Poklosie

This is a very good movie. Deeply tragic, terribly honest, unbearably truthful, impossibly merciless. he very topic of Holocaust has been closely watched, studied and discussed, but here we do not have the scale of Spielberg's Schindler's List, or bare wound of Polanski's Pianist. Here we see a minor case, nevertheless, not a bit less painful or decent. The story of two Kalina brothers in a small Polish village (which is shown so vividly and so exact) seems to be a bit slow at first, but then the tempo of the film gets faster, the events get more and more tragic, and people become more and more horrible. This is a fictitious village, but the story itself is of Jedwabne origin, with local population taking part in killing all local Jews just to be commended by Nazis. The very fact that the movie was prohibited in some Polish Gminy (regions), and harshly attacked by nationalists shows how very true it is and how precisely it hit the tee. Ireneusz Czop as Franciszek Kalina, Maciej Stuhr as Józef Kalina, brother of Franciszek, Jerzy Radziwiłowicz as the rector, Zuzana Fialová as Justyna, granddaughter of Sudecki, Andrzej Mastalerz as Janusz Pawlak, Zbigniew Zamachowski as police Sgt. Włodzimierz Nowak, Danuta Szaflarska as the elderly herbalist

• all these actors did a marvelous and very deep performance, and the very core of the problem is shown extremely well. Thye final discovery is so tragic for Kalina Brothers, so bad, so terrible to know, that one of them cannot bear the truth anymore, and the other does what he really has to. The final scene with Jewsish relatives of murdered locals is deeply sad, touching, and really great. I highly recommend this excellent film and commend it 10 out of 10. This is a superb work of Wladyslaw Pasikowski - he did his real best.

From the beginning one knows this is not going to be a walk in the park. The movie exudes heaviness wrapped in the antisemitism of the time, the country and the characters.

Layered with numerous subplots about brother-brother relationship, the role of the church, the morals of the people, the dreariness of rural living in Poland-the main peeling of the onion unfolds in the last few minutes and the results are spellbinding.

The twists and turns kept me engrossed and I found the acting so good that I had to remind myself that this was not a documentary. Having said that we were reminded by a poster that this is based on actual events, indeed that made it even more provocative and upsetting.

It's the kind of movie that will have you thinking about it for along time.

Not too long ago, many were slaughtered, and there was a fraction that got all the attention and the blame. The problem is that there were parties that just stood by while others committed these crimes and/or either approved or even participated in their execution. The film explores how there was more to history than we have been exposed to, that the horrors were worse than anything we could imagine, and the devil shows his ugly face in more than one way.

Two brothers find themselves at the heart of the story, which begins as a some type of thriller/conspiracy the likes of which we have seen before. For a while the spirit of "Chinatown" comes to mind, and a beautifully crafted film slowly unfurls a narrative where the mystery expands, the cast of the dueling parties grows as new layers are revealed, and eventually the film combines elements seen in old fashioned thrillers, horror movies, and even a touch of noir here and there.

What takes the film to a higher category is that what we see here has basis on real historical events, and as we realize this, our souls hurt because the pain is too much, and it might be that there is the possibility that we can become one of the parties involved. After all, free will has always been at the core of the worst human decisions in history. Either we want to destroy, to save, or to remain quiet and allow the evils to continue and grow. Liars have for years assisted those who either killed or stole, and they condoned quietly the actions of others by not interfering.

Films like these makes us remember how ignorant we are, in many different degrees by either not learning enough, not being willing to change and by not facing what really exists in our own souls.

I feel sad for the review where one feels attacked and is explaining at length how this movie makes all Polish anti-semites. This is merely silly of course. History doesn't change by denying it. Painful but true, who ever survived the German camps and made it back was to find everything taken from them. It's a part of history and nobody has to be offended when movies are based on our gruesome events. It's no generalization.

About the movie: excellent cast, excellent story build up and absolutely worth your time. Even for those not interested in the historical part. While the story unfolds there is a intense sense of claustrophobia as the small town has to let go of generations old secrets. Daring script and great pacing.

I have become increasingly interested in films and books that address the topic of Polish anti-Semitism. Initially, I approached the topic defensively. How, I wondered, did France and Italy get so conveniently off the hook in the post war years, when the capitulation and collaboration with the Nazis that occurred in those countries is indisputable? Poland's government was the only one that did not capitulate to the Nazis during World War II, and that is part of the reason Warsaw was reduced to rubble. Nazi punishment for Poles during the war was exceptionally harsh; whole families were put to death for harboring Jews.

"Aftermath," directed by Wladyslaw Pasikowski, is another example of a new generation of Polish writers and artists coming to terms with a dark past. The film begins with the return of a man to his hometown after 20 years of living in Chicago. Something is clearly amiss. His brother has inexplicably begun unearthing Jewish gravestones that were used as paving blocks after the war. The neighbors are unaccountably hostile. The buried secrets concern the wartime fate of the local Jews who, contrary to official history, were not deported by the Nazi occupiers but massacred in a single day by their Gentile neighbors. Released in Poland in 2012, "Aftermath" reignited the controversy that surrounded the publication in 2000 of the book "Neighbors" by Jan T. Gross, a searing account of the covered-up slaughter in Jedwabne, a once half-Jewish village in northeastern Poland where hundreds of Jews, including children, were murdered in a savage pogrom in 1941.

In "Afternmath," Poles, accustomed to seeing themselves as victims during World War II, are confronted with an incident in which their countrymen had been victimizers. Nationalists were incensed. Others found this revelation evidence of a nation coming to terms with its disturbing past. Pasikowski saw the subject as material for a movie. "The film isn't an adaptation of the book, which is documented and factual, but the film did grow out of it, since it was the source of my knowledge and shame," he has said. "Aftermath," which is set around 2001, at the time of the Jedwabne debate (to which the film never explicitly refers) in the same rural region of northeast Poland, and draws not only on the book "Neighbors" but also the 1996 documentary "Shtetl," made by Marian Marzynski to create not a documentary but an impassioned plea for truth no matter how ugly.

Obsessed with the idea of rescuing the remnants of Jewish life, Pasikowski's protagonist, Jozef Kalina (Maciej Stuhr), is subjected to intense hostility. Jozef is ostracized by his neighbors. His wife, unable to withstand the pressure, leaves for Chicago. His older brother, Franciszek (Ireneusz Czop), who departed Poland on the eve of the 1981 declaration of martial law, returns to investigate and finds himself unwillingly drawn into his brother's mission, excavating the past with increasingly violent and ultimately devastating results.