AVALIAÇÃO DA IMDb
6,4/10
31 mil
SUA AVALIAÇÃO
Em 1988, a vida de uma adolescente é jogada no caos quando sua mãe desaparece.Em 1988, a vida de uma adolescente é jogada no caos quando sua mãe desaparece.Em 1988, a vida de uma adolescente é jogada no caos quando sua mãe desaparece.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Asenshion Amun
- Extreme Goth Club Dancer
- (não creditado)
Molly Berg
- Secretary
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
White Bird in a Blizzard is set in the 1988, and tells the story of Kat Conner, played by Shailene Woodley, a 17 year old girl who seems to live a normal life until her perfect, homemaker mother, Eve, played by Eva Green, disappears one day. Having lived in a dysfunctional relationship with her mother, she feels little pain or sadness towards her mother's absence. She doesn't even blame her father, Brock, played by Chris Meloni, as he is too much of a wimp to have anything to do with her disappearance. As a few years go by, and Kat goes to College, she begins to realize just how much her mother's disappearance really impacted her, as she finds herself investigating and discovering the truth about what really happened.
White Bird in a Blizzard is based on a novel by Laura Kasischke and adapted by director Gregg Araki. Simply put, it is a somewhat bizarre, silly, sex romp, featuring a great lead performance by Shailene Woodley. This film fits director Gregg Araki's usual teenage sex and violence overtones, and features some pretentious and overbearing dialogue that almost comes off as an unintentional comedy. There are also some interesting things in this film, directing-wise: an unusual opening with a shot of Eve, the mother, on her back and a recurring dream sequence throughout involves Kat seeing her mother naked in the snow (hence the title). This is actually supposed to be a symbol for the film and a clue to the audience about the truth of the mystery. Additionally, the film's use of flashbacks is both bizarre and fascinating at the same time, making the relationship between mother and daughter all the more dysfunctional and creepy.
In the lead role, Shailene Woodley demonstrates her talents portraying a teenager who really doesn't know who to trust. The flashback where her mother comes into the room and tries to psychically assault her features some very fine acting by Woodley. In comparison, Eva Green appears more "over the top' and gives a notably "hammy" performance, portraying a clearly disturbed woman. In one of the scenes, for example, when she tries to act younger than her age and then breakdowns, it is mildly disturbing and gloriously cheesy all at the same time. The other actors in the film are good, especially Chris Meloni as the father who has a secret to hide, and Angela Bassett as a psychiatrist.
Overall I thought this was interesting film, but I don't know what to really make of it.
White Bird in a Blizzard is based on a novel by Laura Kasischke and adapted by director Gregg Araki. Simply put, it is a somewhat bizarre, silly, sex romp, featuring a great lead performance by Shailene Woodley. This film fits director Gregg Araki's usual teenage sex and violence overtones, and features some pretentious and overbearing dialogue that almost comes off as an unintentional comedy. There are also some interesting things in this film, directing-wise: an unusual opening with a shot of Eve, the mother, on her back and a recurring dream sequence throughout involves Kat seeing her mother naked in the snow (hence the title). This is actually supposed to be a symbol for the film and a clue to the audience about the truth of the mystery. Additionally, the film's use of flashbacks is both bizarre and fascinating at the same time, making the relationship between mother and daughter all the more dysfunctional and creepy.
In the lead role, Shailene Woodley demonstrates her talents portraying a teenager who really doesn't know who to trust. The flashback where her mother comes into the room and tries to psychically assault her features some very fine acting by Woodley. In comparison, Eva Green appears more "over the top' and gives a notably "hammy" performance, portraying a clearly disturbed woman. In one of the scenes, for example, when she tries to act younger than her age and then breakdowns, it is mildly disturbing and gloriously cheesy all at the same time. The other actors in the film are good, especially Chris Meloni as the father who has a secret to hide, and Angela Bassett as a psychiatrist.
Overall I thought this was interesting film, but I don't know what to really make of it.
This movie starts off slowly. It is in the perspective of a gorgeous teenager who is solely concerned with her boyfriend. When her mom goes missing, she assumes that her mom kept her promise to leave her dad. As she recaps the relationship between her parents, the viewer is compelled to feel sorry for the wimpy father and agree with the teen's apathy towards her aggressive mother. In utter dismissal of her mom's abandonment, the teenager tries to focus on her boyfriend's reduced sexual interest. However, her intuition about her mother's disappearance keeps alerting her through inexplicable dreams. Then, when the teenager becomes an adult, things get GOOD! At the end, I realized that I really underestimated this movie. I had no idea this movie was going to be this good. I am glad I watched it and I want to see it again in order to catch some clues that I may have missed. The plot twist at the end REALLY caught me off-guard and I am still wondering if there was some hint throughout the movie that I missed. If anyone catches the hints, be sure to post them as spoilers.
After I watch a movie I sometimes come in here to see what others have to say. I'm not sure why I started doing that but I did. If the movie wasn't the best but I still feel like it was better than the very low rating it kinda makes me want to try to give it a better score. Unless I feel like it really deserves it. I guess the low rating might be why I don't even remember hearing about it when it came out. Maybe nobody was talking about it, I guess. After I read some of the reviews I still feel like it wasn't as bad as most think it was. I don't think it was bad at all to be honest. Obviously it's not getting any big nominations at the Oscar's but that's ok too. It held my attention all the way to the end and I was actually a little surprised by certain events. I'm not one sitting here trying to figure out a movie the whole time I'm watching either. I try to just let it play out however it plays out on it's own instead of beating it to the punch. So this is only my opinion as a normal 42 year old non professional IMDb user.
Rebellious teenager Kat Connors is only 17 when in 1988 her mother disappears in a blink, leaving her alone with her dull pushover of a father. Initially indifferent to the situation Kat soon has to reflect, and come to terms with her mother's absence while she comes of age and succumbs to her own primal sexual urges. Unorthodox, uneven mix of coming-of-age teen drama and police procedural doesn't mesh cohesively, especially with some fanciful dream sequences thrown in, plus there's a disconnect between the acting styles of Woodley, who brings a real authenticity to her role, and Green, who's unnerving and a bit too over-the-top. There's enough of the family dysfunction, youthful debauchery, and verbal diarrhea to keep a viewer invested, but the ending, which is meant to be shocking, instead just lacks conviction or impact. **
"And just like that, my virginity disappeared. Just like my mother."
I did not make that quote up; Shailene Woodley's character (Kat Connors) actually says this while she narrates her life to a psychologist played by Angela Bassett. I wasn't familiar with director Gregg Araki's previous work, but I found this mysterious thriller problematic and at odds with itself. On the one hand it focuses on Kat's sexual awakening, but on the other we are introduced with some cartoonish characters like Eva Green's Eve Connors who seems to be playing a similar role as she did in 300 and Sin City. She gives a very campy performance, while Woodley is playing an authentic character. I just found the tone of the film very strange and didn't buy into the mix of styles. Araki is playing with genre conventions here mixing the coming of age tale with other familiar thrillers, but it didn't work for me because the dialogue at times is unbelievable and Araki seems to be leaving us false hints of what actually happened only to pull the rug under us with a twist at the end of the film. White Bird in a Blizzard is based on Laura Kasischke's novel of the same name and was adapted by Araki himself. I've never read the novel so I don't know if it has a similar tone, but the film felt surreal at times. There are some great looking scenes during Kat's dream sequences, but there isn't much more going on story wise.
It's funny because the plot of this film is what I thought The Disappearance of Eleanor Rigby would be like. A woman goes missing and the film would revolve around the mystery behind her disappearance. Kat (Shailene Woodley) narrates the events of her mother's disappearance (Eva Green) claiming she had never been in love with her father, Brock (Christopher Meloni). Kat believes she simply got fed up with Brock and walked out on him. Her relationship with her mother hasn't been great either so she doesn't seem to mind her absence. She is comfortable with her current situation and doesn't think she even needs to talk to a psychologist about it. When she was young her mother treated her like a pet, but once she got older she began to resent her for her youth and beauty. Kat meanwhile is in a relationship with her next door neighbor, Phil (Shiloh Fernandez), who is her first love. Lately he hasn't seemed too interested in spending time with her, and when her mother goes missing, she and her father file a report with Detective Scieziesciez (Thomas Jane) who she finds attractive despite the age difference. Kat is very open with her two best friends, Beth (Gabourey Sidibe) and Mickey (Mark Indelicate) about her sexual life. There isn't very much going on with the plot since Kat doesn't think much about her mother's mysterious disappearance and we know how she feels because she is narrating the story to her psychiatrist. Things change when a few years pass and Kat returns home from college. She discovers that her mother's disappearance has affected her more than she realized and we begin to discover new elements about the mystery. This final act of the film plays out more as a traditional mystery movie and I was actually surprised with the final reveal. It is a shift of tone from what we had seen during the first half of the movie which played out as a coming of age sexual awakening tale. I can't recommend White Bird in a Blizzard, but it does have its moments. Shailene Woodley delivers a very strong performance (but I still think she was better in The Descendants and The Spectacular Now) and she is a talented young actress. I wasn't a fan of Eva Green's campy performance, but I have read some praise. Other than Woodley's performance I don't think there is much more worth recommending here.
I did not make that quote up; Shailene Woodley's character (Kat Connors) actually says this while she narrates her life to a psychologist played by Angela Bassett. I wasn't familiar with director Gregg Araki's previous work, but I found this mysterious thriller problematic and at odds with itself. On the one hand it focuses on Kat's sexual awakening, but on the other we are introduced with some cartoonish characters like Eva Green's Eve Connors who seems to be playing a similar role as she did in 300 and Sin City. She gives a very campy performance, while Woodley is playing an authentic character. I just found the tone of the film very strange and didn't buy into the mix of styles. Araki is playing with genre conventions here mixing the coming of age tale with other familiar thrillers, but it didn't work for me because the dialogue at times is unbelievable and Araki seems to be leaving us false hints of what actually happened only to pull the rug under us with a twist at the end of the film. White Bird in a Blizzard is based on Laura Kasischke's novel of the same name and was adapted by Araki himself. I've never read the novel so I don't know if it has a similar tone, but the film felt surreal at times. There are some great looking scenes during Kat's dream sequences, but there isn't much more going on story wise.
It's funny because the plot of this film is what I thought The Disappearance of Eleanor Rigby would be like. A woman goes missing and the film would revolve around the mystery behind her disappearance. Kat (Shailene Woodley) narrates the events of her mother's disappearance (Eva Green) claiming she had never been in love with her father, Brock (Christopher Meloni). Kat believes she simply got fed up with Brock and walked out on him. Her relationship with her mother hasn't been great either so she doesn't seem to mind her absence. She is comfortable with her current situation and doesn't think she even needs to talk to a psychologist about it. When she was young her mother treated her like a pet, but once she got older she began to resent her for her youth and beauty. Kat meanwhile is in a relationship with her next door neighbor, Phil (Shiloh Fernandez), who is her first love. Lately he hasn't seemed too interested in spending time with her, and when her mother goes missing, she and her father file a report with Detective Scieziesciez (Thomas Jane) who she finds attractive despite the age difference. Kat is very open with her two best friends, Beth (Gabourey Sidibe) and Mickey (Mark Indelicate) about her sexual life. There isn't very much going on with the plot since Kat doesn't think much about her mother's mysterious disappearance and we know how she feels because she is narrating the story to her psychiatrist. Things change when a few years pass and Kat returns home from college. She discovers that her mother's disappearance has affected her more than she realized and we begin to discover new elements about the mystery. This final act of the film plays out more as a traditional mystery movie and I was actually surprised with the final reveal. It is a shift of tone from what we had seen during the first half of the movie which played out as a coming of age sexual awakening tale. I can't recommend White Bird in a Blizzard, but it does have its moments. Shailene Woodley delivers a very strong performance (but I still think she was better in The Descendants and The Spectacular Now) and she is a talented young actress. I wasn't a fan of Eva Green's campy performance, but I have read some praise. Other than Woodley's performance I don't think there is much more worth recommending here.
Você sabia?
- CuriosidadesGregg Araki based the look of Kat Connor on Winona Ryder's style from the late 1980s.
- Erros de gravaçãoWhen Kat visits Theo's apartment the first time, Kat's beer bottle jumps between being on the table and being in her hands.
- Citações
Detective Scieziesciez: Once there was this... obese man. Some sick fuck had doused him with gasoline and then lit him on fire. And by the time we got to the body, two days later, he was still burning.
Kat Connor: What?
Detective Scieziesciez: Guy had so much body fat he's like a human candle.
- Trilhas sonorasSea, Swallow Me
Written by Harold Budd, Elizabeth Fraser, Robin Guthrie (as Robin A. Guthrie) and Simon Raymonde (as Simon Philip Raymonde)
Performed by Cocteau Twins and Harold Budd
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- How long is White Bird in a Blizzard?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Una señal en la tormenta
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 33.821
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.302
- 26 de out. de 2014
- Faturamento bruto mundial
- US$ 469.701
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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