AVALIAÇÃO DA IMDb
6,4/10
87 mil
SUA AVALIAÇÃO
Após um trágico acidente de avião, dois estranhos devem forjar uma conexão para sobreviver aos elementos extremos de uma montanha coberta de neve. Quando percebem que não há ajuda, embarcam ... Ler tudoApós um trágico acidente de avião, dois estranhos devem forjar uma conexão para sobreviver aos elementos extremos de uma montanha coberta de neve. Quando percebem que não há ajuda, embarcam em uma perigosa viagem pela região selvagem.Após um trágico acidente de avião, dois estranhos devem forjar uma conexão para sobreviver aos elementos extremos de uma montanha coberta de neve. Quando percebem que não há ajuda, embarcam em uma perigosa viagem pela região selvagem.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Natasha Burnett
- London Nurse
- (não creditado)
Morgan Cohen
- Patsy Cline Impersonator
- (não creditado)
Tommy Cooley
- François - London Hospital Visitor
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There are films that I only watch because of the actors. Kate Winslet is always a reason for me, and Idris Elba can't do any harm either. Both of them have the ability to act very relaxed, there is never anything tense or over the top - good British acting, in other words. The story is that of a struggle for survival, but never deviates from keeping the focus on both actors. It is told in a relaxed way, has some exciting moments, but actually you ask yourself all the time whether the two get each other or not. In the end it is a romantic story with a light humour, which is mainly thanks to Winslet's laconic style. Entertaining, and very welcome in the dark times of November 2020
Some films have left me speechless. Not simply because their execution was unlike anything I've seen in the past, or opened my eyes to a story so insane thinking someone came up with this idea, but speechless cause there's so little to say about it as the film doesn't ask any new or interesting questions. The Mountain Between Us is that kind of film despite having 2 very talented actors I respect in this romantic drama.
The story begins with Idris Elba as a doctor rushing to Baltimore for surgery and Kate Winslet off to get married to her fiancé and they agree to work together to get to their destinations. However, their plane crashes into the middle of the mountains and leaves them stranded with only a golden retriever and their wits to find shelter and keep one another from falling apart.
Kate and Idris both give committed performances even through the harsh weather conditions displayed. The cinematographer sets up some pretty beautiful shots of the mountains and the scale and distance the actors are from any form of civilization so that was something I appreciated in a post "every month a CGI fest blockbuster" world. Sadly the compliments end here.
What kills the film is it's SO UTTERLY PREDICTABLE. If you have seen any romantic film ever, you know what will happen. The dialogue is void of any psychological questions of dealing with a stranger alone for weeks despite the film feels like it's only 6 days tops. Not as viewer did I feel they went through harsh conditions as Kate's hair the entire time looked freshly curled.
The Mountain Between Us on the trailer felt what could have been a solid survival film, but instead got a corny and sometimes boring romantic drama. Outside of one genuine jump scare that truly surprised me, the film just feels lost in trying to be a romantic movie and survival movie at the same time with very little chemistry to weave them together.
The story begins with Idris Elba as a doctor rushing to Baltimore for surgery and Kate Winslet off to get married to her fiancé and they agree to work together to get to their destinations. However, their plane crashes into the middle of the mountains and leaves them stranded with only a golden retriever and their wits to find shelter and keep one another from falling apart.
Kate and Idris both give committed performances even through the harsh weather conditions displayed. The cinematographer sets up some pretty beautiful shots of the mountains and the scale and distance the actors are from any form of civilization so that was something I appreciated in a post "every month a CGI fest blockbuster" world. Sadly the compliments end here.
What kills the film is it's SO UTTERLY PREDICTABLE. If you have seen any romantic film ever, you know what will happen. The dialogue is void of any psychological questions of dealing with a stranger alone for weeks despite the film feels like it's only 6 days tops. Not as viewer did I feel they went through harsh conditions as Kate's hair the entire time looked freshly curled.
The Mountain Between Us on the trailer felt what could have been a solid survival film, but instead got a corny and sometimes boring romantic drama. Outside of one genuine jump scare that truly surprised me, the film just feels lost in trying to be a romantic movie and survival movie at the same time with very little chemistry to weave them together.
I quite enjoyed this, it was pretty slow paced but absorbing none the less, the main leads of Kate Winslet and Idris Elba were well matched , I had the feeling that the two of them would reunite at the end of the film and it proved to be the case.
Two factors save The Mountain Between Us from romantic oblivion: Breathtaking cinematography (Mandy Walker) and two fine actors, Idris Elba as Ben and Kate Winslet as Alex. They are lost in the cold snow somewhere in the mountains of Idaho or Colorado after a small plane accident, but fortunately he's a neurosurgeon and she's a plucky photographer. Lucky about his medical skills.
If Nicholas Sparks could do lost in the snow, then he could have written this rather trite and predictable romance. Why wouldn't they fall in love with no one else around and such attractive people to boot? That they both are vulnerable becomes obvious; that they will fall in love is a given of the genre and maybe of survival itself when there's no one else around.
Lest I forget, a lovable dog also is a tie to bind. To be fair, director Hany Abu-Assad and his writers J.Mills Goodloe and Chris Weitz keep the real romance from happening through at least half the film. During that blessed time we can enjoy the spectacle and the survival techniques. Always with the thought of what we would do in those circumstances.
More outrageous than the clichéd circumstance is the fact that she needs medical help consistently where he just needs it toward the end. Why then does the old trope of the damsel in distress come to mind? Why not,in a film shameless with tear jerking.
He just lost his wife, and she doesn't seem overly joyed about her impending wedding and her husband, Mark (Dermot Mulroney). So you know what's going to happen right to the end.
I am happy to see Canada so beautifully captured on the screen. As for me, I felt captured in a melodramatic survival story from which I needed rescue.
If Nicholas Sparks could do lost in the snow, then he could have written this rather trite and predictable romance. Why wouldn't they fall in love with no one else around and such attractive people to boot? That they both are vulnerable becomes obvious; that they will fall in love is a given of the genre and maybe of survival itself when there's no one else around.
Lest I forget, a lovable dog also is a tie to bind. To be fair, director Hany Abu-Assad and his writers J.Mills Goodloe and Chris Weitz keep the real romance from happening through at least half the film. During that blessed time we can enjoy the spectacle and the survival techniques. Always with the thought of what we would do in those circumstances.
More outrageous than the clichéd circumstance is the fact that she needs medical help consistently where he just needs it toward the end. Why then does the old trope of the damsel in distress come to mind? Why not,in a film shameless with tear jerking.
He just lost his wife, and she doesn't seem overly joyed about her impending wedding and her husband, Mark (Dermot Mulroney). So you know what's going to happen right to the end.
I am happy to see Canada so beautifully captured on the screen. As for me, I felt captured in a melodramatic survival story from which I needed rescue.
Forget the movie and read the book. They took everything great about the book, changed it and in the process lessened the story in almost every way. It feels like they are in such a hurry to get to the action that they gloss over the beginning. Then they proceed to take every character and give them baggage instead of just letting them be good people. Sad.
Você sabia?
- CuriosidadesPrior to filming, Kate Winslet had discussed her role with close friend Leonardo DiCaprio. Leo, who had finished filming O Regresso (2015) in equally-gruelling conditions, warned her of how bitterly cold the temperature would be and how difficult filming would become. Once filming had commenced, Kate would send texts to Leo of her covered in snow and hanging off the mountain, with the caption: "this one's for you, honey!"
- Erros de gravaçãoThe camera that Alex uses is a Leica M4-P made from 1980 to 1986 and is a 35mm film camera. At the beginning of the movie the camera has image review, a feature not found on film cameras and it also has auto focus capabilities something not found on a Leica M4-P. By the end of the movie the camera is back to a normal Leica M4-P with a roll of film and a developing scene.
- Trilhas sonorasSonata for Violin and Keyboard in B Minor, BWV 1014: I. Adagio
Written by Johann Sebastian Bach
Arranged by Ramin Djawadi
Principais escolhas
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- How long is The Mountain Between Us?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Más allá de la montaña
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.348.555
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.551.336
- 8 de out. de 2017
- Faturamento bruto mundial
- US$ 62.832.209
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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