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IMDbPro

Love Never Dies

  • 2012
  • Not Rated
  • 2 h 1 min
AVALIAÇÃO DA IMDb
6,6/10
3,3 mil
SUA AVALIAÇÃO
Ben Lewis, Dean Vince, Emma J. Hawkins, Anna O'Byrne, and Paul Tabone in Love Never Dies (2012)
Trailer for Love Never Dies
Reproduzir trailer0:59
9 vídeos
99+ fotos
DramaMusicMusicalRomance

Adicionar um enredo no seu idioma10 years has passed since a fire broke out in Paris, leaving only a mask behind - As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano singer... Ler tudo10 years has passed since a fire broke out in Paris, leaving only a mask behind - As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano singer, Christine Daae. Christine, her 10-year-old son Gustave, and her husband Raoul, the Vicom... Ler tudo10 years has passed since a fire broke out in Paris, leaving only a mask behind - As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano singer, Christine Daae. Christine, her 10-year-old son Gustave, and her husband Raoul, the Vicomte de Changy, travel to Coney Island where Christine is scheduled to sing for Hammerstein,... Ler tudo

  • Direção
    • Brett Sullivan
    • Simon Phillips
  • Roteiristas
    • Andrew Lloyd Webber
    • Ben Elton
    • Glenn Slater
  • Artistas
    • Ben Lewis
    • Anna O'Byrne
    • María Mercedes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    3,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Brett Sullivan
      • Simon Phillips
    • Roteiristas
      • Andrew Lloyd Webber
      • Ben Elton
      • Glenn Slater
    • Artistas
      • Ben Lewis
      • Anna O'Byrne
      • María Mercedes
    • 54Avaliações de usuários
    • 29Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos9

    Love Never Dies
    Trailer 0:59
    Love Never Dies
    Andrew Lloyd Webber's Love Never Dies: Before The Performance
    Clip 1:22
    Andrew Lloyd Webber's Love Never Dies: Before The Performance
    Andrew Lloyd Webber's Love Never Dies: Before The Performance
    Clip 1:22
    Andrew Lloyd Webber's Love Never Dies: Before The Performance
    Andrew Lloyd Webber's Love Never Dies: Coney Island Waltz
    Clip 0:45
    Andrew Lloyd Webber's Love Never Dies: Coney Island Waltz
    Andrew Lloyd Webber's Love Never Dies: Til I Hear You Sing
    Clip 1:02
    Andrew Lloyd Webber's Love Never Dies: Til I Hear You Sing
    Andrew Lloyd Webber's Love Never Dies: Beneath A Moonless Sky 3
    Clip 0:49
    Andrew Lloyd Webber's Love Never Dies: Beneath A Moonless Sky 3
    Andrew Lloyd Webber's Love Never Dies: Only For You
    Clip 1:20
    Andrew Lloyd Webber's Love Never Dies: Only For You

    Fotos157

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    Elenco principal9

    Editar
    Ben Lewis
    • The Phantom
    Anna O'Byrne
    Anna O'Byrne
    • Christine Daaé
    María Mercedes
    María Mercedes
    • Madame Giry
    Simon Gleeson
    Simon Gleeson
    • Raoul
    Sharon Millerchip
    • Meg Giry
    Emma J. Hawkins
    Emma J. Hawkins
    • Fleck
    Paul Tabone
    • Squelch
    Dean Vince
    • Gangle
    Jack Lyall
    • Gustave
    • Direção
      • Brett Sullivan
      • Simon Phillips
    • Roteiristas
      • Andrew Lloyd Webber
      • Ben Elton
      • Glenn Slater
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários54

    6,63.2K
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    Avaliações em destaque

    8davidgee

    Thin plot, some outstanding music

    Ten years after from the fire in Paris which was thought to have destroyed him, the Phantom is running a Freak Circus on Coney Island. His Paris protegee Christine is lured to New York with the promise of a fee that will settle the gambling debts of her handsome but drippy husband Raoul; they bring their 10-year-old son with them. Raoul doesn't want her to sing for the Phantom.

    That's about it as regards story: fairly thin. But if there's less plot in this sequel there are just as many - and better - songs. These alternate between arias for the principals (echoes of Franz Lehar and Ivor Novello, more operetta than opera) and production numbers in the circus which have the look of CHICAGO and the sound, here and there, of themes from STARLIGHT EXPRESS. The routine which presumably ends Act One in theatres, with the circus freaks inside mirrored obelisks, is simply dazzling; and the title song in Act Two and a duet/trio called 'Devil Take the Hindmost' are also outstanding.

    The Coney Island set - with hotel settings lowered and revolved in as needed - is much less intricate than the opera house in PHANTOM but it's a visual feast; hard to believe this was built for a show on tour. Costumes also excellent.

    Ben Lewis and Anna O'Byrne in the leading roles have very much the sound of Michael Crawford and Sarah Brightman from the original, although Lewis has the lofty saturnine look of Christopher Lee's Dracula and Ms O'Byrne often reminded me of Vivien Leigh's Scarlett O'Hara!

    The London stage production of LOVE NEVER DIES has not echoed PHANTOM's 25-years and still running: it didn't last even 25 months. The Australian production now on DVD deserves its rave reviews. Both visually and musically it is just as thrilling as the original PHANTOM OF THE OPERA.
    8djtaco59

    Love Never Dies stands alone

    Andrew Lloyd Webber's Love Never Dies will not disappoint the Phantom faithful. The film version is an unfortunate necessity, as the live musical will not be played in the USA with its original cast. My only complaint with the filming of the musical is that instead of a broader, panned out view, the shots are very zoomed, leaving out other happenings on stage and exposing actors' microphones and hair pieces. Ben Lewis does the great Michael Crawford homage with his strong, clear voice. ALW triumphs with beautiful recurring themes and an exciting rock sound for songs like 'Beneath a Moonless Sky' and 'The Beauty Underneath', delighting Phans with the occasional riff from the original. Finally, the last half hour is consistently unpredictable, edge-of-your-seat exciting. Love Never Dies is sufficiently unique, yet powerful and unique to hold a flame to its precursor and stand alone as another spell- binding ALW show.
    4svleonard

    A beautiful spectacle and nothing more

    Beyond the spectacular singing, beautiful costumes, and amazing set design, Love Never Dies was a great disappointment. The story is simply not good: plot holes, out-of-character actions, and an absurd ending. I found it difficult to sympathize or identify with the characters. The plot also lacks narrative cohesion, almost as if the entire story is a weak collection of character vignettes. The conflicts of the plot are too dispersed to create a strong narrative. The lyrics also leave something to be desired. The whole thing came off as a musical version of a mediocre fan fiction. This was a very poor follow-up to the incomparable Phantom of the Opera.
    8edenney01

    Starts a little rough, but definitely doesn't disappoint

    First let me say that the primary review on the IMDb page is pretty much spot on. I agree with everything the author said, particularly about the constant close-ups that deny you the audience's perspective and reveal flaws that the audience would otherwise never notice. I was particularly irritated by the way the cast's Mics were worn, giving the appearance that each person had a large birth defect at the peak of their forehead. I'm sure the audience couldn't even see the Mics from their seats when worn in this fashion so I understand why they did this for the live stage performances, but the camera close-ups made it particularly unpleasant (for me at least).

    More importantly though, the close ups and the overhead angles provided a view that was just never meant to be seen, and I can tell it took away from the overall performance even though I've never seen it live. I'm pretty sure the rotating stage and sets would've been much more impressive from the audience perspective, rather than the top down view where you clearly saw the separation in the floor and don't get to see the sets shifting the way you should. I would've preferred the majority of the shots to be wider with an occasional close-up, so you can take in the sets and scenery not to mention the other cast members.

    I consider myself a pretty big Phantom Phan, having seen POTO on tour in multiple cities over the last 15 years, and having watched the movie and listened to the soundtrack countless times. I'd already heard a little bit of the LND soundtrack, so I was a little excited but very skeptical when I sat down to watch the Blu-Ray, like most Phantom Phans would be I'm sure. IMHO the opening song and 1st Act is MUCH weaker than POTO (one of my biggest criticisms of LND), but it gets better and better with each passing minute and delivers with a 3rd Act that very much lives up to its predecessor. In the end I really enjoyed LND and I'd definitely watch it again.

    Since I hadn't listened to much of the soundtrack before I watched the movie, the best part for me was not knowing how the sequel was going to play out, particularly the third act and the ending. If I'd known the whole story before I watched/listened to the Blu-Ray, I would've been hugely disappointed (so I recommend not listening to it beforehand if you haven't already). Most of the songs themselves are just OK IMHO, but aren't nearly up to par with POTO (how could they be?). There are a few diamonds in the rough however, and there are some distinct nods to some of the original POTO scores sprinkled throughout. Unlike POTO I'm fairly sure I won't find myself listening to the soundtrack very often if at all, but I'll definitely watch the live performance on Blu-Ray again.

    I think people that are fans of musicals in general will like LND, but as far as Phantom Phans go I think it's safe to say the results will be mixed, just as they were with the POTO motion picture (something that I happened to like). There are a LOT of Phans that just don't want the original story and music touched, period, while there are others who have always wanted more, and in particular for the Phantom to "get the girl". The way I see it, the purists that liked the original don't have to watch the movie or LND, and there's a phenomenal Blu-Ray available from the 25th anniversary performance at Royal Albert Hall that they can watch over and over again. For those that have longed for the story to continue (or end differently perhaps), LND offers them this. I certainly wouldn't spoil LND by giving any hints about how it plays out, but I will say that it's not at all predictable and the ending definitely delivers.
    5TheLittleSongbird

    A lavish disappointment

    Much of the problem that I had watching this was to do with Love Never Dies itself. I am one of those who has appreciated Andrew Lloyd Webber overtime, especially as Phantom of the Opera is so good, but Love Never Dies is my least favourite musical of his by quite some way. Two or three of the songs are nice, Til I Hear You Sing Once More, The Beauty Underneath and Look With Your Heart, but the rest are completely forgettable. The story is also a mess, it is nowhere near as cohesive as Phantom of the Opera, is very bad soap-opera-ish and didn't engage me emotionally. The characters seem off, especially Raoul, and one plot strand(the one revealing when Gustave was conceived) actually distorts them, while the ending is ridiculously anti-climatic. This production is a slight improvement by excising that one plot strand, but other than that it does nothing to change my perception of the musical. The production is certainly not bad, the costume and set designs are just exquisite with beautiful lighting. The orchestral playing, chorus and conducting are also first-rate. And I thought the two leads were fine. Ben Lewis has a magnificent voice, and does his best making Phantom charismatic, edgy and tortured, it's not his fault that Phantom in Love Never Dies is too much of an obsessive businessman with a dark past, a much watered-down version of his former self really. Anna O'Byrne struggles with the title number- hardly surprising seeing as the song itself isn't that good anyway- but her voice is very angelic and rich with an unbelievable range, she also does elegant and diva-ish very well. The rest of the cast aren't as effective, good voices but dull. Well Simon Gleeson does have flashes where he allows Raoul to be dashing, but there is strong emphasis on flashes. It doesn't help that the drama is so overly-melodramatic, dull and emotionally cold, or that the relationship between Phantom and Christine is as tawdry as it is. And if you're struggling to believe that they actually hooked up, I don't blame you. The choreography was well danced but lacked drive and sparkle for my tastes. The camera work was a big, perhaps even the biggest, issue. There are too many close-ups and medium shots that are moved so fast, this approach is the very opposite of intimate(which I believe was intended), further ruined the dramatic flow and actually cried for a more expansive use of the stage and live-performance spontaneity. Overall, lavish but also disappointing. 5/10 Bethany Cox

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The final reprise of Love Never Dies sung by the Phantom was improvised by Ramin Karimloo in the final performance of the London production of Love Never Dies. Andrew Lloyd Webber loved it so much he incorporated it into the Australian production.
    • Erros de gravação
      During 'Gustave! Gustave!' Gustave says, 'Please Miss Giry I want to go back!' but his mouth doesn't move. The shot is from the scene afterwards when Meg takes him to the pier to drown him before the confrontation, while the other scene is in Coney while Christine & the Phantom are looking for him.
    • Citações

      Meg Giry: I took a little trip to Coney Island. I took a little trip because of you. I did as mother said, and followed where you lead, and tried to do what little I could do. But, here's the way it works on Coney Island, they make you pay for every little crumb. I gave what they would take, I gave it for your sake. Now look at me and see what I've become. Bathing Beauty, on a beach. Bathing Beauty in her dressing room. Bathing Beauty in the dark, on their laps, in their arms, in their beds.

    • Conexões
      Featured in Musical Hell: Love Never Dies (2013)
    • Trilhas sonoras
      Till I Hear You Sing
      Music by Andrew Lloyd Webber

      Lyrics by Glenn Slater and Charles Hart

      Performed by Ben Lewis

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    Perguntas frequentes13

    • How long is Love Never Dies?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de abril de 2012 (Canadá)
    • País de origem
      • Reino Unido
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Andrew Lloyd Webber's Love Never Dies
    • Locações de filme
      • Melbourne, Victoria, Austrália
    • Empresas de produção
      • Steam Motion and Sound
      • The Really Useful Theatre Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Faturamento bruto mundial
      • US$ 86.124
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      2 horas 1 minuto
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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