...not convincing that much...Religion was there for just being there with no added value.
The Ugly: I have it when there is no effort is spent to have the Muslim practice correct in the film, and worse when the producer and director of the movie is supposed to know more about Muslim practice. The preparation for the prayer was wrong, and the recitation of the prayer was stupid!
First time to see it tonight . Of course Forest Whitaker performance is excellent , movie as a whole is average . Have one or two remarks . Why a black man ? it could have been a white man and the same events would have happened with him too !!! or was that to reflect a raciest problem ? that wasn't clear too .
Why make him a " Muslim " who converted to Islam during his 18 years prison time ? what really reflected that ? from my view as a Muslim ...nothing but view shots but not a behavior , he drinks , living with a woman without marriage ...which would have been more normal behavior for a regular Muslim not a converted , practicing ones ,who prays at Mosque , ones whom usually have stronger faith .
Why make him a " Muslim " who converted to Islam during his 18 years prison time ? what really reflected that ? from my view as a Muslim ...nothing but view shots but not a behavior , he drinks , living with a woman without marriage ...which would have been more normal behavior for a regular Muslim not a converted , practicing ones ,who prays at Mosque , ones whom usually have stronger faith .
Você sabia?
- CuriosidadesThe film cast includes two Oscar winners: Forest Whitaker and Ellen Burstyn; and two Oscar nominees: Harvey Keitel and Brenda Blethyn.
- Citações
Bill Agati: You can't break the law to enforce the law.
- ConexõesReferences O Mágico de Oz (1939)
- Trilhas sonorasL'Absinthe
Music by Barbara
Lyrics by Barbara and Frédéric Botton
Performed by Barbara
© 1970 - Editions Raoul Breton
(p) 1972 - Mercury (France)
Courtesy of Universal Music Vision
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- How long is Two Men in Town?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Enemy Way
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 213.204
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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