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6,5/10
2,1 mil
SUA AVALIAÇÃO
França dos anos 1760. Suzanne fica chocada quando sua família burguesa a manda para um convento. Lá ela enfrenta opressão e tormento, levando-a a lutar e expor o efeito desumanizador da vida... Ler tudoFrança dos anos 1760. Suzanne fica chocada quando sua família burguesa a manda para um convento. Lá ela enfrenta opressão e tormento, levando-a a lutar e expor o efeito desumanizador da vida enclausurada.França dos anos 1760. Suzanne fica chocada quando sua família burguesa a manda para um convento. Lá ela enfrenta opressão e tormento, levando-a a lutar e expor o efeito desumanizador da vida enclausurada.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If it were up to her that is. Bad jokes aside, this is based on a novel that has already seen an incarnation (no pun intended) in movie that was made in the sixties. I can neither relate to that movie or the book, since I haven't read or watched those. But I can say that I can relate to our main character here. And who would not be able to? Being forced to do something you don't want to, is something everyone has had to go through in different variations.
I do wonder what the church is saying about this, although it's obvious that the blame goes to single persons instead of everyone. The structure is pretty neat, with someone reading what happened and us being thrown into that mix. Great sets and costumes and a very well acted (underplayed) main role. Sometimes the devil is in the detail ...
I do wonder what the church is saying about this, although it's obvious that the blame goes to single persons instead of everyone. The structure is pretty neat, with someone reading what happened and us being thrown into that mix. Great sets and costumes and a very well acted (underplayed) main role. Sometimes the devil is in the detail ...
... given the age of the story - but this disappoints on other fronts as well.
Firstly, the Dickensian "let's drag everyone through misery until the deus ex machina ending" is just too well-worn for me, but could have been OK if the execution were more interesting on the way. Sadly, I was bored quite often, waiting for something to happen (or just not to see again something already well-signposted) and some of the acting (sadly including Huppert's turn here) was just not very convincing.
Ultimately, a nicely-shot but (for me) too-familiar tale of the crushing power of systems and the risks of resistance. Others may have more fun with it.
Firstly, the Dickensian "let's drag everyone through misery until the deus ex machina ending" is just too well-worn for me, but could have been OK if the execution were more interesting on the way. Sadly, I was bored quite often, waiting for something to happen (or just not to see again something already well-signposted) and some of the acting (sadly including Huppert's turn here) was just not very convincing.
Ultimately, a nicely-shot but (for me) too-familiar tale of the crushing power of systems and the risks of resistance. Others may have more fun with it.
Denis Diderot wrote La Religieuse (The Nun) in 1780 and the power in this story remains intact in this screen adaptation by Guillaume Nicloux (who also directs) and Jérôme Beaujour. Diderot was a radical freethinker, rejecting conventional dogma and associated himself with some of the most enlightened philosophers of his age. His books were burned and Diderot himself served three months in Vincennes prison in retaliation for his attacks on the conventional morality of the day. Some of his books were considered so radical that they were banned until after his death.
The story takes place in France, in the 1760s. Born to a bourgeois family, Suzanne (Pauline Etienne) is a beautiful young girl with a natural talent for music. Despite her faith, she is dismayed when her parents send her off to a convent, expecting her to become a nun. Suzanne first resists the rules of the convent, but soon finds out that she is an illegitimate child, leaving her no other option than to pronounce her vows and suffer the consequences of her mother's sin. She soon wants to escape the religious path and is trying to revoke her vows when the Mother Superior, who had brought her comfort and solace, dies. Her successor, Sister Christine (Louise Bourgoin), turns out to be a sadistic and cruel Mother Superior, inflicting the worst forms of humiliation upon Suzanne, such as depriving her of food and clothing. Suzanne is finally transferred to another convent, where she discovers another kind of Mother Superior (Isabelle Huppert), who develops an inappropriate affectionate bond with her. The story is one of a woman trying to resist imposed religious values, revealing the dehumanizing effect of cloistered life.
Pauline Etienne is radiant as Suzanne and as always Isabelle Huppert delivers a riveting performance. The costumes by Anaïs Romand are especially fine as is the musical score by Max Richter. This is a superb film on every level.
The story takes place in France, in the 1760s. Born to a bourgeois family, Suzanne (Pauline Etienne) is a beautiful young girl with a natural talent for music. Despite her faith, she is dismayed when her parents send her off to a convent, expecting her to become a nun. Suzanne first resists the rules of the convent, but soon finds out that she is an illegitimate child, leaving her no other option than to pronounce her vows and suffer the consequences of her mother's sin. She soon wants to escape the religious path and is trying to revoke her vows when the Mother Superior, who had brought her comfort and solace, dies. Her successor, Sister Christine (Louise Bourgoin), turns out to be a sadistic and cruel Mother Superior, inflicting the worst forms of humiliation upon Suzanne, such as depriving her of food and clothing. Suzanne is finally transferred to another convent, where she discovers another kind of Mother Superior (Isabelle Huppert), who develops an inappropriate affectionate bond with her. The story is one of a woman trying to resist imposed religious values, revealing the dehumanizing effect of cloistered life.
Pauline Etienne is radiant as Suzanne and as always Isabelle Huppert delivers a riveting performance. The costumes by Anaïs Romand are especially fine as is the musical score by Max Richter. This is a superb film on every level.
La religieuse is an interesting account of the life of the recluse who seeks a life of serenity, away from the distraction of the world only to find themselves amind cruel, pitiless and sadistic individuals who use religion and the name of God as an excuse to inflict pain on others. Prior to watching this adaptation, I have read few pages of Diderot's novel, and I can say that the movie does justice to the work, and now that I am continuing the reading, I can vividly picture the scenes of the movie, along with Pauline Etienne who gives life to the character of Suzanne Simonin, as i read through the pages.
From the first few minutes the movie seems too plain and boring. There are only two scenes which take up too much time and do not explain anything completely. The plot is silly, the music is unsatisfying. Don't recommend this for watching to anyone.
Você sabia?
- CuriosidadesThe French sister Suzanne is played by Pauline Etienne, who was born in Belgium. In Uma Cruz à Beira do Abismo (1959), a similar movie based on the real life story of a Belgian nun who also wants to leave her convent, Sister Luke is played by Audrey Hepburn who was also born in Belgium.
- Erros de gravaçãoMad nun Sister Bénédicte pronounces the Latin sentence "Noli me tangere" ('Touch me not', John 20:17) with the reconstructed Classical Latin pronunciation, which was not used by the Catholic Church those days.
- ConexõesFeatured in A Economia do Amor (2016)
- Trilhas sonorasStabat Mater
Composed by Antonio Vivaldi
Principais escolhas
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- How long is The Nun?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Nun
- Locações de filme
- Bronnbach Monastery, Baden-Württemberg, Alemanha(Suzanne entering convent as noviciate)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 503.090
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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